The Sandpaper Eyebrows, Clockwork Utopia. Album Review.

Liverpool Sound and Vision Rating * * * *

David Georgiou, the man behind the keys of Kingbathmat takes a peek from behind the curtains and like any musical maestro likes what he sees but knows that he can take it on another stage further and his release under the guise of The Sandpaper Eyebrows, the album Clockwork Utopia, takes the 21st century neo Metal-Progressive Rock to the next level.

Chasing Infinity, Gig Review. The Lomax, Liverpool.

Liverpool Sound and Vision Rating * * *

It doesn’t seem like five minutes ago that the members of the fledgling group, Chasing Infinity, were making their way through the University of Liverpool Band Society. The chance to get together with like minded people through music at University may have had its detractors but as Adele Halsall, Rob Saunders, Paul McCormick and Megan Eldred have more than ably proved over the last couple of years, it is just the beginning.

Sophie Anderson, Gig Review. The Lomax, Liverpool.

Liverpool Sound and Vision Rating * * * *

As last minute replacements go, to find the exceptional Sophie Anderson standing on stage ready to blow the audience away in one fell swoop constitutes the beginnings of a very fine evening out.

Sophie Anderson may have found herself at a loose end on a Sunday evening in the biting cold that has come back for a second go this winter but once inside the Lomax on Cumberland Street there was no stopping this young woman from showing her magnificent vocal range that wonderfully left people taken aback in its animalistic brutal sensational quality.

Robert Vincent, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Just under two weeks after releasing what is already a compelling contender for album of the year and Robert Vincent is a welcome surprise for those attending the first gig by Parlour Flames at The Epstein Theatre as he comes on stage to present five of the songs from his debut album.

It certainly was the type of gig that Robert Vincent thrives in, it’s personable, light and with just the right audience that will listen intently to what he has to say and with Robert’s lyrics, he really has a lot to say.

Parlour Flames, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Avant-Garde, interesting, going against the well-established grain and rather good to spend the evening in their company, all the things you need to hear when listening to the band Parlour Flames. There is something else to add to that list that will invariably grow over the next few months as well, Paul Arthurs, the man known to a generation of Oasis fans as Bonehead, has found a kindred spirit and someone who seems to care about him and the music in Manchester poet Vinny Peculiar.

Ian Skelly, Gig Review. Zanzibar, Liverpool.

Liverpool Sound and Vision Rating * * * *

There has been much hype about Coral drummer turned multi-instrumentalist Ian Skelly’s debut solo offering Cut From a Star and on its homecoming performance in the Zanzibar, it is not hard to see why.

Robert Vincent, Life In Easy Steps. Album Review.

Liverpool Sound and Vision * * * * *

Remember this date, February 2013. If you purchase, borrow, lend or acquire Robert Vincent’s debut album Life In Easy Steps, it will be one of the most accessible, life affirming pieces of music that you are ever likely to hear, certainly this year and perhaps for the rest of the decade.

Such music is of course subjective, it always boils down to how the musician presents their image and thoughts onto you, others will agree and most will probably argue till they are blue in the face.  If an album can reach into even the stoniest and hard hearted of souls and make them even quiver slightly, whether through excitement or pained and real memories then the album and the artist has done their job.

Oliver Reed: Wild Thing, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

To portray a man on stage whose reputation preceded him takes exceptional talent, to portray the wild man of British film in such demanding style deserves the largest plaudits possible and for that Rob Crouch should be taken aside and congratulated by anyone who ever worked with the Hell- raiser Oliver Reed in bringing this man’s essence back to life in the superb Oliver Reed: Wild Thing.

Heaven’s Basement, Filthy Empire. Album Review.

Liverpool Sound and Vision Rating * * * *

After two stunning E.P.’s it was only a matter of time before Heaven’s Basement released a debut album that matched the ferocity and desire that their presence on the rock scene demanded. That time has come and the obliterating and karmic ear assaulting result is the fantastic Filthy Empire.

Despite publicised line-up changes the transition between E.P. releases and this new album, it seems to have been an easy one and certainly the lead vocals appear to be in good hands in Aaron Buchanan as he rages, thunders and fumes against lots of humanity’s wrongs and ills.

Titus Andronicus, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * ½

Cast: Sam Liu, Lauren Fitzpatrick, Karl Falconer, Jason Carragher, Alexander Bollands, Lowell Carragher, Russell Carragher, Matilda Swinney, Alexandra Walker, Siobhan Crinson, Sam Wright, Aimee Marnell, Elena Stephenson, Agata Jarosz, Con O’Neill, Justine Williams, Laura Ryan, Sarah Dwyer.