Tag Archives: Liverpool

Haunted Scouse. Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Helen Carter, Paul Duckworth, Lynn Francis, Julie Glover, Michael Starke.

We deal with grief in our own way, but we must allow humour to part of the therapy in taking us from a place of heartbreak to one where we can look back at the times before the moment and take solace in the joy what came before, the small things that make a smile and a laugh the most beautiful response in the world.

Toyah And Robert’s Sunday Lunch: Live. Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

Toyah has never lost her sense of fun and style, and her husband, the legendary Robert Fripp, exudes such an air of gentlemanly grace that to be in their presence can often feel measurably overwhelming.

For to watch two of Britain’s most experienced performers on stage can lead to the listener being comforted and dominated in the same breath; and when they are together on the back of their hugely successful Sunday Lunch show online that sartorial elegance on stage for a Liverpool crowd is one that is to be acknowledged as being performed by a king and queen of Prog and Punk.

Radical Revival Of Comedy, The Importance Of Being Earnest, Comes To The Liverpool Playhouse This Month.

A radical revival of Oscar Wilde’s comedy The Importance of Being Earnest visits the LiverpoolPlayhouse from Tuesday 11th to Saturday 15th October. Created by English Touring Theatre, Director Denzel Westley-Sanderson busts the myth that Black history started with migrants coming down the Windrush’s gangplank, and instead employs wealthy Black Victorians to reinvent this eternally witty study of manners and the corrosive nature of rigid societal conventions.

Winner of the 2021 RTST Sir Peter Hall Director Award, Denzel breaths fresh energy into this tale of dysfunctional families, class, gender, and sexuality.

Angie Waller Brings Her Tough Old Bird To The Unity Theatre This September.

From Nana Funk, the great-great-grandmother of good times, comes a heartfelt musical journey of exploration, inspired by real life events and stories.

Tough Old Bird explores how women are viewed in society as they have the absolute gall to get older! Have you ever noticed those adverts promising to ‘defy the effects of aging’? Ooh Nana hates them. What about when we get old? Where’s the instruction manual? Who deems what is ‘acceptable behaviour’? What happens when your voice isn’t listened to, or you become slowly invisible?

Join Nana as she asks the big questions! Aging well doesn’t mean behaving yourself.

Clannad, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * *

Award-winning band Clannad said farewell to Liverpool, and Liverpool said a reluctant sad farewell to Clannad.  

It’s been 50 years since this exceptional Irish band from Donegal bounced onto the music scene with their eclectic mix of traditional Celtic music and new age ethereal vibes. 

Legendary, influential and culturally important, the band was formed in 1970 by siblings Moya, Ciaran and Pol Brennan and their uncles Noel and Padraig Duggan. Unfortunately, Padraig passed away in 2016 and the band gave him a “shout out” at the Liverpool Philharmonic Hall last night to the delight of a packed audience. For a short time, sister Enya had been part of the line-up but now ploughs her own path.  

An Inspector Calls, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Liam Brennan, Christine Kavanagh, Jeffrey Harmer, Alasdair Buchan, Chloe Orrock, Ryan Saunders, Emma Cater, Michael Ross, Portia Booroff, Elissa Churchill, Jonathan Davenport, Nathanial Cagliarini, Ella-Grace Hanson, Daniel Dean.

Time never changes, it just alters the angle in which you stare at it, until finally you realise that what has already gone, has returned, and normally with even greater ferocity and fire than before.

Something About Simon – The Paul Simon Story Returns To Where It All Began, As Gary Edward Jones Brings The Hit Show Back To Liverpool.

The return of the popular show follows critically acclaimed runs at the Edinburgh Fringe and New York City.

A new stage show celebrating the life and music of American singer songwriter Paul Simon has announced tour dates for 2020 following a number of successful runs in the UK and the States. The show returns to Liverpool, the city where the shows journey began, at the Epstein Theatre on Saturday 22nd February.

Something About Simon – The Paul Simon Story has won critical acclaim on home soil and overseas, and now the team behind the one-man show are taking the show on the road again.

White Little Lies, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Celebration, we arguably don’t do it enough, or if we do then we do it for the wrong reasons, we find the excuse to congratulate almost anything and we often neglect the purposeful and the driven to our own cost.

It is in the resolute and focused aim that White Little Lies took to the stage at Studio 2, not even the spectre of November’s horrendous weather, the grey skies leaving its sternly fixed gaze over the Liverpool skyline could deter Daniel Saleh and Vanessa Murray from delivering a set full of mastery, poise and the squeal of delight from the audience.

Two Black Sheep, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating 9/10

In the right hands the combination of guitar and violin is one of extreme beauty, they complement each other, they add a mournful dynamic to joy, they imagine upbeat righteousness in the midst of passion and yet they also bring a sound of hope to a place where life is in need of comfort; it matters not if the sound is one of the ethereal or inscribed with a regimental jig, what matters is that the heart and soul of a song is joined together by the players and their instruments.

Camilla Sky, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

There is an unrivalled elegance that is on show when Camilla Sky steps on the stage and allows herself to feel the moment, the twinkle in her eye that suggests mischievous beauty and the roving thoughts of melancholy greatness are idols in which to bow down a head and be thankful for; even in the swirling mists of laying her life down for lyrical inspection, there is a style and refinement that shines through with absolute purpose.