Tag Archives: theatre review

Held, Theatre Review. Playhouse Studio Theatre, Liverpool.

Pauline Daniels, Ged McKenna in Held. Photograph by Christian Smith.

Liverpool Sound and Vision Rating * * * *

Cast: Pauline Daniels, Ged McKenna, Alan Stocks.

The idea of losing someone piece by piece, memory by bittersweet memory is one that no human being ever wants to contemplate, its implications and devastating results can break apart families whilst the person who slowly moves further and further away cannot help in anyway. Such was the authoritative writing of Joe Ward Munrow and the directing of the creatively astute Lorne Campbell in Held, that the heart was pulled in many different directions as the audience empathised and felt sympathy for each character.

Still Life, Theatre Review. University Of Liverpool.

Mark Raynor, Iona Campbell, Georgina Rose in Noel Coward’s Stll Life. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating * * * *

Cast:  Iona Campbell, Jonny Campbell, Jack Conway, Mary Cooper, Barney Eliot, Reuben Green, Mark Raynor, Georgina Rose, Elena Spiegl, Katherine Wright.

With the strains of Noel Coward’s I Went to a Marvellous Party greeting the audience at the University of Liverpool’s intimate theatre space, the stage was set for a renaissance of the great actor and playwrights work performed by L.U.D.S, one of the two amateur dramatic societies that give young budding actors their first real taste of life in front of an audience. Their chosen piece to start their 2012-13 season off was the sublime affair of several hearts, Still Life.

Steptoe And Son, Theatre Review. Playhouse Theatre, Liverpool.

Photograph by Steve Tanner. Dean Nolan, Mike Shepherd as Steptoe and Son.

Liverpool Sound and Vision Rating * * * *

Cast: Mike Shepherd, Dean Nolan, Kirsty Woodward.

Albert and Harold Steptoe, national comedy legends that were bought to B.B.C. television by the incredible writing of Ray Galton and Alan Simpson, two men bound to each other through blood, despair, apathy and a small measure of distant attachment. No one could have predicted how much the two men would change the television viewing habits of the nation as they settled down each week to watch the Steptoe and Son.

Rita, Sue and Bob Too!, Theatre Review. St. Helens Theatre Royal.

Dannielle Malone, Paul Opacic, Nikki Sanderson in Rita, Sue and Bob Too! Photograph by Ian D. Hall

Liverpool Sound and Vision Rating * * * *

Cast: Tina Malone, Nikki Sanderson, Paul Opacic, Dannielle Malone, Mickey Finn, Elyn Kennedy, Paul Malone.

In 2011 Andrea Dunbar’s Rita, Sue and Bob Too! had a sell out run at the St. Helens Theatre Royal, as it comes round again it is easy to see why this portrayal of Margaret Thatcher’s council estate Britain is such a popular and long lasting hit production.

The Ragged Trousered Philanthropists, Theatre Review. The Lantern Theatre, Liverpool.

Fine Time Fontayne and Neil Gore at The Lantern Theatre. Photograph by Ian D. Hall.

Originally published by L.S. Media. September 29th 2012.

L.S. Media Rating ****

Cast: Neil Gore, Fine Time Fontayne.

The Ragged Trousered Philanthropists by Robert Tressell should be considered one of the most important books of the last 100 years, no matter what your background is. First published in 1914, it shocked then as it still has the power to do so now. The adaptations for the stage have been equally well received and especially in Liverpool where in 2010 Howard Brenton’s adaptation and starring Finbar Lynch, brought the house down.

The Wedding Singer, Theatre Review. St Helens Theatre Royal.

The cast of The Wedding Singer. Photograph by Ian D. Hall.

Originally published by L.S. Media. September 22nd 2012.

L. S. Media Rating ***

Cast: Michael John Griesen, Cameron Jones, Anthony Mackin, Katie Speakman, Jennie Scully, Gary Lamb, Jean Aspinall, Diane Glover, Ann Connolly, James Kirby.

It is always a challenge transferring any successful film to the stage, adapting it, playing with idea but never straying very far from what it was that made it that sensation in the first place. The Wedding Singer is no different to say Legally Blonde or Spamalot in that respect and for the Pilkington Musical Theatre, The Wedding Singer was a joy to perform and to watch.

The Yarn, Theatre Review. Unity Theatre, Liverpool.

Originally published by L.S. Media. September 20th 2012.

L.S. Media Rating ****

Cast: Peter Bromilow, Sharon Clarke, Steve Dalgeish, Chris Douglas, Vera Farrell, Carl Fowler, Patricia Palombella Hart, Gaynor La Rocca, Francesco La Rocca, Mike MacKenzie, Rachael Reason, Carmel Skelly, Kirsty Taylor, Edwina Walsh, Jim Welsh.

Rob Brannen’s play The Yarn is as homely as you can ask for but it also hides the darkness, very cleverly, of what happens to a village when the heart is ripped out of it.

The Alchemist, Theatre Review. Playhouse Theatre, Liverpool.

Photograph by Tristram Kenton

Originally published by L.S. Media. September 19th 2012.

L.S. Media Rating *****

Cast: Ian Bartholomew, Simon Coates, Hasan Dixon, Kevin Harvey, Joshua Higgott, Laurence Kennedy, Ellie Kirk, John McGrellis, Kristian Phillips, Lara Rossi, Nicolas Tennant, Roger Watkin.

The whole world is out for a fast buck, a sure fire way to make money no matter who suffers or is made a fool of. Such was the world during the time of Ben Jonson…and time hasn’t moved on any! Ben Jonson’s play The Alchemist is something different from the plays of the 17th century.

Dreamboats And Petticoats, Theatre Review. Empire Theatre, Liverpool.

Cast: Graeme Henderson, Francesca Loran, Adam Howard, Mathew Quinn, Chris Coxen, Christopher Wheeler, Tristan Pate, David Ribi, Josh Little, Samantha Dorrance, Katie Birtill, Anna Campkin, Ben James-Ellis, Christopher Fry, James Nitti, Robbie Durham, Emily O’ Keefe.

The past is a foreign country, as the saying goes. However the early sixties is still fresh in our minds as it bought the fashions, the music and the second wave generations of teenagers ready to find their own way, their own style and stamp their time on the following decades and those that would follow them.

We Will Rock You, Theatre Review. Birmingham Hippodrome.

Originally published by L.S. Media. August 1st 2009.

Imagine a time when live music is banned and outlawed, to even think of picking up a musical instrument is to be condemned by an organisation that rules over all that it sees. Everybody thinks the same, dresses the same, works for the same company and all expressions of individuality erased and considered a dangerous idea of a degenerative past.