Tag Archives: Theatre Review. Playhouse Theatre

Pride And Prejudice, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Daniel Abbott, Francesca Barley, Anna Crichlow, Doña Croll, Benjamin Dilloway, Holly Edwin, Mari Izzard, Matthew Kelly, Steven Meo, Jordan Mifsud, Felicity Montagu, Charlotte Palmer, Leigh Quinn, Mark Rawlings, Kirsty Rider, Tafline Steen, Geoff Arnold, Jessica D’Arcy, Rose Daulbey, Ally Manson.

It used to be said that manners maketh man, that to be seen as genteel, saying all the right things in polite company, was the way that lead to Britain being seen for its conduct in society, that the revolving doors of etiquette depended its life on how people were judged and measured.

The Star, Theatre Review. Playhouse Theatre, Liverpool.

Eithne Browne in The Star. Photograph by Robert Day.

Eithne Browne in The Star. Photograph by Robert Day.

Liverpool Sound and Vision Rating 9/10

Cast: Eithne Browne, Michelle Butterly, Helen Carter, Kevin Harvey, Danny O’Brien, Jack Rigby, Michael Starke.

Musicians: James Breckon, Elliot Chapman, Danny Miller.

Looking up into the Heavens, one can see the gallery of happy faces, the stars are there to perform, and they find no reason to ever stop beaming their light on the world below. For audiences making their way to the Playhouse this festive season, The Star is shining brightly and it is one that captures all that is good about modern theatre and the remarkable memory it invokes of hearing about the good old days of the music hall experience.

When We Are Married, Theatre Review. Playhouse Theatre, Liverpool. (2016).

Liverpool Sound and Vision Rating 8.5/10

Cast: Kat Rose-Martin, Luke Adamson, Sophia Hatfield, Mark Stratton, Geraldine Fitzgerald, Adrian Hood, Sue Devaney, Steve Huison, Kate Anthony, Lisa Howard, Matthew Booth, Barrie Rutter, Zoe Lambert, John Gully, Andy Hall.

Mr. J. B. Priestley never fails to deliver, even if there are those out in the dark who fail to get the nuance of the times and denounce the clever introspection the playwright had on British Society and making it look back on its own peculiarities and diminishing importance on the future. Whereas the epic An Inspector Calls is very much in the calm outraged camp, the heated tongue of a barracking old outdated ways of thought, his classic drawing room comedy When We Are Married is firmly in the chaotic tranquillity mode and it is one that never loses its heart, especially not in the hands of the superb Northern Broadsides.

The Woman In Black, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: David Acton, Matthew Spencer.

A good ghost story never flinches in the face of modern day scepticism, if anything it can grow with stature, it can take on almost a life of its own, of becoming a haunting reminder of the world in between realities that shape and bend our perceptions of what is clear and unsullied and what is blurred, distorted and afraid to step out of the shadows. A good ghost story is one which you can feel the person next to you wanting to jump out of their skin, their creeping flesh tingle with nervousness and anticipation; there are many that have this effect but few capture the pure sense of emotion that is inherent as The Woman In Black.

The Rivals, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Desmond Barrit, Nicholas Bishop, Lucy Briggs-Owen, Lily Donovan, Keith Dunphy, Henry Everett, Jessica Hardwick, Julia Legrand, Lee Mango, Shaun Miller, Rhys Rusbatch.

One of 18th Centuries Europe’s finest wits and tamer of words never truly gets the praise he deserves in modern society, it is to be enemy of Time when figures such as Richard Sheridan are venerated and applauded by 21st Century audiences and readers of his work but to whom never seem to see the plays due to the length of the production and the fear of producers to take them beyond the boundaries of London.

Observe The Sons Of Ulster Marching Towards The Somme, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Sean McGinley, Donal Gallery, Ryan Donaldson, Iara McGowan, Chris McCurry, Marcus Lamb, Jonny Holden, Andy Kellegher, Paul Kennedy.

The lies and propaganda that was used to call up millions of men during World War One never seems to be anything but staggering, almost contemptible and yet those millions took the call to arms against people they had never met in a battle to preserve the status quo; as each county in the United Kingdom offered up more and more men to the front line, so too did the sense of belonging and camaraderie take hold in the trenches.

Our Ladies Of Perpetual Succour, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Kirsty Findlay, Karen Fishwick, Joanne McGuinness, Kirsty MacLaren, Francis Mayli McCann, Dawn Sievewright.

The potent mix of having too much time on your hands and not enough to do in the area is more than the headlong crash into certain temptation. For those whose young hormones rule absolutely it can cause the body and mind to depart and separate in ways that might seem unfathomable to many who have never experienced the deprivation of what a city life can offer.

The Complete Deaths, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Aitor Basauri, Stephen Kreiss, Petra Massey, Toby Park.

Not every death in Shakespeare’s cannon of work was memorable, not every murder grizzly or foretold by the fortunate chance happening of witches and perhaps not as impressionable to the romantic painters as the death of Ophelia, but there were lots of them, there were hundreds and not all of them on stage and not all of them as well affected as suddenly being pursued by a bear across a wild and abandoned coast line.

The Thirty Nine Steps, Theatre Review. Playhouse Theatre, Liverpool. 2016.

Liverpool Sound and Vision Rating 9/10

Cast: Richard Ede, Olivia Greene, Andrew Hodges, Rob Witcomb.

The secrets of The 39 Steps have long been discussed, bandied around the drawing rooms of gentleman clubs and inner circles of foreign governments for such a long time that the dashing pencil moustache and rugged figure of Richard Hannay positively quivers at the thought of saving the country from the dastardly plot afoot.

The Herbal Bed, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating: * * * *

Cast: Philip Correia, Patrick Driver, Jonathon Guy Lewis, Emma Lowndes, Michael Mears, Charlotte Wakefield, Matt Whitchurch, Heidi Morgan.

William Shakespeare will always be remembered for being Britain’s finest ever writer, however not many of us will know much about his life and family. In this revival of Peter Whelan’s The Herbal Bed, Royal & Derngate, Rose Theatre Kingston and English Touring Theatre have collaborated to bring this drama back to the stage.