Tag Archives: Philharmonic Hall

Michael Bolton, Gig Review. Philharmonic Hall, Liverpool.

Michael Bolton, Liverpool Philharmonic Hall. Photograph by Ian D. Hall

Michael Bolton, Liverpool Philharmonic Hall. Photograph by Ian D. Hall

Liverpool Sound and Vision Rating 9/10

There is a certain satisfaction to be gleaned from watching Michael Bolton on stage. The sheer effortlessness in which he sings, the manner of his performance and the smooth content feel of the music grabs an audience from the very beginning and long after he has left the stage there are still fans glued to their seats, mentally and physically exhausted by the intense feelings that have come from one person, one band, so utterly captivated by the magnetism of the song.

Lucy May, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * *

To walk on stage infront of audience as a virtual unknown, to throw yourself upon the musical mercy of an audience that had been building themselves up for the main event, to do this whilst the spotlight glares down upon you and in some sort of electrical judgment has your life in the claws of its wiry hands and give a set of your own songs the type of true belief usually found in someone whose established credentials has seen them through a few decades; then you know you are witnessing the start of something that could go a long way to being a star of their generation.

Ian Anderson, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

 

For the audience who made their way to one of the final nights of rock to be heard in the Liverpool Philharmonic Hall before its anticipated make over, for the band on stage who entertained them solidly for over two hours, there is at times nothing like Living In The Past; especially when it comes to witnessing the legendary Ian Anderson on stage.

The Classic Rock Show Returns To Liverpool In 2014.

After the success of their critically acclaimed 2012 U.K. tour and as a testimony to the immense popularity of classic rock music, The Classic Rock Show is back – bigger and even better and featuring the music of The Eagles, Led Zeppelin, Dire Straits, Pink Floyd, Bruce Springsteen, Meat Loaf, AC/DC, Supertramp, The Who, Elton John, Fleetwood Mac & much, much more! The show will also be coming back to Liverpool on Friday 7th February 2014 at the Philharmonic Hall.

Go West, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

You can really never have too much of watching a great set of musicians perform on stage, a furtive reminisce of singing along to a set of records as teenager and knowing that surrounding you are 2,000 people in the same building doing exactly the same thing and the realisation as you try to take in all their faces that each one of them is almost deliriously happy.

As part of the very cool package which included The Christians and and Hue and Cry, Go West’s Richard Drummie and Peter Cox thrilled an audience completely with their set and gave those thoughts of being a teenager in the 1980s a helping hand with their playful recollections.

Hue And Cry, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

For anybody who was at Eric’s in Liverpool when Hue and Cry, the brothers Greg and Pat Kane, in May 2012 when the music they performed was so serene, so brimming with the bounty of many years as being one of the great bands to emerge from the late 80s that if the world had ended somehow in a hail of cosmic dust, nobody pretty much would have minded. Now to witness their set at the Philharmonic Hall would have just about having any audience member packing their bags and asking their own personal deity which way they should be heading.

The Christians, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

It may have been a shorter set than any of their home grown fans may have liked but there could be no doubting the honesty, the respect and love from band to audience and given back a hundred times over.  There was obvious mutual sheer enjoyment which accompanied the half dozen songs performed by The Christians as they opened up a terrific night of 80s/90s musical nostalgia at the Liverpool Philharmonic Hall.

Zappa Plays Zappa, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

As the lights go down inside the Philharmonic Hall, the anticipation felt by the audience as they await the son of the legendary Frank Zappa, the just as eminent Dweezil Zappa, was akin to urged to be patient before the start of the Big Bang, everybody knew how important it was, everybody sensed it, they just couldn’t wait for it to begin.

Steve Hackett, Gig Review (October 2013). Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 91/2 /10

There are very few performers that will attempt to capture the magic, the very special experience of a gig twice in the same venue in the same year. Then again, it may have been thought impossible to recapture the very essence of a classic in the first place. However when the venue is the prestigious Philharmonic Hall and the artist is the phenomenal guitarist Steve Hackett, it really shouldn’t come as any surprise at all that the musician and his finely crafted band should once more come to Liverpool and give the legion of fans in the city yet another night to remember.

Liverpool Sound And Vision: The Saturday Supplement. An Interview With Steve Hackett’s Biographer Alan Hewitt (Part One)

Alan Hewitt leans back on the chair in FACT and smiles, a man wistful with memories of gigs and stories which culminated in his book on Steve Hackett, the Genesis guitarist who has carved out perhaps the most productive solo career of all those that made Genesis one of the finest Progressive Rock bands to hail from the U.K. being enjoyed rightly by the multitude. Sketches of Hackett is a book of immense value and warmth and just chatting to him, time seems to lose its meaning as the 20 minute time limit we set ourselves becomes muddled and extended until we have broached the subject of almost every Steve Hackett solo album and his contribution to the richness of the second and third period of the Genesis era.