Liverpool Sound and Vision Rating * * * *
Cast: Tom Baker, Louise Jameson, Sarah Smart, Robin Pearce, Richard Earl, Neil Stuke, Lizzie Roper.
Whoever said reading was good for you had never came across the fear that radiates the characters in novels that never get read, the terror that appears when The Crooked Man comes a calling.
Liverpool Sound and Vision Rating 7/10
Cast: Tom Baker, Louise Jameson, Virginia Hey, Bethan Walker, Gbemisola Ikumelo, James Joyce.
What terrors are there in the dark? The imagination seizes upon the sparks of the obscured, the unseen threat waiting in the shadows to maim or do injury to and whilst we can turn on a light, make our way to a bright area in which to calm the nerves, what if the light brings the terror closer to your door? What if the light actually accelerates the peril and causes more destruction
Liverpool Sound and Vision Rating * * * *
Cast: Una Stubbs, John Castle, Sacha Dhawan, Eleanor Bron, David Ryall, Louise Jameson, Nicholas Burns, Roy Barraclough, Charlie Clemmow, Mathew Foster.
At one time even just the name of English writer M.R. James was enough to send readers and viewers alike scuttling into the dark recess of their mind. The master of the supernatural had an uncanny way of capturing base fears and turning them into works of true genius. A true genius which in some ways has not been surpasses more than a hundred years after his first written ghost story.
Liverpool Sound and Vision Rating 9/10
Cast: Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy, Paul McGann, Louise Jameson, Sarah Sutton, Nicola Bryant, Sophie Aldred, India Fisher, Geoffrey Beevers, Carole Ann Ford, William Russell, Frazer Hines, Peter Purves, Maureen O’Brien, Jean Marsh, Anneka Wills, Wendy Padbury, Katy Manning, Janet Fielding, Mark Strickson, Benedict Briggs, Nicholas Briggs, Oliver Hume, John Dorney.
Liverpool Sound and Vision Rating * * * *
Cast: Christopher Benjamin, Trevor Baxter, Louise Jameson, Conrad Asquith, Lisa Bowerman, Philip Bretherton, Duncan Wisbey, Joanna Munro, Wendy Padbury.
Some crimes, especially the ones involving the laws of time are either caused by a megalomaniac hell bent on destruction of a certain race of people or species or due to greed, the powerful and sickening so called aphrodisiac that prays on the weak and gluttonous. Sometimes these two overlap and then the devastation is even harder to bear. Occasionally though the reason is a lot more pure and it is just the way it was devised and carried out that makes the plan hard to stomach. Such is Elliot Payne’s reason to change time, to end his own misery and loss. It doesn’t make it right but it is a lot more understandable that selling out and destroying an entire species for a pot of gold.
Liverpool Sound and Vision Ration 9/10
Cast: Christopher Benjamin, Trevor Baxter, Louise Jameson, Conrad Asquith, Lisa Bowerman, Abigail Hollick, Hywel Morgan, Andrew Westfield, Philip Bretherton.
The power of a performance, the emotional resonance that bleeds across the stage from the actor to the audience and out in the open world as word of mouth and newspaper columns declare the genius of the words spoken, not only get stuck in the minds of those that see it, they also bleed through the walls of the theatre as if being used as a storage device; feeding and growing until it can take no more. Such is the theory that a building can hold the echoes of the past; it is the premise that sees Jago and Litefoot’s latest adventure in series three take on the voices and images of a story that could be their Swan Song.
Liverpool Sound and Vision Rating 7/10
Cast: Christopher Benjamin, Trevor Baxter, Louise Jameson, Conrad Asquith, Lisa Bowerman, Joanna Bacon, Eden Monteath, Joanna Monro, Duncan Wisbey.
There are some tales, supposedly written for the benefit of children that are really for the attention of adult world. Red Riding Hood, a tale of heroism perhaps in the hands of a small child or really the precautionary story and veiled warning to a woman not to let any old wolf take her virtue. Whatever the fairy-tale, whatever its meaning, the chance for children to be told instructive tales by adults somehow slows down the learning of the moral in the story and makes adults forget the unseen world in which children’s fears are played out.
Liverpool Sound and Vision Rating * * * *
Cast: Christopher Benjamin, Trevor Baxter, Lisa Bowerman, Conrad Asquith, Toby Langworth, Duncan Wisbey, Stephen Thorne, Peter Silverleaf, Alex Mallinson.
When a dead body is found on the Circle Line on London’s Underground, it seems as if this could just be another death that the metropolis has seen another subject pass untimely away into the arms of Lady Morpheus’ elder sister Death. Nothing that should concern two of London’s eminent amateur detectives, nothing out of the ordinary to vex the brain power of Professor Litefoot and his friend with the knack of finding himself either in debt to theatre productions or flustered with his use of alliteration which he uses to great and stunning effect.
Originally published by L.S. Media. May 26th 2012. 
L.S. Media Rating ***
Cast: Tom Baker, Louise Jameson, Geoffrey Beevers, Michael Cochrane, Rachael Stirling, John Banks, Becci Gemmell, Mark Field.
For a generation of Doctor Who fans who have grown up with idea of John Simm’s and Derek Jacobi portraying one of the most formidable foes of the Doctor, they would no doubt place the two extremely talented actors’ portrayals of the insane Timelord as the very best.
Originally published by L.S. Media. July 8th 2012. 
L.S. Media Rating ****
Cast: Tom Baker, Louise Jameson, Geoffrey Beevers, Michael Cochrane, Dan Starkey, John Banks.
Just who do you trust when you cannot even tell your enemies from those that look and act like your deadliest foes!
The second part of Alan Barnes’ story involving the Doctor’s adversary and fellow Time lord, The Master has one of those wonderful plays on words that ingratiates you into the story long before the end credits. Titled The Oseidon Adventure, (think of the 1970’s disaster film The Poseidon Adventure) the action follows on The Trail of the White Worm and the pace, the tempo and overall enjoyment of the writing picks up a notch from the semi lacklustre affair of the previous episode.