Tag Archives: Liverpool

Kacey Musgraves, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

People make much of debut performances, the rite of passage which is seen as historic, the wish to not only enjoy at first-hand what the future may bring, but perhaps to deliver the knowing smile in homely company or at the places of work the thought that you were there to witness it.

Soccer Mommy, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Ration * * * *

It was arguably one of those nights in which it didn’t matter who the support act was, who broke the ice at the debut performance of Kacey Musgrave in Liverpool, the audience, understandably, could be seen to feel the rising tension of the long-awaited appearance of the Country superstar in their midst.

They Don’t Pay? We Won’t Pay!, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Lisa Howard, Steve Huison, Suzette Ahmet, Matt Connor, Michael Hugo.

We are living in a time of farce, a period of political instability in which nobody understands the game anymore, and which is unravelling to the point of embarrassing absurdity; if it wasn’t so frightening, so tragic, and with the constant concern of extremist views being able to sit at the same table as common decency and compassion, then it would be funny.

Robert Cray, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

If life is offering you nothing but Blues, then without any argument or sense of guilt the only thing that should be done is too take in the performance of a true link between the golden heyday of Blues, and its natural platinum standard of the 21st Century, that of the ever graceful American, and passionate guitar player, Robert Cray; it is a performance that thrill the bones of anyone, Anytime.

The Mike Eldred Trio, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * *

Temptation is either driven by the absolute desire to possess something that should never be yours, or by the smallest introduction to something that is beautiful, the latter not to own, but to at least explore, to take charge of feeling inadequate of not having seen its sparkling joy descend before your eyes before.

Rock Of Ages, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Danielle Hope, Luke Walsh, Kevin Kennedy, Lucas Rush, Zoe Birkett, Sam Ferriday, Rhiannon Chesterman, Andrew Carthy, Vas Constanti, Erin Bell, Alexander Day, Joshua Dever, Sinead Kenny, Adam Strong, Bobby Windebank, Saran Webb, Paris Green, Ryan-Lee Seager.

To Have To Shoot Irishmen, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Gerard Kearns, Elinor Lawless, Robbie O’ Neill, Russell Richardson.

In our act of observance, of recording the facts of a certain situation so that if justice needs to be served, it is done so without bias, without favouritism and with impartiality at the forefront of truth, we can find ourselves in the unwarranted position of being accused of being involved with the crime at hand, or finding our name being labelled as a traitor. To observe, to witness history in the eyes of the pacifist is to know that death by other’s actions is always a possibility, it might just depend which side decides to pull the trigger.

The Habit Of Art, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: John Wark, Alexandra Guelff, Matthew Kelly, Veronica Roberts, Benjamin Chandler, David Yelland, Robert Mountford.

Almost half a century on from his death, the writing, the conscious of one of Britain’s most revered poets, not only of the 20th Century, but arguably of all time, hangs over the nation like Banquo’s Ghost at the table, accusing in many ways the country of neglecting its soul, of pursuing a course of action in which poems such as September 1st 1939 have been forgotten in their entirety, the message of W.H. Auden becoming an almost whimsy-like fascination. It is perfectly acceptable for the poet to come to hate his own creations, become embarrassed by them, shun them even, but a nation should never forget the deep riches left by the fire, singed, but never completely turned to ash.

The Blow Monkeys, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

All good memories fade eventually, perhaps not disappearing forever, never completely out of grasp, but they do fade, they might lose their lustre, the moment when you declared a love forever lost to age, responsibility and the unknowing regret of not designed neglect, that is life, a passion for the always in your sight, replaced by the allure of other more tangible and currently immediate passions.

Steeleye Span, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

History is a place where the modern-day eye falls sharply, and arguably with some personal antagonism, into the realm of judgement and criticism. It is a place that people forget the modern age in which we breathe our daily dust in, will also one day be criticised, pored over with unsentimental eyes and the feeling of damned ill-favour. To stand in the way of that judgement, to carry on producing great songs of lyrical poetry, of music that is powerful in its intent, and demanding in its delivery, that is verging on the heroic, it is to remain resolute in the face of those who dare suggest with snide lips, that nothing of the days that have passed is relevant anymore.