Tag Archives: Liverpool Philharmonic Hall

The Robert Cray Band. Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. July 4th 2010.

With a career spanning over 4 decades, Robert Cray has carved himself a position as one of the best blues guitarist to come from America, his gentle on stage demeanour and apparent genuine love of making an audience happy comes across from the moment he picks up his guitar and plays his first note.

Robert was making only his second visit to Liverpool at the invitation of the Liverpool Summer Pops organisers and there are not many artists who could be a perfect choice to be one of the opening acts for this celebration of live music.

The Christians, Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. September 11th 2010.

One of the last times The Christians came to Liverpool was to perform at the Liverpool Academy and even though the band went down well that night, there seemed to be something missing from the overall experience that audiences expect from one of Liverpool’s finest and most respected bands.

Anything that was sadly remiss on that balmy summer’s night in 2009 was put right by having the band in a setting which suited their style and laid back harmonic approach such as the Philharmonic.

Level 42, Liverpool Philharmonic Hall. Gig Review.

Level 42 in concert. Photograph by Ian D. Hall

Originally published by L.S. Media. October 8th 2010.

For thirty years now Level 42 have been thrilling their fans and delivering a style of music rarely heard in this country and even rarer played with the charm and sophistication that any self respecting music fan would kill to hear.

Back in the 1980’s Level 42 were amongst the top rated bands in the country, with their easy style and pleasing lyrics, they were hailed as media darlings. Mark King certainly broke the mould with his particular way of playing the bass and with Mike Lindup on keyboards and adding his own personal voice on a lot of the group’s tracks; they seemed set to be one of the country’s big musical exports.

Echo And The Bunnymen, Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. October 1st 2011.

Arguably one of the great and iconic Liverpool bands from the 1980’s would surely have to be Echo and the Bunnymen. Although they may have divided opinion on their style and delivery there can be no doubting that to their fans, they were unrivalled and without equal. A fusion of the anger that built up in the city after many years of negativity and powerful imaginative story-telling, wrapped neatly in a bubble of soaring synths and early gothic guitars.

The Anderson/Wakeman Project, Gig Review. Liverpool Philharmonic Hall.

Rick Wakeman at the Philharmonic Hall. Photgraph by Ian D. Hall.

Originally published by L.S. Media. October 20th 2010.

Just over a year ago Jon Anderson came on stage at the Philharmonic Hall in Liverpool to the kind of applause that is reserved for visiting dignitaries and Liverpool’s favourite sons and daughters. To see the man on stage after the year he had the year before was nothing short of a miracle and it didn’t matter what he performed that night, even if he had sat down and read the newspaper the fans would have cheered just as hard and for as long.

The Waterboys, Gig Review. Liverpool Philharmonic Hall.

Photograph by Ian D. Hall

Originally published by L.S. Media. February 2nd 2011.

For some, the divisions between poetry and music are so entrenched that they, no matter what, should never be crossed. However for Mike Scott and The Waterboys and a full house of appreciative fans of W.B Yeats, the genre was not only blurred but redrawn and redefined. Billed as an Appointment with Mr. Yeats, the band pushed the realms of performance art with their reading of the Irish poet’s familiar poems set alongside some of the most stunning music to grace the Philharmonic Hall.

Rumours of Fleetwood Mac, Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. February 9th 2011.

You don’t get a better recommendation to watch a band than a small introductory film by one of the most respected men in rock and one of the founding members of Fleetwood Mac, Mick Fleetwood. The drummer extolled the virtues and friendship of one of the finest tributes bands around and as his introduction was played out, the audience grew more excited as they sensed the impending night ahead.

Rumours of Fleetwood Mac opened an exquisite night of superb musicianship with Rhiannon. From the moment the first note was played, the audience was treated to a night of pure, unadulterated brilliance that never once dropped below nothing short of stunning.

Brian May And Kerry Ellis, Anthems. Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. May 3rd 2011.

Brian May’s name is already assured in the annals of rock music just by being part of the British band Queen and yet time doesn’t seem to diminish his joy at being on stage playing the songs that made him an iconic figure and by making the first night on tour with Kerry Ellis at the prodigious Philharmonic Hall in Liverpool, it set the standard very high for the remainder of the tour.

Roger Hodgson, Gig Review. Liverpool Philharmonic Hall.

Photograph by Ian D. Hall.

Originally published by L.S. Media. May 30th 2011.

For Roger Hodgson to come to Liverpool and play at the Philharmonic Hall is one of those rare moments in time that if you are a lover of good, honest and well crafted songs delivered with style, humour and grace then no matter what you had to be there. Roger last toured Liverpool in the late 1970’s when he was still part of the phenomenal British band, Supertramp.