Tag Archives: Keira Knightley

The Boston Strangler. Film Review. (2022).

Liverpool Sound and Vision Rating * * * *

Cast: Keira Knightley, Carrie Coon, Chris Cooper, Alessandro Nivola, Rory Cochrane, David Dasmaichian, Peter Gerety, Robert John Burke, Morgan Spector, Michael Malvesti, Aurora McLaughlin, Liam Anderson, Antonio X Volpicelli, Nancy E. Carroll, Therese Plaehn, Stephen Thorne, Greg Vrotsos, Ian Lyons, Christian Mallen, Pat Fitz, Pamela Jayne Morgan, Robert C. Kirk, Charlie Thurston, Kate Middleton, Ivan Martin, Kate Avallone, Tamara Hickey, Luke Kirby, Steve Routman, Thomas Kee, Kyra Weeks, John Lee Ames, Richard O’Rourke, James Ciccone, Bill Camp, Jimmy LeBlanc, Gary Galone, David Conley, Josh Drennen, Brian Faherty, Caroline Nesbitt.

Official Secrets. Film Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Keira Knightley, Matthew Goode, Matt Smith, Ralph Fiennes, Rhys Ifans, Katherine Kelly, Indira Varma, MyAnna Buring, Kenneth Cranham, Jack Farthing, Tasmin Grieg, Hattie Morahan, Jeremy Northam, Conleith Hill, Hanako Footman, Shaun Dooley, Monica Dolan, Chris Larkin, Ray Panthaki, Clive Francis, Peter Guinness, John Heffernan, Angus Wright, Adam Bakri.

 

A Government not afraid of the possibility of its people rebelling against them is one that surely does not exist, for the very nature of Government is to lie through its teeth and sow discord under the banner of freedom. It is up to the individual of how much they can stomach, what lies they are willing to let stand and which ones they need to follow closely in the hope that they will be exposed, and which ones they might openly defy.

Collette. Film Review.

Liverpool Sound and Vision Rating

Cast: Keira Knightley, Fiona Shaw, Dominic West, Eleanor Tomlinson, Jake Graf, Rebecca Root, Robert Pugh, Julian Wadham, Sloan Thompson, Arabella Weir, Mate Haumann, Ray Panthaki, Al Weaver, Virag Barany, Dickie Beau, Kylie Watt, Janine Harouni, Joe Geary, Aiysha, Denise Gough, Shannon Tarbet.

The voice of the lost author, the ghost writer, the one who lends their talent to a less than able conjurer of words is often overlooked by history because they are held in a manner of bondage, the current term of such branded captivity is that it is good for exposure, that the remuneration received is surely enough; whatever way you look upon it, regardless of the gender of the person involved, it amounts to the same thing, a literary captivity, the suppression of acknowledgement, of gilded slavery.

Pirates Of The Caribbean: Salazar’s Revenge, Film Review. Picturehouse@F.A.C.T.,Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Johnny Depp, Javier Bardem, Geoffrey Rush, Brenton Thwaites, Kaya Scoderlario, Kevin McNally, Golsifteh Farahani, David Wenham, Stephen Graham, Martin Klebba, Angus Barnett, Adam Browne, Giles New, Orlando Bloom, Keira Knightley, Paul McCartney, Bruce Spence.

 

Every tale has an ending, the circle completed and the finale one that can be passed down as being just as riveting or exciting as the original, the one that started the quest in the first place; if not then dead men and bored but faithful audiences tell no tales, for nobody likes a sequel to be a failure.