Tag Archives: Keddy Sutton

Mam! I’m ‘Ere!, Theatre Review. The Dome, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Rachel Rae, Eithne Browne, Andrew Schofield, Helen Carter, Alan Stocks, Stephen Fletcher, Keddy Sutton, Paul Duckworth, Catherine Morris, Lauren Southwick.

The Dome may not be the most obvious venue for a theatrical production to make its maiden debut in the city; however the acting company that gave their all for the sensational Mam! I’m ‘Ere! more than made the grand old lady very proud and the audience dance and sing with vigour and with a lot of joy.

New Christmas Show, Mam! I’m ‘Ere, To Give Festive Cheer.

Previously Published by L.S. Media. 2012

This Christmas there is a new show in town, bought to life by Life in Theatre Productions – creators of the sell-out and critically-acclaimed musical The Last 5 Years, and David Mamet’s comedy, A Life In The Theatre, and Mam! I’m ‘ere! The Christmas Disco Musical! promises to be one of the biggest theatrical events of the festive season.

Producer of Mam! I’m ‘ere! The Christmas Disco Musical! Stephen Fletcher, has bought together some of Liverpool’s finest actors for a festive treat that will be jam-packed with classic Disco hits in a venue of incredible distinction.

Liverpool Sound and Vision: The Sunday Postscript, An Interview With Alan Stocks (Part Two)

Alan Stocks is one of Liverpool’s most easily recognised actors. His time in plays as diverse as Dead Heavy Fantastic, The Flint Street Nativity, Tartuffe and Scouse Pacific has made him a firm favourite with theatre audiences.

For the last few weeks he has been in the outstanding play by Joe Ward Munrow, Held, at The Liverpool Playhouse Studio Theatre with the superb Pauline Daniels and the inspiring Ged McKenna. Alan’s performance in the production is arguably the finest of his career to date. Alan will soon be seen in the musical Mam! I’m ‘Ere! at The Dome alongside Stephen Fletcher, Eithne Browne, Drew Schofield, Helen Carter, Rachel Rae, Paul Duckworth and Keddy Sutton.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Alan Stocks.

Alan Stocks is one of Liverpool’s most easily recognised actors. His time in plays as diverse as Dead Heavy Fantastic, The Flint Street Nativity, Tartuffe and Scouse Pacific has made him a firm favourite with theatre audiences.

For the last few weeks he has been in the outstanding play by Joe Ward Munrow, Held, at The Liverpool Playhouse Studio Theatre with the superb Pauline Daniels and the inspiring Ged McKenna. Alan’s performance in the production is arguably the finest of his career to date. Alan will soon be seen in the musical Mam! I’m ‘Ere! at The Dome alongside Stephen Fletcher, Eithne Browne, Drew Schofield, Helen Carter, Rachel Rae, Paul Duckworth and Keddy Sutton.

Lavender Girls, Cabaret Night Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

The cabaret night is not one that gets much of a mention in today’s modern world. It can be, unfairly labelled as a relic to a by-gone age by some hard-hearted critics but sometimes the one size fits all approach to an evening’s entertainment is just as good a night out as one dominated by just comedy or an evening of music.

Scotty Road-The Musical, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Scotland Road is one of the most iconic and celebrated roads in Liverpool, it has been home to a community who have looked at its heyday with a certain fondness and others have looked at it with begrudging respect that it held so many people together despite any backlash from other areas that ran it down. People have lived there; worked there and grown up there, it is only right that eventually a musical would be based on Scotty Road.

The Games. Theatre Review. Unity Theatre, Liverpool.

Picture by John Garfield-Roberts

Originally published by L.S. Media March 23rd 2012.

L.S. Media Rating ****

Cast: Liam Tobin, Keddy Sutton, Mark Keemar Smith.

There are so few theatre companies that get the chance to put on a recently found classic by Aristophanes, lovingly restored with some academic attachments and a room of serious people nodding their heads and then talking about why Greek theatre is better than anything that’s written today.