Tag Archives: Jennifer Ehle

The Vampire Lestat. Television Drama Series Review.

Liverpool Sound and Vision Rating * * * *

Cast: Sam Reid, Jacob Anderson, Jennifer Ehle, Eric Bogosian, Ryan Kattner, Seamus Patterson, Sarah Swire, Assad Zaman, Joseph Potter, Delainey Hayles, Gopal Divan, Sheila Atim, Christopher Heyerdahl, Damien Atkins, Vince Kesavamoorthy, Justin Kirk, Amaka Umeh, Shepherd Munroe, Jeanine Serralles, Noah Reid, Andrew Musselman, Guy Maddin.

Arguably Anne Rice’s The Vampire Lestat is one of the finest examples of the modern gothic horror to exist from the 20th century, and to attempt to capture it in a form that does it justice could be beset with issues that might not be apparently noticeable until one finds themselves completely absorbed into the world of 1980s excess and the glut of superfluity that resonated and was heavily underscored by the literature of the time.

Spooks: The Greater Good, Film Review.

Liverpool Sound and Vision Rating * * *

Cast: Kit Harrington, Peter Firth, Tuppence Middleton, Jennifer Ehle, David Harewood, Tim McInnerny, Lara Pulver, Elyes Gabel, Eleanor Matsuura, Laura Swift, Shina Shihoko Nagai, Ronan Summers, Elizabeth Conbiy, Michael Wildman, Cosmo Jarvis, Lasco Atkins, Elliot Levvy, Graham Curry, Lee Asquith-Coe, Hugh Simon.

Just because the threat to national security is not to be seen, doesn’t mean it’s not there. The same goes it seems for television programmes; just because they are not on every week and being part of the nation’s lunch time natter, doesn’t mean that stories haven’t been envisaged, it just means that when the opportunity strikes, it is wheeled out without due recourse or consideration.

A Little Chaos, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Kate Winslet, Stanley Tucci, Jennifer Ehle, Alan Rickman, Helen McCrory, Matthias Schoenaerts, Steven Waddington, Danny Webb, Adrian Schiller, Adrian Scarborough, Pauline Moran, Phyllida Law, Morgan Watkins, Henry Garrett, Alistair Petrie, Adam James.

There are films in which the abundance of talent on offer simply overwhelms the story line, the procession of acting nobility so engulfing, so crushing, that the film dies a thousand scripted deaths; it never truly lives up to the dignity envisioned off screen and the grace offered in the initial stages of casting. Thankfully this is not the issue when it comes to A Little Chaos.