Tag Archives: Gig Review

Level 42, Liverpool Philharmonic Hall. Gig Review.

Level 42 in concert. Photograph by Ian D. Hall

Originally published by L.S. Media. October 8th 2010.

For thirty years now Level 42 have been thrilling their fans and delivering a style of music rarely heard in this country and even rarer played with the charm and sophistication that any self respecting music fan would kill to hear.

Back in the 1980’s Level 42 were amongst the top rated bands in the country, with their easy style and pleasing lyrics, they were hailed as media darlings. Mark King certainly broke the mould with his particular way of playing the bass and with Mike Lindup on keyboards and adding his own personal voice on a lot of the group’s tracks; they seemed set to be one of the country’s big musical exports.

Manic Street Preachers, Gig Review. King George’s Hall, Blackburn.

Photograph by Ian D. Hall.

Originally published by L.S. Media. October 10th 2010.

The Manic Street Preachers are a band that everybody should experience live at least once in their lifetime, understated, dramatic, proud and as real as you can get. There can no doubt that James Dean Bradfield, Nicky Wire and Sean Moore are to be considered as three of the best live musicians of the last decade.

Sheerwater, Gig Review. Static Gallery. Liverpool.

Originally published by L.S. Media. September 23rd 2011.

There is a new music name for people to get their teeth into; they are from Merseyside, they play like a dream, they have the authority to hold an audience’s attention and they’re rather good.

Sheerwater are a four piece outfit that shine and ooze personality and as they played through a set as part of the Band in a Box promotions night at the Static Gallery, the interested looks from those in attendance said it all. If they keep playing in this form and with the vibe they give, it won’t be long before they step up another level and get added to the names of other great 21st century bands that hail from the new home of culture.

Gary Numan, Gig Review. O2 Academy Liverpool.

Gary Numan at the o2 Academy, Liverpool. Photograph by Ian D. Hall

Originally published by the L.S. Media. September 21st 2011.

L.S. Media Rating *****

Gary Numan has some of the most faithful followers in the music industry. From his beginning at the end of the 1970’s as the new pop hero with his new and experimental sounds and film noir look through to the present day where he is seen by some as the Godfather of Industrial Metal, they have stuck by him, added more along the way and through it all, Gary has been given everything back in stunning performances and music that can make grown men act like children in his presence.

Echo And The Bunnymen, Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. October 1st 2011.

Arguably one of the great and iconic Liverpool bands from the 1980’s would surely have to be Echo and the Bunnymen. Although they may have divided opinion on their style and delivery there can be no doubting that to their fans, they were unrivalled and without equal. A fusion of the anger that built up in the city after many years of negativity and powerful imaginative story-telling, wrapped neatly in a bubble of soaring synths and early gothic guitars.

All we Are, Gig Review. Williamson Tunnels, Liverpool.

Photograph by Ian D. Hall.

Originally published by L.S. Media. Sept 24th 2011.

L.S. Media Rating ****

The Williamson Tunnels might not be the first venue in Liverpool that springs to mind when thinking of places to hold a gig, even within the city of Liverpool, it can be a surprise to people who have lived here for years that it holds within its brick walls the ability to host some amazing gigs. It was also no less than perfect for one of Liverpool’s most favourite adopted sons, Richard O’Flynn and his new band All We Are.

Bob Geldof, Gig Review. Southport Theatre.

Bob Geldof in Southport. Photograph by Ian D. Hall.

Originally published by L.S. Media. September 15th 2011.

L.S. Media Rating ****

 

Bob Geldof doesn’t tour that often, he doesn’t bring out albums all that frequently either; however within the space of nine months, Bob has managed to do both. The vocal and yet warm crowd that attended the excellent show at the Southport Theatre were treated to a performance by Bob that reminded all that the man still has fire in his veins; a spirit that cannot be easily dismissed and a personality that is so likeable and infectious, that even when he is ranting against the world, there is a certain spark of enjoyment in his eye.

Bowling For Soup, Gig Review. o2 Academy, Liverpool.

Photograph by Ian D. Hall

Originally published by L.S. Media. October 21st 2010.

Perhaps it’s ironic that Bowling for Soup brought their particular brand of rock to Liverpool on the night that the city was hosting the MOBO awards for the first time. In one corner of the city the corporate and glitzy glamour that is always associated with ceremonies throughout the world and in the other, four lads from Texas, plying their trade the only way they know how, with a room full of eager, sweaty, loyal fans and one hell of a party atmosphere.

The Anderson/Wakeman Project, Gig Review. Liverpool Philharmonic Hall.

Rick Wakeman at the Philharmonic Hall. Photgraph by Ian D. Hall.

Originally published by L.S. Media. October 20th 2010.

Just over a year ago Jon Anderson came on stage at the Philharmonic Hall in Liverpool to the kind of applause that is reserved for visiting dignitaries and Liverpool’s favourite sons and daughters. To see the man on stage after the year he had the year before was nothing short of a miracle and it didn’t matter what he performed that night, even if he had sat down and read the newspaper the fans would have cheered just as hard and for as long.

Amsterdam, Gig Review. Stanley Theatre, University of Liverpool.

Originally published by L.S. Media. October 24th 2010.

Amsterdam may have been quiet on the recording front this year and only playing a select number of live dates, a critically acknowledged tour alongside The Wonderstuff and a sell-out evening at the Liverpool Academy amongst them, however when they have performed, the music is the same high quality, full of frustration, anger at the way of the world and beautifully, unarguably sentimental.