Tag Archives: Geoff Johns

Justice League: The Grid, Graphic Novel Review.

Liverpool Sound and Vision Rating 9/10

Treachery, in the world of action comics or the graphic novel, not one plot device captures the imagination more and makes the reader feel aggrieved at the sense of injustice that has befallen the team or the solo hero. The disloyalty meted out is of such a despicable nature that it is akin to treason to the state. The betrayal of a handshake given in good faith is almost left hanging in the mind as you see in the other person’s eyes just exactly they are planning to do. When it is properly captured by the writer it is the most symbolic action to be placed down on paper and in the fourth volume of Justice League, under the banner of the New 52, The Grid, betrayal and treason come no higher that one of their own turns against them.

Justice League: Volume Three, The Throne of Atlantis. Graphic Novel Review.

Liverpool Sound and Vision Rating 71/2/10

There is no dispute to what the New 52 series has done for D.C. Comics. It has made even the most dedicated fan of Marvel and the independent Graphic Novel publishers fall in love for the re-branding of one of the comic industries’ big two. Where at one time, with the absolute exception of Batman, the very possible concession to Wonder Woman and certainly in America, the absolute mainstay of the franchise Superman, there was never really anything for a lover of the comic book to latch on to and take to their heart.

Justice League, Volume Two: The Villain’s Journey. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

Whatever they were paying Geoff Johns at D.C. Comics, to be honest it really was not enough. Almost single handed, (when isn’t writing a single handed occupation unless it involves film scripts and American television comedy?) he revitalised, what was in the eyes of many a dying flag ship, the crumbling dust of an empire that had been ground seemingly apart by Marvel’s prodigious output and the emergence of some true independent greats. Whether Buffy The Vampire Slayer, Terminator, Locke & Key or any other superbly written graphic art novel, D.C. seemed to be only holding together in part due to the bankability of its greatest creation, Batman.

Aquaman: Death Of A King, Graphic Novel Review.

Liverpool Sound and Vision Rating 9/10

The fourth volume in D.C Comics excellent revival of Aquaman brings all the facets together as if the running of a thousand taps had finally found a deep crevice in which to conjoin and multiply in. By bringing all these together and with the exceptional writing and artistry of all involved, it should be noted that Aquaman, the stuff of much unnecessary hilarity due to the poor nature and lack of respect shown the individual in the past; is arguably one of the most interest characterisations in the last 40 years of publications by D.C.

Aquaman: Throne Of Atlantis. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

It shows just how good an idea it was that the people behind D.C. Comics  came up with the concept of the New 52. A re-branding or re-imagining, which ever you wish to grasp onto, of their super heroes and the way that they were looked upon, from the casual interloper that may have been a staunch fan of their bitter rivals Marvel or the mass and gratefully received comic books and graphic novel fans who had shifted their purchasing power of the independents such as Dark Horse, it was a change that they could get on board with.

Aquaman: The Others. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

Aquaman may well have been the poor relation for many years in terms of superheroes from the big two mainstream makers of comic books and graphic novels but in terms of modern story-telling, the fight against injustice actually going hand in hand with environmental concerns, it really has opened many fans eyes to the possibilities that was afforded to Arthur Curry due to the huge re-boot by D.C. Comics in the New 52 series.

Aquaman, The Trench. Volume One. Graphic Novel Review.

Liverpool Sound and Vision Rating 7/10

There used to be a saying that you were either a Beatles fan or a Rolling Stones devotee, the same could be said of the big two comic book publishers in America, D.C. Comics and Marvel. Like the argument between The Stones and the four Liverpool musicians, there will also be a crossover who say for example find the compelling stories of Batman or Wonder Woman just as exciting as the moral guideline set out by Captain America or the incredible life of Peter Parker’s Spider-Man, just as there are those who love The Beatles but also see the appeal of Paint It Black or Sympathy for the Devil.  However sympathy for D.C. Comics marine hero Aquaman has never really captured comic book fans in any kind of dramatic way.