Tag Archives: Epstein Theatre

Ed Gamble, Blizzard. Comedy Review, Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

It is in the power of a storm that makes a Blizzard one of high tension and drama, the subtle falling of a snow that catches the lights and makes the gentle smile brighten up any face, can soon become a torrent, a fast flowing tornado of expression, a gale of the stuff that will keep you penned in your seats, absorbing every drop of nature that falls from above, and whilst it might catch you unawares, believing for a while that it will just be an inch or two to snip through with ease as you place your toes into the world of snowflakes and warm memories, instead the outpouring leaves you helpless, submerged, unable to do anything but admit that a Blizzard is a gamble worth enjoying.

Liverpool Sound And Vision: An Interview With Claire Simmo.

Pantomime is special, it is social glue that binds generations and allows children their first journeys into appreciating theatre. It is also almost uniquely British, undeniably good fun and something that captures the inner child in us all. We may take our children and grandchildren along in the hope they will entertained, educated and thrilled by the music, the jokes and the magic that comes with a trip to see that Fairy Godmothers do exist, in which the hero and heroine of the story live happily ever after and the joy of the Pantomime Dame lead the audience through the innuendo, however it is as much for the adult in the group as it is the child.

Liverpool Sound And Vision: The Sunday Supplement, An Interview With Eithne Browne.

When it comes to history, the theatres in Liverpool are so entrenched, so immersed in the ‘pool of life, that when it comes to putting on a production that deals in part with the chronicle of the city, with the fabric of the people who have made the streets and buildings, the city, what it is today then that history somehow takes on a more meaningful and significant expression of artistic value.

The Morgue Table, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision rating: * *

Cast: Mark Jones, John Bradurn, Des Flanagan, Russell Parry, Wendy Jones, Ashleigh Roberts, Tania Power, Wayne Lester, Jade Oxby, Anthony Russell, Liam Lloyd, Franny Conlin, Josie Parkes, Peter Highton, Dominic Pitt.

In Walton prison, inmates Tony and Ike have been summoned to see the Governor Mr. Grime who has a proposition that neither can refuse. The only problem is it involves going down to the haunted tunnels to the morgue to destroy the old morgue table. However, Tony and Ike have heard the stories about the morgue table being haunted and are a little hesitant to comply, but a reduced sentence is at stake.

Thea Gilmore, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

To be in Liverpool as a music fan you really do have to pinch yourself sometimes just to make sure that what you are feeling is true and not just a karmic evil spirit giving you a good time only to say at the end, “None of it was true, it was all a dream, how’s that for Karma; love the rest of the U.K.

Nigel Stonier, Gig Review. Epstein Theatre, Liverpool.

Nigel Stonier at The Epstein Theatre, Liverpool. Photograph by Ian D. Hall.

Nigel Stonier at The Epstein Theatre, Liverpool. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating * * * *

When you are an accomplished and forthright musician and producer, it must be high level of instinct that drives the musical notes down the veins and out into the public arena; especially when you are opening the evening for a very talented lady who can charm the socks off an audience just by opening her mouth and letting the lush tones fall where they may.

Graham Gouldman, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

There is arguably nothing as fulfilling in life as seeing a master, in whatever profession, guild or sense of artistic endeavour, play infront of you knowing that they are having the same effect on every other member of the audience and that their work still hold you gripped after many years of having the fortune to stumble across their legendary output.

Graham Gouldman and Heart Full of Songs at The Epstein Theatre. Photograph reproduced with kind permission by David Munn Photography.

Graham Gouldman and Heart Full of Songs at The Epstein Theatre. Photograph reproduced with kind permission by David Munn Photography.

Vinny Peculiar, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

There are many lyrical geniuses walking the Earth, and long there may be so, for the world would be a place of desolation and rampant fettered hegemony controlled by those with no sense of humour or in some cases not an ounce of poetry in their soul. Their main concern the next big hit that has been written somewhere in a mansion and something that appeals to the wallet rather than the feeling of what the lyrics and music combined mean.

Mike McCartney, Sex, Drugs and Rock N Roll ( I Wish). An Evening With Mike McCartney. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

When anybody with the authority of Mike McGear McCartney, celebrated photographer, part of the great Liverpool band The Scaffold and ambassador of many things to do with the city, comes back home and offers the chance to hear him give a talk on his life, it is not just a night out, it is a chance to live through history.

One Dream: The Beryl Marsden Story, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 8/10

Cast: Francesca Davies, Gillian Hardie, Hayley Davies, Nick Sheedy, James Ledsham, Katie King, Danny Woods, Sophie Tickle, Mike Howl, Rob Boyle.

The Cavern in Liverpool is a place of dreams. Even today, long since its golden age and the days in which the Beatles gave all who made their way to the venue a glimpse of the future. It has the power to bestow a certain magic on the thought of artists performing there and the memories of long since departed audiences, the thought of music history forever encased into the walls is one in which visitors clamber over themselves to see.