Tag Archives: Adrian Scarborough

A Little Chaos, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Kate Winslet, Stanley Tucci, Jennifer Ehle, Alan Rickman, Helen McCrory, Matthias Schoenaerts, Steven Waddington, Danny Webb, Adrian Schiller, Adrian Scarborough, Pauline Moran, Phyllida Law, Morgan Watkins, Henry Garrett, Alistair Petrie, Adam James.

There are films in which the abundance of talent on offer simply overwhelms the story line, the procession of acting nobility so engulfing, so crushing, that the film dies a thousand scripted deaths; it never truly lives up to the dignity envisioned off screen and the grace offered in the initial stages of casting. Thankfully this is not the issue when it comes to A Little Chaos.

Darkside. Radio Review. B.B.C. Radio 2.

Liverpool Sound and Vision Rating * * * *

Cast: Iwan Rheon, Amaka Okafor, Rufus Sewell, Bill Nighy, Adrian Scarborough, Peter Marinker, Robert Blythe, Ben Crowe, Philippa Stanton.

Tom Stoppard’s pedigree goes before him, he is arguably one of the most prolific and important playwrights of the latter half of the 20th Century and his work has continued to be a source of inspiration and keenly watched and listened to. The idea though that he would come up with an original play that delved deep into the mindset of British Progressive Rock Kings Pink Floyd and their seminal 1973 best-selling album Dark Side of the Moon could be seen by some, if not many, as a voyage of linguistic artistry too far. However if anyone can do justice to the opus that revolves around madness then Tom Stoppard perhaps is one of the finest to even attempt it the daunting process.

Les Miserables, Film Review.

Cast: Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfreid, Sacha Baron Cohen, Helena Bonham Carter, Eddie Redmayne, Aaron Tveit, Samantha Barks, Daniel Huttlestone, Cavin Cornwall, Josef Altin, Dave Hawley, John Barr, Adrian Scarborough, Isabelle Allen.

Surely there is no way that one of the most intriguing theatrical productions of its time can transfer all its intensity, all of its enthusiasm and guile to the cinematic screen without losing any of its radical thought or scope. Many producers have tried and not many have ever matched the experience that you get when you are as deeply involved with the tale as you are when you embroiled deep within the production as a passionate observer, however with Cameron Mackintosh at the helm and Tom Hooper as director, there is no way Les Miserables can fail.