Day D: Tower Rush (PS Vita), Game Review.

Liverpool Sound and Vision Rating: 9 out of 10

Day D: Tower Rush is a tower defence based strategy game available for download from the PlayStation Store for the PS Vita. The task is to destroy waves of incoming pre-historic enemies before they are able to complete their journey to enter the time machine with the power of turrets and inventions at the player’s disposal across an entire campaign.

The Theory of Everything, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast:  Eddie Redmayne, Felicity Jones, Harry Lloyd, David Thewlis, Maxine Peake, Simon McBurney, Emily Watson, Guy Oliver-Watts, Lucy Chappell, Charlotte Hope, Abigail Cruttenden, Christian McKay, Adam Godley, Alice Orr-Ewing, Thomas Morrison, Michael Marcus, Nicola Sloane, Nicholas Gerard-Martin, Brett Brown, Anthony Skimshire, Eileen Davies, Simon Chandler, Georg Nikoloff, Tom Prior, Sophie Perry, Finlay Wright-Stephens, Gruffudd Glyn, Paul Longley, Enzo Cilenti.

Foyle’s War, High Castle. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Michael Kitchen, Honeysuckle Weeks, Charlie Archer, Rupert Simonian, Nick Cornwall, John Waterhouse, Rupert Vansittart, Ellie Haddington, Tim McMullan, Daniel Weyman, Paul Barnhill, Jeremy Swift, Jamie Winstone, Vincenzo Nicoli, Nigel Lindsay, John Mahoney, Madeline Potter, George Lasha, Mark Chatterton, Hermoine Gulliford, Amanda Lawrence, Joseph Drake, Neil Fitzmaurice, Marianne Oldham, Pip Donaghy, Ollie Hancock, Joe Simpson, Ludger Pistor, Will Keen, Sean Cernow.

Christopher Foyle’s war is never ending and post war Britain must be thankful that there was at least one honest man around who was willing to go up against so called authority in which to get to the absolute truth.

The Art Of Meloncholia.

The art of melancholia should not be dismissed lightly,

nor the sculpture of passionate sentiment

in conveying a different message meaning not seen as unsightly

as one witnesses the beauty of honest lament.

 

To have the air of melancholia surround you,

might bring others down and cursing your name

but there is more honesty in a reflective sadness true

than in any false smile, revelling in sneering fame.

 

To go through life and not feel the hunger

of the soul as it bleeds from time to time,

Birdman, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Michael Keaton, Emma Stone, Edward Norton, Naomi Watts, Andrea Risborough, Zach Galifianakis, Lindsay Duncan, Jeremy Shamos, Kenny Chin, Jamahl Garrison-Lowe, Katherine O’ Sullivan, Damian Young, Keenan Shimizu, Akiro Ito, Natalie Gold, Merritt Weaver, Michael Siberry, Clark Middleton, Amy Ryan, William Youmans, Paula Pell, David Fierro, Hudson Flynn,  Warren Kelly, Joel Marsh Garland.

Some films are just so perfect that the ideology behind them, the message they are meant to represent, doesn’t matter. What matters is the substance, the overall feel in which they leave the audience fulfilled and more content than being told they could eat whatever they wanted over the festive period, it wouldn’t show up as weight gained on the scales at home.

Nickelback, No Fixed Address. Album Review.

Liverpool Sound and Vision Rating * * * *

For many a band, home is perhaps somewhere only where you dump your stuff and put a fresh change of clothes into a bag before heading off onto the road again. The road, whether it’s a journey from Hell on the M6, somewhere between Bicester and Scotland or one of those cross-country runs underneath the open skies of the North American highway, can be all consuming and in the end nowhere feels native, everywhere feels as though you could settle down and find love; it is in the end the sign of the murky waters that goes with having No Fixed Address.

You Put The Music In E.

You don’t need words to understand how I feel,

to know how engaged I consider to be involved

in the art of one sided conversation that you employ.

I take it all in and if I should desire I could shut my eyes

gently and let my ears take me to the paradise

you promise, the Heaven in which I desire and lust after

more and more each day.

 

Many I have loved, and I could recite their closing words to me

when they whisper down my ear with the subtly

Jack The Lad By David Orr.

Jack, the Lad

Every day Jackie’s alarm wakes him up to a randomly selected song from The Charlatans’ Wonderland album. Today it’s Judas and the scratchy synth-laden intro has sounded six or seven times before he gives acknowledgement to anything other than the snooze button. The last time he looked at the clock it was 5.41. Now it’s barely half 7. It’s been another predominantly sleepless night at The Playhouse on New Street.

The Seagull Versus The Iron Men.

I’m as deaf as the Iron Men I watch far from the squall,

but they see so much more than I do, even through

the gloom and dark of both ends of the day.

That raven black sky is pitted with the most beautiful

fire stained red and blistering orange,

as if a far off volcano had burst into life

and sending its majestic deadly plumage as far as the Crosby coast-line

 

High above the Iron Men seagulls battle bravely,

their squawking, bickering, distasteful arguing is unheard

The Musketeers, Keep Your Friends Close. Series Two, Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Tom Burke, Santiago Cabrera, Howard Charles, Luke Pasqualino, Alexandra Dowling, Ryan Gage, Marc Warren, Tamla Kari, Hugo Speer, Dominic Mafham, Mark Carter, John Harding, Anthony Houghton, Will Keen, Olivia Llewellyn, Andy Lucas, Richard Mulholland, Hugo Nicholau, Peter Pacey, Bohdan Poraj, Oliver Rix, Mateo Rufino, Charlotte Salt.

 

The safety of France is at stake and yet somehow it is The Musketeers that have placed it in danger by rescuing a man from a lynch mob. It is the sort of opening to a new series of hugely successful adventure series The Musketeers that feels as good as it possible to be.