I Don’t Wish To Fight Nostalgia.

I took my nostalgia out for a walk

late in the evening, too tired

to pick a fight with certain

sepia filled memories, too ground down

by hopeful idealism

to brawl or come to bloodied nosed

defeat with reminiscence

in which I loved you;

I am just slightly homesick,

but the trouble with having

lived

is that at times I forget

where I have

died

as well.

 

Ian D. Hall 2017

Pride And Prejudice, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Daniel Abbott, Francesca Barley, Anna Crichlow, Doña Croll, Benjamin Dilloway, Holly Edwin, Mari Izzard, Matthew Kelly, Steven Meo, Jordan Mifsud, Felicity Montagu, Charlotte Palmer, Leigh Quinn, Mark Rawlings, Kirsty Rider, Tafline Steen, Geoff Arnold, Jessica D’Arcy, Rose Daulbey, Ally Manson.

It used to be said that manners maketh man, that to be seen as genteel, saying all the right things in polite company, was the way that lead to Britain being seen for its conduct in society, that the revolving doors of etiquette depended its life on how people were judged and measured.

Todd O’Keefe, Uptown. Album Review.

Liverpool Sound and Vision Rating * * * *

The working musician seems to always be around, playing away to the crowd but never being recognised fully for their achievements or prowess unless they step into the limelight and take on the responsibility of opening up their heart to an audience that might prefer them to be in the shadows.

Los Angeles resident Todd O’Keefe has had the good fortune to work with some of the world’s greats including the indomitable Ray Davies, Elvis Costello and Beck, it is in that chance to express in what is quite obviously a sublime talent just itching to be set free and communicate his own ideas and musical designs. It is an itching that sees a realisation scratch in the tremendous album Uptown.

Backbone Cast, Power Within Ourselves. Album Review.

Liverpool Sound and Vision Rating 9/10

The Power Within Ourselves lays deep, it is the way that it comes out, the way emotionally it finds a way to rage and scream whilst at all times being sensuous and alluring, without this power we can only shrink in to ourselves, we can only find that the doors shut and the windows become locked; we have no power to break the cell down if we neglect our voice and the muscle, no matter how robust, in which to get our point of view across.

Her Arm Is Raised.

Her arm is raised, the red

T-shirt proclaiming her beliefs

and that is just the start

of what this flame

that burns bright

within Liverpool

shows to the world.

There is a sense of magnificence

that resides under the cool music exterior,

always at the heart to show her town

as being the best, the finest, the indomitable,

this Liverpool, this keeper of the Red Flag,

hums along before a note is etched out

and when the music starts

she, with honour, knows that is the best

The Indignity Of Country Dancing.

We had Country Dancing at school,

an endurance test for boys

who wanted no part of the pre-pubescent

courtly game

and for the girls,

though I cannot speak with firm authority,

they wanted no part of being involved with

the boys, pre-testosterone, pre hormones,

before manners, before holding hands

was an aspiration, before the scent

of something more by being renowned

for your dancing moves got you the smile

from the girl in the corner

as she shyly sucked on her Panda Pops

Erja Lyytinen, Stolen Hearts. Album Review.

Liverpool Sound and Vision Rating 8.5/10

If anything comes close to being the proverbial man eater then music should be the one that is all consuming; it should also not confide itself to one gender, to one specific gene pool, it should consume with passion everything in its path and lick its lips as it salivates over the next soul posing as a tasty morsel to eat.

Black Star Riders, Heavy Fire. Album Review.

Liverpool Sound and Vision Rating 9/10

There is no reason to believe that Rock will ever die, it doesn’t even seem to exist in a world where it never truly goes out of fashion or sits uncomfortably in the shadows having disappeared into a void of distaste or despair. If Rock can never die then it should come as no surprise that the music that is fluid and robust should at times remind you not only of the best of times but of those once inhabited by the music of the past five decades.

Pulco, O’r Tu Allan. Album Review.

Liverpool Sound and Vision Rating 7/10

The flavour of music will normally be governed by what surrounds you, play a lot of Rock, then Rock will be your weapon of choice when it comes to playing something that the brain craves. Likewise, if you spend your life taking in the thoughts of the beautiful but abstract then, the seemingly nonfigurative but somehow alluring sounds that capture the ear, perhaps by accident, perhaps driven by some audible design, then it is no wonder that the music you begin to create is seen by some in the same class as Picasso or Van Gogh, it is isn’t everybody’s cup of tea but it is enlightening to some.

Apple Tree Yard, Television Review.

Liverpool Sound and Vision Rating 7/10

Cast: Emily Watson, Ben Chaplin, Mark Bonnar, Susan Lynch, Olivia Vinall, Stephen Elder, Jack Hamilton, Syreeta Kumar, Assad Zaman, Kezia Burrows, Steffan Rhodri, Adeel Akhtar, Rhashan Stone, Lydia Leonard, Nick Sampson, Frances Tomelty, Laure Stockley, Sebastian Armesto, Denise Gough, Adrian Lukis.

The problem with putting on a drama on the television, no matter how well intentioned, is that in some respects the pace of the script feels disjointed, it can either be too fast and therefore lose the viewer’s attention by being overly complicated or too slow and then being the type of programme in which the person enduring the ongoing situation is forced to believe that many of the scenes or characters could have been cut or not bothered with at all.