Death In Paradise.

We scream to the heavens

and plead with the pit

below…

…but I find no solace

in either, death in paradise, life

in purgatory, Milton thanks me

for the memory but I have no

recollection of his face,

I can never be brave enough

to light his candle and see

the reflection of pain

and madness in copperplate grind, production and feel

damns our day, in memory, in shadows, in shadows…

…whisper goodbye and good purchase

for your songs, for your psalms…

…whisper

Siobhan Miller, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

In the voice of a siren, a person can feel their cares gently swept away, they can be swayed by the temper and the tempting and the listener is always grateful for the experience, forever in debt to the swirling thoughts of the tempest and the chance to feel the beauty in the combination of the rage and the placid call to which the siren sings.

I Feel Pretty. Film Review.

Liverpool Sound and Vision Rating 5/10

Cast: Amy Schumer, Michelle Williams, Tom Hopper, Rory Scovel, Adrian Martinez, Emily Ratajkowski, Aidy Bryant, Busy Philips, Lauren Hutton, Sasheer Zamata, Angela Davis, Caroline Day, Anastagia Pierre Friel, Gia Crovatin.

When the message is absolutely spot on, when the meaning is clear and embracing and yet the scrawl of writing in which it appears dominates and without favour, you tend to forget the significance, the power of what is being said and instead you focus upon the negative. It is not right of course, it is unashamedly poor form to do so, but in the end being human is all we are, and whilst I feel Pretty is a laudable idea, noble even, the near cliched way it was handled leaves it as a film to be admired from a distance but avoided at all costs up close and personal.

Eddi Reader, Gig Review. Epstein Theatre, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

There are those that will always make a great marriage, a union which is reflected in the way the other side of the pair will always look to the other with hope in their eyes and love in their hearts; celebrated Scottish vocalist and musician Eddi Reader is that kind of performer and human being to whom the relationship with the audience is more than special, it is a marriage of souls and mutual appreciation to which continues to flourish and resonate each time she appears on stage.

Joan Armatrading, Not Too Far Away. Album Review.

Liverpool Sound and Vision Rating 9/10

No matter where you look now, or in the company you keep, there is always a voice that is loud and demonstratively clear that proclaims that there is no depth to the music that sits in the days we share, that it is almost a void of emotional attachment that people don’t wish to acknowledge, the thought perhaps of the very act of exploring and enjoying new music from even the more established names of the world, being one in which is in the bounds of the traitor and the deserter to what went before.

Peggy James, Nothing In Between. Album Review.

Liverpool Sound and Vision Rating 8.5/10

There is the extreme, the sense that you can give everything, all that you can and reap every reward possible, or pay scant regard, ignore the world and the stories being told and place yourself inside a box, cocooned, cushioned and deaf to the cries, the love, the fear and the heartbreak; you either embrace the world with every possible sinew in your soul bursting at the seams, or you become aloof, broken, alone and a faded memory, for there is Nothing In Between that can fill the void.

Don McLean, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

We can all but dream of having the inscription and moniker “Legendary” attached to our name, to be remembered for bringing joy, a wealth of art perhaps, to have done something so epic that it will live past our own lifespan and be a reflection, a calling card for future generations to live up to. Rarely does that identifying mark truly expand upon the brilliant and dazzling first sense of illumination, but when it does, then you cannot but help feel awe when in the presence of such finery in the suit of a fellow human being.

Jarrod Dickenson, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

There should be lessons in disarming and charming audiences to whom, quite understandably, sometimes don’t want to sit through the situation of being polite to an unknown and out of country support. After all, they will argue, you don’t pay to eat at the finest restaurant and bite into a fast food burger as you approach the table and sniff the wine cork. If lessons are to be had, to be instructed upon then Texas’ Jarrod Dickenson would surely top the list of people to don the lecturer’s outfit and smile beguilingly at the crowd gathered.

Ian Burden, Hey Hey Ho Hum. Album Review.

Liverpool Sound and Vision Rating * * * *

In a world without much clear-sighted optimism, to find a musician exalting, even with a pinch of notable British reserve, the sense of bravery and enthusiasm it takes to come back out of the audience perceived, or even self-imposed, musical shadows, is to find a place where the soul can be unburdened, where the sound of the scoundrel driven words of personal tediousness Ho Hum, can become a sense of enjoyable perspective, that a reminder of the past can move forward and tickle the fancy of memory in the future.

Rose Tattoo, Blood Brothers. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Paying homage to your own past is an art form that many cannot possibly emulate, no matter their success in previous times, something always hangs back, a moment of brilliance may be lost forever into the ether and stamp of approval that was hard fought for, becomes sadly less that illustrious, opening up to the possibility of anything that may hamper that sense of beauty, of punk filled anger and the fraternal and sororal bonding that occurs, in spirit, in the love and hold of Blood Brothers and blood bound sisters.