Gary Numan, Gig Review. O2 Academy Liverpool.

Gary Numan at the o2 Academy, Liverpool. Photograph by Ian D. Hall

Originally published by the L.S. Media. September 21st 2011.

L.S. Media Rating *****

Gary Numan has some of the most faithful followers in the music industry. From his beginning at the end of the 1970’s as the new pop hero with his new and experimental sounds and film noir look through to the present day where he is seen by some as the Godfather of Industrial Metal, they have stuck by him, added more along the way and through it all, Gary has been given everything back in stunning performances and music that can make grown men act like children in his presence.

Echo And The Bunnymen, Gig Review. Liverpool Philharmonic Hall.

Originally published by L.S. Media. October 1st 2011.

Arguably one of the great and iconic Liverpool bands from the 1980’s would surely have to be Echo and the Bunnymen. Although they may have divided opinion on their style and delivery there can be no doubting that to their fans, they were unrivalled and without equal. A fusion of the anger that built up in the city after many years of negativity and powerful imaginative story-telling, wrapped neatly in a bubble of soaring synths and early gothic guitars.

All we Are, Gig Review. Williamson Tunnels, Liverpool.

Photograph by Ian D. Hall.

Originally published by L.S. Media. Sept 24th 2011.

L.S. Media Rating ****

The Williamson Tunnels might not be the first venue in Liverpool that springs to mind when thinking of places to hold a gig, even within the city of Liverpool, it can be a surprise to people who have lived here for years that it holds within its brick walls the ability to host some amazing gigs. It was also no less than perfect for one of Liverpool’s most favourite adopted sons, Richard O’Flynn and his new band All We Are.

Bob Geldof, Gig Review. Southport Theatre.

Bob Geldof in Southport. Photograph by Ian D. Hall.

Originally published by L.S. Media. September 15th 2011.

L.S. Media Rating ****

 

Bob Geldof doesn’t tour that often, he doesn’t bring out albums all that frequently either; however within the space of nine months, Bob has managed to do both. The vocal and yet warm crowd that attended the excellent show at the Southport Theatre were treated to a performance by Bob that reminded all that the man still has fire in his veins; a spirit that cannot be easily dismissed and a personality that is so likeable and infectious, that even when he is ranting against the world, there is a certain spark of enjoyment in his eye.

Antony And Cleopatra, Theatre Review. Liverpool Playhouse

Picture from bbc.co.uk

Originally published by L.S. Media.

Cast: Kim Cattrall, Jeffrey Kissoon, Ian Hogg, Martin Hutson, Martin Herdman, Aicho Kossoko, Gracy Goldman, Muzz Khan, Offue Okegbe, Bhasker Patel, Simon Manyonda, Mark Sutherland, Alex Blake, Robert Orme, Ross Armstrong, Mark Gillis.

If ever there was a title contender for most eagerly awaited play to hit Liverpool, then surely Janet Suzman’s directorial adaption of William Shakespeare’s Antony and Cleopatra would sweep everything else aside.

Heart, Red Velvet Car. Album Review.

Originally published by L.S. Media. October 17th 2010.

It can seem odd to hear an album by a band and think that they have finally gone full circle and ended up where they began, fresh faced and full of hope and a wonderful sense of naivety of how their lives would pan out over the following decades.

Red Velvet Car is the new album by 70’s American folk heroes and 80’s rock stars Heart, that crushed all before them and gave a breath of life to a dying genre before almost imploding themselves and becoming caricatures of what they had set out to preserve.

Bowling For Soup, Gig Review. o2 Academy, Liverpool.

Photograph by Ian D. Hall

Originally published by L.S. Media. October 21st 2010.

Perhaps it’s ironic that Bowling for Soup brought their particular brand of rock to Liverpool on the night that the city was hosting the MOBO awards for the first time. In one corner of the city the corporate and glitzy glamour that is always associated with ceremonies throughout the world and in the other, four lads from Texas, plying their trade the only way they know how, with a room full of eager, sweaty, loyal fans and one hell of a party atmosphere.

Lennon, Theatre Review. The Royal Court.

Cast: Stephen Fletcher, Chris Grahamson, Daniel Healy, Adam Keast, Maria Lawson, Paul Mannion, Jonathon Markwood, Andrew Schofield, Nicky Swift.

In 1981 the Everyman Theatre staged a show that at the time could have been considered evocative and pouring oil onto a very raw and passionate flames. The timing couldn’t have been worse, coming soon after the worst riots to hit parts of the city in generations and so soon after Liverpool lost one of its famous, iconic and much loved sons. Looking back with the benefit of thirty years since the death of John Lennon, the musical has become more of a celebration of the man’s life, rather than the wake it would have been in 1981.

The Anderson/Wakeman Project, Gig Review. Liverpool Philharmonic Hall.

Rick Wakeman at the Philharmonic Hall. Photgraph by Ian D. Hall.

Originally published by L.S. Media. October 20th 2010.

Just over a year ago Jon Anderson came on stage at the Philharmonic Hall in Liverpool to the kind of applause that is reserved for visiting dignitaries and Liverpool’s favourite sons and daughters. To see the man on stage after the year he had the year before was nothing short of a miracle and it didn’t matter what he performed that night, even if he had sat down and read the newspaper the fans would have cheered just as hard and for as long.

Amsterdam, Gig Review. Stanley Theatre, University of Liverpool.

Originally published by L.S. Media. October 24th 2010.

Amsterdam may have been quiet on the recording front this year and only playing a select number of live dates, a critically acknowledged tour alongside The Wonderstuff and a sell-out evening at the Liverpool Academy amongst them, however when they have performed, the music is the same high quality, full of frustration, anger at the way of the world and beautifully, unarguably sentimental.