Tag Archives: Cavan Clerkin

COBRA: Series Three. Television Drama Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Robert Carlyle, Victoria Hamilton, David Haig, Lisa Palfrey, Marsha Thompson, Edward Bennett, Lucy Cohu, Richard Pepple, Alexa Davies, Ben Crompton, Jane Horrocks, Holly Cattle, Gregg Chilingirian, Anthony Flanagan, Emily Fairn, Cavan Clerkin, Yasmin Al-Khudhairi, Geoffrey McGivern, Rina Mahoney, Wil Johnson, Khalid Laith.

Our perception of government is not only flawed, it is a dangerous and unsustainable in a modern setting; for what goes on behind the scenes of 10 Downing Street, the secret doors of power, and in the inner sanctum that is the Cabinet Office Briefing Room A, is not for the faint hearted or those who deny that some meetings are not taken place in public for the fear of upsetting the children, the electorate, or as Orwell observantly wrote, The Proles.

The Capture. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Holliday Grainger, Callum Turner, Laura Haddock, Ben Miles, Barry Ward, Ginny Holder, Cavan Clerkin, Ron Perlman, Famke Janssen, Alexander Forsyth, Nigel Lindsay, Ian Pirie, Lia Williams, Paul Ritter, Daisy Waterstone.

The worn out old maxim associated with state surveillance that goes “If you don’t do anything wrong then you have nothing to be concerned about”, has been proven to be a falsehood that has been adopted by the untrustworthy and the cynical on both sides of the political spectrum as absolute mantra, a modern hymn in which to beat the masses into a behaviour pattern to which the instruments and threats of damnation could now only look upon as truly effective and a one true god.

Babylon, Series One. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Brit Marling, James Nesbitt, Bertie Carvel, Paterson Joseph, Ella Smith, Jonny Sweet, Nicola Walker, Cavan Clerkin, Jill Halfpenny, Adam Deacon, Nick Blood, Stuart Martin, Andrew Brooke.

There are times when the continuous stick against the back of the collective head is not enough, sometimes it takes cleverly written satire and drama with very well hidden comic undertones to get the message across that in 21st Century Britain, the apparent message is all consuming and powerful. The message is as loud and perhaps as obnoxious as its counterpart and sometimes occasional lover, the economy. If listened too very carefully, the two words can be interpreted as one and the same and the mantra gets repeated over an d over again like a man finding out that raw onions is bad for his digestive system but carries on believing that they are doing him good just because it helps expel wind.