Tag Archives: theatre review

Footloose, Theatre Review. Liverpool Empire Theatre.

Originally published by L.S. Media. March 9th 2011.

Cast: Max Milner, Carys Gray, Steven Pinder, Karen Ascoe, Lorna Want, Jodie Jacobs, Keisha Amponsa Banson, Tanya Robb, Matt Willis, Daniel Smith, Adam C. Booth, Giovanni Spano, Michael Palmer.

Footloose! The very word brings up images of one of the great teen movies of the 1980’s. Reason in the face of oppression for which any teenager of the time would have identified with, a stunning soundtrack and a great cast made the film a smash in box offices both sides of the Atlantic.

12. Theatre Review. The Lantern Theatre, Liverpool.

The Cast of the 12 at The Lantern Theatre, Liverpool. Photograph by Ian D. Hall.

Originally published by L.S. Media. August 24th 2012.

L.S. Media Rating ****

Cast: Shaun Fagan, Morgan McBride, Nick Crosbie, Jamie Vere, Robbie Locke, Bob Schofield, Owen Jones, Josh Quigley, Josh Hughes, Bradley Walker, Paul Holliday, Sophie Eves.

Transferring a 1950’s Henry Fonda classic film to the unsympathetic existence of 21st century Liverpool takes some imagination and a lot of writing talent to give it the grim reality that post war Hollywood films sometimes glossed over. With Shaun Fagan and Matthew Shiel at the helm of 12, the latest play to be performed at The Lantern Theatre, this was more than was ever needed to show how good writing can shine through no matter how unattractive and prejudicial the story line is.

Tell Me On A Sunday, Theatre Review. Liverpool Empire Theatre.

Cast: Claire Sweeney.

Tell me on A Sunday is one of the most endearing and likeable musicals created by Andrew Lloyd Webber, whether it’s the addition of Don Black’s superbly written and well observed lyrics or the fact that almost everyone can resonate and identify with the girl on stage as she finds herself thrust into a life far from home, in a strange city, strange country with nothing but her sense of humour and the thought of meeting that one person who they can share their life with.

The Lady in the Van, Theatre Review. Liverpool Playhouse.

Picture from Liverpool Live

Cast: Nicola McAuliffe, Paul Kemp, James Holmes, Tina Gambe, Emma Gregory, Fiz Marcus, Benedict Sandiford, Martin Wimbush, Janet Harrison.

From the mind of one of the most unique of British playwrights, comes one of the most fascinating pieces of theatre to have been envisaged and produced and given that certain inspired finish that only Yorkshire born Alan Bennett can write is the play The Lady in the Van.

Macbeth, The Everyman Theatre, Liverpool. Theatre Review.

L. S. Media Rating: *****

Cast: David Morrissey, Julia Ford, Mark Arends, Ken Bradshaw, Richard Bremner, Neil Caple, Matthew Flynn, Gillian Kearney, Syrus Lowe, Gavin Marshall, Shaun Mason, Nathen McMullen, Eileen O’Brien.

It may not have been an easy process taking one of the great works by William Shakespeare, however in Macbeth, David Morrissey, Julia Ford and Gemma Bodinetz and all those that make up the team at the Everyman Theatre, the Liverpool public put their collective trust in the final big scale performance that will be held at this iconic Liverpool theatre before the extensive redevelopment that’s due to start.

The Big Fellah, Theatre Review. Playhouse Theatre, Liverpool.

picture from Liverpool Live.

Cast: Finbar Lynch, Luke Griffen, David Ricardo-Pearce, Yasmine Akram,Youssef Kerkour, Lisa Kerr, David Rintoul.

Following on from last year’s highly intelligent and well worked play The Chronicles of Long Kesh that dealt with those imprisoned during the troubles in Ireland comes Playwright Richard Bean’s The Big Fellah, a strong and powerful play takes a long term look at the I.R.A. and the fall out between a group of people across 30 years in New York.

If The Shoe Fits, Theatre Review. Unity Theatre, Liverpool.

Originally published by L.S. Media. June 10th 2011.

Cast: Donna Lesley Price, Richie Grice, Jodie Nesbitt, Angela Waller, Su Burke, Trevor Fleming, James Williams-Watts, Al T Kossy.

In amongst the high profile theatre productions going on in Liverpool over the next couple of months, one piece of genuine theatre may have passed the everyday theatre goer by, which is, with all things considered, a shame. For in Boom Boom Baby Productions of If the Shoe Fits, audiences were left reeling with laughter as the company thrilled everyone with their irreverent look at Liverpool life through the eyes of a group of people who work in a high class shoe shop.

Brick up the Mersey Tunnels, Theatre Review. Royal Court Theatre, Liverpool.

Originally published by L.S. Media. June 18th 2011.

Cast: Roy Brandon, Eithne Browne, Carl Chase, Suzanne Collins, Davy Edge, Adam Keast, Andrew Schofield, Francis Tucker.

For the fifth time in as many years Brick up the Mersey Tunnels arrived at the Royal Court Theatre to a great fanfare and armed to the teeth with well loved gags and up to date topics that would make any other show seethe with jealousy.

Not for nothing has Brick Up…become a firm favourite with audiences throughout Liverpool and beyond with fans of the hit show coming back time and time again to witness the range of comedic talent that runs through the heart and soul of the show.

Cinderella. Mop! In the Name of Love,Theatre Review. Playhouse Theatre, Liverpool.

Originally published by L.S. Media. December 9th 2011.

L.S. Media Rating *****

Cast: Rebecca Bainbridge, Jonny Bower, Carla Freeman, Robert Gilbert, Adam Keast, Chris Lindon, Kate Marlais, Griffen Stevens, Francis Tucker, Sarah Vezmar.

Dust off the tuxedo, air the sparkly gown and make sure that over the festive period you get down to the Playhouse Theatre and take in the spirit of the Everyman Theatre’s traditional and outrageously funny Rock and Roll Panto, Cinderella, Mop! In the Name of Love.

The Art of Falling Apart, Theatre Review. Unity Theatre, Liverpool.

Originally published by L.S. Media. January 15th 2012.

L.S. Media Rating *****

There was a certain degree of crossing over from the old year into the new at The Unity theatre. Not only was the wonderful The Voyages of Sinbad the Sailor being performed in the Unity One but upstairs in a bare space that encompasses Unity Two, the audience were treated to the kind of visual fast paced, anarchic display of comedy that is so underused, so brilliantly written and so quick that it leaves you breathless and desiring more and more.