Tag Archives: theatre review

Bugsy Malone, Theatre Review. Empire Theatre, Liverpool.

Originally published by L.S.Media. August 7th 2009.

It is testament to the Liverpool Empire Stage Experience that a musical of this calibre is not only performed by the children of the area but it is done well and with more than a sense of style. From the moment you arrived at the Theatre you were greeted with the sight of the period costume from the Twenties and a fine Rolls Royce parked up upon the pavement.

This production took in over 120 children and all performed admirably and had the packed out audience in the palms of their hands from the opening number.

Annie, Theatre Review. Empire Theatre, Liverpool.

Originally published by L.S. Media. September 8th 2009.

Cast: Lydia Tunstall, Su Pollard, Michael Morgan, Chris Molloy, James Muller, Gemma James, Gareth Heesom, Simone Craddock, Lorinda King.

A story about an orphaned girl, the depression, 1930’s American society and the undercurrent of child beating doesn’t spring to mind the plot of a heart warming musical that combines some of theatre’s best known songs with some feisty one liners and cheekiness, but in the hands of director Roger Hannah and produces Chris Moreno this classic of film and theatre has been given new life.

Kes, Theatre Review. Liverpool Playhouse Theatre.

Originally published by L.S. Media. September 23rd 2009.

Cast: Mike Burnside, Stefan Butler, Daniel Casey, David Crellin, Katherine Dowblyton, Oliver Farnworth, Dominic Gately, Peter McGovern, Oliver Watton.

The film is considered to be a cinematic classic, gritty in its honesty; heartbreaking and heart warming at the same time. One of the true greats and one of Ken Loach’s finest moments. It would therefore be near on impossible for anybody to transfer it to the stage, but in the writer Lawrence Till, all the sadness, tinges of humour and the bleak future is stripped bare and in its place is nothing short of theatrical genius.

Twopence To Cross The Mersey, Theatre Review. Empire Theatre, Liverpool.

Originally published by L.S. Media. October 9th 2009.

Cast: Pauline Daniels, Mark Moraghan, Emma Vaudrey, Emma Grace Arends, Ciaran Kellgren, Colin Connor, Anthony Watson, Marie Ekins, Joyce Greenaway, Annie Walker, Gordon Hall, Ronnie Orr.

It is easy to see why the local papers announced before the play started its current run at the Empire that Twopence To Cross The Mersey had taken in over two million pounds at the box office over the last few years. With such talented performers on stage taking the various parts from the author’s life and an excellent musical score to match, there was nothing for the packed out audience to not like.

Scrooge, Theatre Review. Liverpool Empire Theatre.

Cast: Tommy Steele, Geoffrey Abbott, Craig Whiteley, Kristy Cullen, Hamilton Sargent, Suzie Chard, Sophie Caton, Kieron Harris, David Lyndon, Nikki Gerrard, Steven Sparling, Robbie Towns, Tony Stansfield, Halcro Johnston, Barry Howards.

Liverpool welcomed back one of its favourite adopted sons this week when the ever youthful Tommy Steele came back “home” as part of the production of the theatrical classic Scrooge.

The Charles Dickens timeless masterpiece has been the subject of so many musicals and cinema outings that it is possible for a group of people to come up with an entirely different favourite actor who has thrilled them in the part.

The Thirty Nine Steps, Theatre Review. Liverpool Playhouse.

Originally published by L.S. Media. December 8th 2009.

Cast: Richard Braine, Dugald Bruce-Lockhart, Katherine Kingsley, Dan Starkey.

The team behind the Liverpool Playhouse pulled a real cracker for its final performance of the year and decade and watched it explode in delight, laughter and a touch of good old fashioned British daring do.

John Buchan’s classic The Thirty Nine Steps has been given the comedy treatment and like Spymonkey’s reworking of Moby Dick earlier on in the season it was excellently written and had the benefit of some superb comic acting.

Peter Pan, Theatre Review. Liverpool Empire Theatre.

Originally published by L.S. Media. December 2009.

Cast: Henry Winkler, Natasha Hamiliton, Nikki Davies-Jones, Les Dennis, Patrick Buckley, Daniel Taylor, Rick Vaughn, Kaitlin Howard, Chris Jenkins, Jessica Hill, Luke Redford, Ryan Pidgen, Lisa Connell, Ben Goffe.

J.M Barrie’s Peter Pan has been charming readers and its theatre audiences for the better part of a century now and thankfully it shows no sign of running out of steam. This year the Liverpool Empire Theatre is hosting this spectacular show and with some big names in the cast it is sure to get the reception it deserves.

Medea, Theatre Review. Everyman Theatre, Liverpool.

Originally published by L.S. Media. February 24th 2010.

Cast: Cleo Sylvestre, Fine Time Fontayne, Michelle Hardwick, Barbara Hockaday, heather Pheonix, Nina Kristofferson, Barrie Rutter, Andrew Pollard,

One of the most popular touring companies to come to Liverpool in recent years has to be the fantastic ensemble that makes up Northern Broadsides. Led by the indomitable Barrie Rutter, the troupe has thrilled local audiences with their versions of The Man with Two Gaffers and Romeo and Juliet to name but two.

Morecambe, Theatre Review. Liverpool Playhouse Theatre.

Originally published by L.S. Media. March 8th 2010.

Cast: Bob Goulding.

It takes a brave actor to take on the mantle of one of Britain’s best loved comedians on stage. It takes a man with nerves of steel to do the whole show on his own for a mind boggling 80 odd minutes and who won’t be sure of how the audience will react to the telling of his life until the final curtain.

Hansel And Gretel, Theatre Review. Everyman Theatre, Liverpool.

Occasionally, a production comes along and shakes your preconceived ideas about staging and writing a play right down to the very foundations. One such play currently in Liverpool is Kneehigh Theatre’s re-working of the children’s classic Hansel and Gretel.

The stage was set for a magical night of theatre and the cast and support did not let the excited audience down. From the very young whose innocent laughter filled every part of the theatre to the parents and older patrons who were just as enthralled by the use of the set and the characterization of the family, (this time without the evil step mother figure).