Tag Archives: Theatre Review. Unity Theatre

That’s Amore, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Adam Davies, Eleni Edipidi, Jennifer Essex, Ross McCall, Caroline Ryder (voice)

Love is a many splendid thing – it can make the soul rise higher than thought imaginable, it can bring a person down to their knees as the situation of their plight becomes untenable. It can fill the heart with infatuation to the point where boundaries are cross, it can shelter and care for another with absolute clarity. Love takes all that you have and leaves you cold and distant, it makes the world seem a brighter and more approachable place, whatever the outcome, no matter who cupid’s arrow’s decided to strike within, whoever you fall in love with, nobody understands the turmoil and feeling of power you feel at that moment, That’s Amore after all.

This Last Tempest, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Jessica Hoffman, Richard Dufty, Neil Johnson.

There will always hopefully be adaptations of William Shakespeare’s plays in one form or another, the 1960s television series The Forbidden Planet is one such form in which the son of Stratford play The Tempest has been looted and perhaps in some ways abused; it is the nature of things that great works, in some cases legendary, can either be taken down with a sense of cruel irony or, as in the case of This Last Tempest, just enhance what has gone before.

Mis Les, Theatre Review. Unity Theatre, Liverpool. (2015)

Liverpool Sound and Vision Rating 9/10

Cast: Gillian Hardie, Keddy Sutton.

The Scottie Road Two are at large in Liverpool, they are on the run armed with musical comic satire, a set of hilarious harmonies to die for and with a fondness for providing the funny-bone with an evening out that few can match.

Rumplestiltskin, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Aiden Lee Brooks, Cameron McKendrick, Dora Colquhoun, Shaun Roberts.

There are creatures out there whose only aim is that of self-gratification, assuredness so overwhelming that it is blackened, cheap and nasty and an arrogance that sits and festers at the heart of a life like a sweating, bulbous spider on fly filled web, heavily pregnant and with a seething desire to take anything that isn’t theirs. These creatures may still be recognised but the more as a species we have galloped towards a consumerism that is more consuming than helpful, the less chance we have remembering old tales passed down, tales of not accepting help from a creature of the neglected forest.

The Boy Who Kicked Pigs, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound & Vision Rating: * * * * *

Cast: David Cumming, Natasha Hodgson, Oliver Jones, Zoe Roberts.

Kill The Beast Theatre Company have only been on the scene for a mere three years, but are already proving their worth as one of the best inventive new theatre companies around. Their latest show is packed full of grotesque, over the top characters based on Tom Baker’s children’s book The Boy Who Kicked Pigs. Written in 1999, Baker’s truly grotesque story still has a strong following today and is as popular as ever.

Västerbotten, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

There is a small village in Sweden in which street lights never came too and for the vast majority who resided there it was a shame that they could not see where they were walking in the dark nights that grip the Swedish hills and give rise to folklore, but for Marianne Folkedotter, it was an understanding, even as a child, that it was a chance to see the universe unfold before her.

Clybourne Park, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound & Vision Rating: * * * * *

Cast: Liam Tobin, Judith McSpadden, Paida Mutonono, Richard James Clarke, Chris Jack, Simon Hedger, Samantha Meisner.

Said&done have come back to the Unity Theatre with Bruce Norris’s Clybourne Park, a play set in America in the 1950s and then later on in 2009. The play was originally written by Norris as a response to Lorraine Hansberry’s, A Raisin in the Sun, and looks at race relations in America over the last fifty years. Set in a fictitious Chicago neighbourhood, Russ and Bev are all ready to pack up and move on having sold their house to a coloured family, but very quickly learn how things really are in a society still not ready to move on with the times.

Rose Of June, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Iain Hopkins, Gemma Banks, Christopher Rae.

Nobody has the monopoly on grief, nobody feels the dejection in the same way as anybody else and nobody should ever dictate to another human being just how long grief should ever take to get through the system. When a person loses someone either close to them or someone they may have only known through the public eye of the media, what they feel upon that person’s departure is real to them and in the end it takes a friend just sit and listen and occasionally talk in which the inconsolable and heartbroken can work through the five stages of grief.

Mind The Gap, Theatre Review. Unity Theatre, Liverpool. (2014)

Liverpool Sound and Vision Rating 9/10

Cast: Rachel Worsley, Rik Grayson, Errol Smith, Harki Bhambra.

There is a tightening feel in the back of the throat. The stomach, once calm in the open air of the London streets has started to behave like a badly serviced washing machine and the dank, dirty, dusty air is causing the lungs and pores to feel as though scrubbing for a month will not get the skin clean as it clings and scrapes away at any vestige left of reason like an urban fox clawing at the remains of a deep fried chicken and chips strewn on the pavements after one last beer was had.

The Ingenious Gentleman Don Quixote Of La Mancha, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Stephen Harper, Merce Ribot, Patricia Rodriguez, Maria Camahort.

To anyone who has ever taken the time to read arguably one of the great novels, The Ingenious Gentleman Don Quixote of La Mancha or have even spent time in the beautiful medieval part of the city of Alcalá de Henares and looked upon Cervantes’ birthplace, then it is to know history. You can only ever wonder just what would make anybody want to even attempt to take it on a theatre piece; you would have to be as mad surely as Don Quixote himself to even try it.