Tag Archives: Raphael Sowole

The Crow Girl, Series Two. Television Review.

Liverpool Sound and Vision Rating * * * * *

Cast: Eve Myles, Katherine Kelly, Clara Ruggaard, Victoria Hamilton, Elliot Edusah, Raphael Sowole, Karen Ascoe, Lu Corfield, Michael Lumsden, Lee Boardman, Peter De Jersey.

The second series of The Crow Girl, adapted from Erik Axl Sund’s riveting novel, is one that pushes the watcher into the realms of disassociation, of the complexity of multiple personality, and whilst the first series was unabashed in its portrayal, the second is one where the sheer cognitive struggle of holding such memories and demons in the mind is powerfully, robustly, presented as DCI Jeanette Kilburn closes down on the killer but also finds her own mind is questioned as her actions in the face of lust and abandonment cause her to neglect the obvious truth.

The Crow Girl. Television Drama Review.

Liverpool Sound and Vision Rating * * * * *

Cast: Eve Myles, Katherine Kelly, Clara Rugaard, Dougray Scott, Victoria Hamilton, Elliot Edusah, Raphael Sowole, Roger Jean Nsengiyumva, Michael Lumsden, Karen Ascoe, Isabella Astbury, Chloé Sweetlove, Jaye Ersavas, Lauren Morais, Trevor White, Winston Sawyers, Oliver Hembrough, Lu Corfield, Smylie Bradwell, Basel Osman, Andrew Buckley, Lee Boardman, Charles Dale, Julie Legrand, Malek Alkoni, Ashling O’Shea, Pasha Bocarie, Thomas Coombes, Will Barton, Sally Scott, Ellie Duckles, Noah Manzoor, Yanick Ghanty, Lisa Zahra, Alison Fitzjohn, Aso Sherabayani, Renu Brindle, Aden Gillett.

Apartment 7A. Film Review.

Liverpool Sound and Vision Rating 9/10

Cast: Julia Garner, Dianne Wiest, Kevin McNally, Jim Sturgess, Marli Siu, Rosy McEwen, Andrew Buchan, Anton Blake Horowitz, Raphael Sowole, Tina Gray, Patrick Lyster, Rachel Atkins, Andre Lillis, Hannah Morley, Nikkita Chadha, Kobna Holdbrook-Smith, Patricia Jones, Tina Chiang, James Swanton, Amy Leeson, Scott Hum.

One of the main issues with a prequel written years after the original was filmed is that it can, if not researched properly by the writers, deflect from the narrative that made what followed an act of cinematic glory.