Liverpool Sound and Vision Rating 9/10
Following on from the acclaimed album The Whirlwind, the four members of Transatlantic, Neal Morse, Mike Portnoy, Roine Stolt and Pete Trewavas, have once again got together to produce something that is so compelling, so like the Progressive Rock of old and yet new, exciting and in the case of two of the longer tracks, daring musical storytelling.
Liverpool Sound and Vision Rating * * * * *
When it comes to capturing the essence of a band, the off guard moments when they are relaxing and allowed that precious few moments when they can naturally be themselves without the flash of thousand cameras going off in their direction, picking up every detail of a gig or concert there are surprisingly few real life moments of enjoyment that get past the magazine editors doors. Unless it is of a drunken night or of a clandestine meeting, no one really gets it apart from the fans themselves.
Originally published by L.S. Media. July 27th 2010.
It’s the afternoon after the two nights before and I find Pete Trewavas in an unexpected jovial mood. I shouldn’t be really surprised, sure he has spent the last two nights playing and rocking out with two of the three acts he is associated with, the night before High Voltage with Marillion in Leamington Spa and the Saturday night with super group Transatlantic, but there is something different about the genial bass player that sets him apart from others in his position.
Originally published by L.S. Media. March 26th 2012.
L.S. Media Rating *****
It always comes as a bit of a surprise that musicians have any spare time to be anywhere outside of their own bubble. The group ethic of a band that has been around for years must surely take most of the hours of daylight afforded them and quite a few of the night hours too when they take in the multitude of gigs that they do.