Tag Archives: Michael Bertenshaw

We Hunt Together. Television Drama Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Eve Myles, Babou Ceesay, Hermoine Corfield, Vicki Pepperdine, Dipo Ola, Kris Marshall, Babirya Bukilwa, Sharlene Whyte, Neil Stuke, Nigel Harman, Freya Durkan, Steffan Rhodri, Ayomidun Odunaiya, Anaya Beckford-Cole, Kate Dobson, Sylvie Erskine, Anthony Shuster, Perry Fitzpatrick, Kamare Abraham, Michael Bertenshaw, James Redmond.

We fear the murderer in our midst with quite rightful concern, the image of the lone slayer is one that frequents crime novels and the news with ever increasing abundance. From the insatiable to the silent and the patient killer, our screens are filled with the character to whom we see in our nightmares, whose figure is one to whom our own personal Grim Reaper leaves us dreading making their acquaintance.

Grace: Dead Man’s Footsteps. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: John Simm, Craig Parkinson, James D’Arcy, Zoë Tapper, Richie Campbell, Laura Elphinstone, Brad Morrison, Rakie Ayola, Dave Lynn, Katie Clarkson-Hill, Caolina Valdés, Margot Leicester, Michael Bertenshaw, Jake Fairbrother, Alexander Cobb, Clare Calbraith, Steven Hartley, Elizabeth Rider, Brian Pettifer, Amy Conachan, Nick Warnford.

The Haunting Of M.R. James. Radio Drama Review.

Liverpool Sound and Vision Rating 9/10

Cast: Mark Gatiss, Fenella Woolgar, Ryan Whittle, Gerald McDermott, Cameron Percival, Ronny Jhutti, Michael Bertenshaw, Tony Turner, Ewan Bailey, Chris Harper, Sam Dale, Lewis Bray.

We live in a world that is rapidly losing its sense of wonder, of having everything explained and leaving the thought of fancy and intrigue hanging in the air as if somehow resembling the figure of dishonest fruit hiding knowledge from the feast of humanity.

Born To Be Wilde: An Ideal Husband. Radio Drama Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: John Heffernan, Miranda Raison, Ryan Whittle, Lucy Doyle, Saffron Coomber, Michael Bertenshaw, Elizabeth Counsell, Tony Turner, Sean Murray.

If you can change the appearance of William Shakespeare’s work by adding a certain modern charm to the story, then any writer from literature’s illustrious past is worthy of eliciting a certain degree of similar occasion from; many will be called to the performance circle, many works will be deemed unfavourably, some unconsciously denied the modern touch and added personal extras, and some will shine like a beacon of joy, asking only companionship for a while of the supporter.