Tag Archives: Liverpool

ME And Deboe, Gig Review. Music Room, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

ME And Deboe, Music Room, Liverpool. December 2018. Photograph by Ian D. Hall.

Innocent faith may be examined, others can find ways to test your belief, make you question the foundation of all that you know and have come to hold dear; for some that faith is the epitome of their existence, for a small refuge of lovers and attendees, faith is about watching Britain’s answer to America’s finest ever duo, Simon and Garfunkel, and understanding that the two women on  stage now have reached a point where they can be considered true heirs, recipients to the crown of beautiful and insistent music.

Two Black Sheep, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision rating 9/10

Two Black Sheep at the Music Room in Liverpool. December 2018. Photograph by Ian D. Hall.

In an age of disagreements and conflict, of homogenous mingling and beige uniform, to follow your own path is to be admired, to insist upon your own space and not follow the herd is to be congratulated, to reject the conventional is respected; nothing and no one is truly identical in thought and deed. When it comes to Two Black Sheep, the tune they play is one consistently pure, so against type and yet one on which can count upon, to stir the chops and get the fans talking of the combination at the heart of the matter.

Limerance, Gig Review. Music Room, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

It would only have to be a whisper of voices and the audiences who crowd Limerance would by instinct demand on mass that the sound be turned up to a level in which their beautiful sense of Americana is more thoroughly deserving.

From a whisper in the mind to the creative flow that greets the Philharmonic Hall’s Music Room’s crowd, Limerance’s Jenny Coyle and Calum Gilligan once again proved that their demeanour and stance is an incredible sight to behold, the full resonance of their vocals is not just a joy, it is a dream to hear, full coloured and alluring, the kind of dream in which you wake from slightly unsure of what room you have woken up in and what day it is, the best type of vision to hold on to as everything is still wonderfully vibrant and possible.

White Little Lies, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision rating 9/10

White Little Lies at the Music Room in Liverpool. December 2018. Photograph by Ian D. Hall.

Some meetings appear pre-destined, it is just a wonder that strikes us all who find such things fascinating, on what kept the magic from happening earlier. It is a magic that is young in its infancy and yet one that seems boldly to go beyond its formative binding with fans, an enchanting experience that Daniel Saleh and Vanessa Murray have both grabbed with eager thought and spirit and found in a world hell bent on the big fib and the posturing falsehood, that the best avenue in which to reside is in the truth of White Little Lies.

Beauty And The Beast, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Stephen Collins, Edward Day, Simone Lewis, Rose-Marie Christian.

Within us all there is the propensity to harbour both good and evil, to be kind-hearted and to allow the nature of maliciousness to shine through; there is though a realm of mischievousness which can enter both states of mind, not born out of a dark soul, but in the way that you are treated by others, one can only take so much abuse from someone before they start to kick back, when people are excluded and talked about spitefully behind their back, they become harsh, callous perhaps, they become unkind.

Disobedience. Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Rachel Weisz, Rachel McAdams, Alessandro Nivola, Anton Lesser, Allan Corduner, Nicholas Woodeson, David Fleeshman, Steve Furst, Trevor Allan Davies, Sophia Brown, Clara Francis, Lisa Cohen, Cara Horgan, Liza Sadovy, Bernice Stegers.

Sexuality and faith have never been reliable bed-fellows, the angst that exists between the two states of human need and suffering is only countered by dogma and the words of interpretation; to be different, to love against doctrine and the word of theological study, is to face, in some quarters, questions, if not exile.

Thea Gilmore, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Christmas can either be an anathema to the soul, or if you are fortunate it can turn the winter period into one of joyous celebration, the message of spirituality, of throwing your life open to new experiences, of understanding that there is more to this time of year than materialism and personal gain, there is empathy, the freedom to sing, or to be silent, to listen at least to the sound of internal delight taking shape and the welcome poise of surrender to a heavenly guide.

Ed Harcourt, Gig Review. Capstone Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

A whirlwind of emotions arrives and diverge, divide and multiply at this time of year, we become engaged in the scope of the sentiments passed to us by total strangers and react in kind to the misplaced smile or the sorrowful tear we see on the street. We hope for peace, we yearn for the sound of harmony and reconciliation, of goodwill and the knowledge that come the spring, once we are out Beyond The End of winter the sun will shine on us favourably and with honour.

Broken Biscuits, Theatre Review. Royal Court Studio, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Gillian Hardie, Leanne Martin, Louise Garcia.

We must always remember that we don’t truly understand, not completely, how another person feels, that despite the smiles and triumphant words shown and yelled to the world, we have no way of knowing the pain they suffer behind closed doors. The world of social media has perhaps exacerbated that sense of false bonhomie, putting on a face for the world in digital form when all you want to do is lock yourself away and deal with the grief that has been placed at your door.

Cinderalla Scouse, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Paul Duckworth, Michael Fletcher, Stephen Fletcher, Lindzi Germain, Eva McKenna, Andrew Schofield, Hayley Sheen, Keddy Sutton.

Musicians: Howard Gray, Ben Gladwin, Greg Joy, Emily Linden.

Liverpool faces every threat thrown at it by Government with one of the deadliest weapons known to humanity, the ability to laugh and fight back with savage, beautiful humour. In an age when the way we live is under constant threat, it is the greatest of attributes that we possess theatres, artists and writers who are unafraid to deliver the joke that entertains the many, whilst the undercurrent gladly riles the backs of those who see the world only in terms of doctrine and political dogma.