Tag Archives: Keddy Sutton

The Sum, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Patrick Brennan, George Caple, Pauline Daniels, Laura Dos Santos, Emily Hughes, Tom Kanji, Asha Kingsley, Melanie La Barrie, Dean Nolan, Zelina Rebeiro, Keddy Sutton, Liam Tobin.

The balance sheet that people live their lives by, the counting out of every penny just to make ends meet, the sense of never getting ahead of the game and spiralling ever deeper into the world of debt, of being on the streets. This is a world in which the feeling of inhumane, of intolerable suffering, is so prevalent, so close to everybody’s thoughts that it is surprising that there is less vocal anger than there should be at politicians who see food banks as a complex reason, who see the poor as deserving and it always feels like the world of politics is one step away from re-introducing that most evil of Victorian values, the workhouse.

The Conquest Of The South Pole, Theatre Review. Everyman Theatre, Liverpool.

The Conquest of the South Pole directed by Nick Bagnall, Liverpool Everyman Theatre. Photograph by Gary Calton.

Liverpool Sound and Vision Rating 8.5/10

Cast: Patrick Brennan, George Caple, Laura Dos Santos, Emily Hughes, Dean Nolan, Zelina Rebeiro, Keddy Sutton, Liam Tobin.

Fiddler On The Roof, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Richard Bremmer, Patrick Brennan, George Caple, Pauline Daniels, Laura Dos Santos, Emily Hughes, Tom Kanji, Asha Kingsley, Elliott Kingsley,Melanie La Barrie, Dean Nolan, Zelina Rebeiro, Keddy Sutton, Liam Tobin, Catronia Chandler, Nadia Mohamad Noor, Darci Shaw, Ellie Turner, Jamie Pye, Nathan Russell, Stuie Diagnall, Aaron Kehoe.

Scouse Of The Rising Sun, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Jake Abraham, Michael Fletcher, Lindzi Germain, Hayley Hampson, Michael Ledwich, Andrew Schofield, Alan Stocks, Keddy Sutton.

Musicians: Ben Gladwin, Greg Joy, Emily Linden, Howard Gray.

There may be a house in New Orleans in which many a poor lad has lost his way, but they never quite lose their way, or regain the right path, as a Liverpool lad fighting the evil intentions of a maniac hell bent on destroying the city, not even a hero of a popular 60s song could match the heroics of the Scouse of the Rising Sun.

Father O’ Flaherty Saves Our Souls, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Clare Bowles, Helen Carter, Paul Duckworth, Alan Stocks, Keddy Sutton.

An outpouring of respect should be shown to an actor who puts their life in the hands of an audience to the extent that their own inner thoughts, their own passionate affair with the boards and with language become so consuming that they write a play off their own back and present it to a crowd, ever hungry, ever in need of a new production to hold close to their hearts, and feel the sweat and possible damnation coming off the rehearsal floor for.

The Princess And The Pea, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Duncan Cameron, Graham Hicks, Josie Cerise, Keddy Sutton.

The humble pea is never truly given the chance to shine, is never truly the heroic type and is only ever seen to grace a good shepherd’s pie or instead be mushed down, taken to task as it adorns a plate of fish and chips. Yet once upon a time a Princess had much to owe the pea and its legendary status was confirmed. It is a status that enhanced as Liverpool’s Unity Theatre offers this Christmas the age old story of The Princess and the Pea and it is a tale to delight and capture the very best of imagination for all who make their way to the theatre on Hope Place this December.

Mam! I’m ‘Ere!, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Eithne Browne, Helen Carter, Paul Duckworth, Michael Fletcher, Rachael Rae, Andrew Schofield, Alan Stocks, Keddy Sutton, Jamie Hampson, Hayley Hampson.

Musicians: Emily Linden, Simeon Scheuber, Alex Smith, Lauren Williams.

 

One of the great musical comedies to have come out of Liverpool in the last few years has to be the outstanding Mam! I’m ‘Ere! Making its debut in the grand space of The Dome, it took audiences to a place where imagination and riotous laughter met, shook hands, frolicked in the winter cold and sent them home happier than a free weeks pass at a holiday camp with drink supplied.

Mis Les, Theatre Review. Unity Theatre, Liverpool. (2015)

Liverpool Sound and Vision Rating 9/10

Cast: Gillian Hardie, Keddy Sutton.

The Scottie Road Two are at large in Liverpool, they are on the run armed with musical comic satire, a set of hilarious harmonies to die for and with a fondness for providing the funny-bone with an evening out that few can match.

Liverpool Sound And Vision Awards 2014.

To the outsider, to those who either come into Liverpool once every year for a stag or hen night or the chance to lose heavily at Aintree, Liverpool may well seem a city of contrasts, a place in which many have pre-conceived ideas of how its people act, play, work and enjoy life. However to be an outsider who embraces the city and the surrounding areas with every fibre of being, that’s when the city really shows its vibrancy and complete uniqueness.

Dreaming Of A Barry White Christmas, Theatre Review. The Auditorium, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Andrew Schofield, Alan Stocks, Paul Duckworth, Keddy Sutton, Gillian Hardie, Lenny Wood.

A different setting, a changed venue, can make all the difference between wildly incredible and drop dead tremendous.

For the second year running the area around the Echo Arena played host to Dave Kirby’s sensational and uproarious Dreaming Of A Barry White Christmas and yet just to take it out of the main arena in which the echo of Christmas Day’s Past Roger Daltrey, Pete Townshend and Peter Gabriel songs were still bouncing off the walls and in which Deacon Blue’s soulful pop was still to grace, the Auditorium became a more natural staging in which to completely immerse one’s self into the world of Thomas Minge and his collection of oddities and workers with the most wonderful but very peculiar habits.