Tag Archives: Jonathan Groff

Knock At The Cabin. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Abby Quinn, Kristen Cui, McKenna Kerrigan, Ian Merrill Peakes, Denise Nakano, Rose Luardo, Billy Vargus, Satomi Hofmann, Kevin Leung, Lee Avant, Odera Adimorah, Kat Murphy, Kittson O’Neill, Lya Yanne, M. Night Shyamalan, Clare Louise Frost, Hanna Gaffney, Monica Fleurette, Saria Chen.

M Night Shyamalan’s career has been one of extraordinary highs, and even when the film he is connected with has only found an average basis with the crowds, it seems to be one that still finds a way to resonate with the unnerving and the memory of what can leave the audience and watcher alike with a trepidation of the twist that comes in the final moment.

The Matrix: Resurrections. Film Review.

Liverpool Sound and Vision 5/10

Cast: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jonathan Groff, Jessica Henwick, Neil Patrick Harris, Jada Pinkett Smith, Priyanka Chopra Jonas, Christina Ricci, Lambert Wilson, Andrew Lewis Caldwell, Toby Onwumere, Max Riemelt, Joshua Grothe, Brian J. Smith, Eréndira Ibarra, Michael X. Sommers.

The Matrix trilogy can be seen truly as a cultural phenomenon; admittedly one that was at its peak in the first of the films delivered to a film loving crowd wowed by its cinematography and effects, but still a series of films that asked questions of our perceived vision of reality, and how we were, and continue, to be enveloped by the idea of being repressed by a superior mind just to appear that we are indeed in control of our own destiny.

Frozen II. Film Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff, Sterling K. Brown, Evan Rachel Wood, Alfred Molina, Martha Plimton, Jason Ritter, Rachel Matthews, Jeremy Sito, Ciaran Hinds, Alan Tudyk, Hadley Gannaway, Mattea Conforti, Aurora Aksnes, Paul Briggs.

The phenomenon will always be with us, the occurrence of the cinematic event that manages to infiltrate almost every aspect of life and society is one that either is embraced or shunned with seemingly equal proportions. Whilst the Marvel Studio may have held the position of top dog in the last decade, the undisputed King of the block, it is to the characters of Elsa and Anna that the Queens of the Frozen franchise have infiltrated their way into theatre productions, the songs, the costumes, the public, arguably cannot get enough of the sisters, their snowman and the magic of their lives.