Liverpool Sound and Vision Rating 8.5/10
In times of uncertainty, life and Time insist we take risks. To conquer our fears, to see beyond the myriad of colours, reflected shapes and the continuous mirrors that are designed to confuse and complicate, as well as be seen as a beautiful diversion, is what we owe ourselves when the wrath of mother nature and historical events collide.
Liverpool Sound and Vision Rating 8.5/10
The steely determination of untameable love, the smooth velvet glove of introspection and the beautiful attitude of a devil who gets mistaken for an angel at all possible moments. It is in this combination of the just and rich voice of Hilary Scott comes alive, it resounds with the passion of unprejudiced, it flows like water down the throat of a thirsty human lost, led astray, in the desert and hallucinating that the vision before them has been sent by their own version of God, call this vision anything you want, just don’t let her retort, Don’t Call Me Angel.
Liverpool Sound and Vision Rating * * * *
The train is perhaps the mode of transport most closely associated with romance. Not the modern train in which style has been replaced by the uncomfortable pursuit of getting from A to B without ever making eye contact across a table and the small sign of an innocent smile breaking the ice, but the train in which romance and heartbreak go hand in hand, in which a long journey goes by in the blink of a friendly eye or in which becomes part of life’s own dystopia and the stuff of great rock, country or folk songs.