Liverpool Sound and Vision Rating 8.5/10
Cast: Kasia Smutniak, Matthew McNulty, Darrell D’Silva, Christine Bottomley, Ben Batt, Claire Forlani, Alex Lanipekun, Ewan Horrocks, Alais Lawson, Liah O’ Prey, Joseph Ollman, David Avery, Hannah Chinn, Benjamin Isaac, Joelle, Mia Jenkins, Isabelle Connolly, Ethan Moorhouse, Nathan Welsh, Yuliia Sobol, Fabrizio Romagnoli, Alexandra Moen.
Liverpool Sound and Vision Rating * * * *
Cast: Ntombizodwa Ndlovu, Matthew McNulty, Bebe Massey, Taraq Al-Jeddal, Christine Bottomley, Esh Alladi, Emma Cunniffe, Kymberley Cochrane, Lula Marsh, Jessica Bellamy.
The rise in popularity in the true crime podcast is extraordinary and revealing.
Such revelations suggest much about the society we live in, and once where the murder mystery drama on television was seen as the preserve of the armchair detective pitting their wits against a writer who understands the genre as if they themselves were culpable of the crime committed, now the listener is rapt with attention as they look for the clues that might save their own life if they were plunged into a situation where their life might be in danger.
Liverpool Sound and Vision Rating * * * *
Cast: Kasia Smutniak, Matthew McNulty, Liam Cunningham, Alex Lanipekun, Peter Campion, Colette Dalal Tchantcho, Christine Bottomley, Liah O’Prey, Ewan Horrocks, Earl Cave, Roland Litrico, Ben Blatt, Alais Lawson, Naike Anna Silipo, Kevin Lettieri, Darrell D’Silva, Claire Forlani, Lex Shrapnel, Emma Canning, Anthony Barclay, Finn Bennett, Claudia Stecher, Beau Gadson, Meadow Nobrega, Enzo Cilenti, Melodie Wakivuamina, Youssef Kerkour, Salvatore Palombi, Pedro Leandro, Liam Garrigan, Isabella Rossellini.
Liverpool Sound and Vision Rating * * * *
Cast: Daisy Haggard, Geraldine James, Richard Durden, Liam Williams, Jamie Michie, Adeel Akhtar, Christine Bottomley, Frank Feys, Imogen Gurney, Jo Martin, Souad Feress, Jennifer Tollady, Rhona Cameron, Angus Kennedy, Juliet Cowan, Jade Harrison, Celia Henebury.
It takes a special kind of relationship between a writer and their possible audience to make any connection with comedy work, especially when it is one that is set against the backdrop of murder and the after-effects of the accused being released from prison.