Tag Archives: Arthur Miller

A View From The Bridge, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Bruce Alexander, Andy Apollo, Jason Carragher, Callum Coates, Daniel Coonan, Julia Ford, Scott Hazell, Lloyd Hutchinson, Denise Kennedy, Tom Peters, Joe Ringwood, Shannon Tarbet, Liam Tobin, Daryl Wafer.

Arthur Miller’s plays are such that to miss out on a production of them is simply not good form. All you really need to know about life in the United States in the 20th Century can be found in the writings of one of the keenest minds of the time and his look at certain frailties of life, emasculation, deceit, dishonour and the destruction of a system that was corrupt and hopelessly out of touch with his thinking, are repeated over and again in the hope that someone, anyone might understand what is going wrong in the country.

The Crucible, Theatre Review. Static Gallery, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Tony Irwin, Christine Heaney, Sally Fildes-Moss, Kevin Foott, Jack Spencer, Sophie O’Shea, Donna Ray Coleman, Dan Pendleton, Lee Burnitt, Shaun Roberts, Leanne Jones, Paula Stewart, Meera Bala, Alex Clark, Bradley Thompson, Sophie Kirby.

Within 12 months Arthur Miller’s play The Crucible, arguably one of the towering stage works of the 20th Century, has been performed in Liverpool by two amateur dramatic companies. In both cases the play that has been seen by audiences has left them spellbound and lost for words. This particular version by Tell-Tale Theatre at the Static Gallery and Directed by Emma Whitley and produced by Leanne Jones is without doubt the finest production possibly seen on either side of the Atlantic in decades and something that the playwright would have salivated over and found disturbingly majestic.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Sally Fildes-Moss And Paula Stewart.

The Crucible is arguably one of the crowning glories of 20th Century theatre, a play so powerful that the parallels it drew on one of the sickening acts in American history, the show trials conducted by Senator McCarthy in an attempt to goad the decent people of the country in to believing that everyone, neighbour, friend, lover was part of a Communist conspiracy, was too big to ignore. Bringing together the fear and jealousy of one era, a harsh time dominated by religion and comparing the post Second World War American dogma was a piece of genius that only Arthur Miller could have done and written so incredibly well.