Path Unknown, Gig Review. Zanzibar, Liverpool.

Liverpool Sound and Vision Rating * * * *

The name of the band may be Path Unknown but since their debut gig at the O2 Academy in January of this year, the course they have been on, the direction they are treading has been ever upwards and quite rightly so. This is no way an unknown path, this is one that is very well thought out and performed so well that in seven short months the band has already made several inspired moves sound wise. From being good and ones to watch at The Academy, to slap me sideways with a cold halibut excellent takes quality, hubris and a dedication in achieving the best, all this has been realised.

Nighthowl, Gig Review. Camp And Furnace, Liverpool.

Liverpool Sound and Vision Rating 9/10

Liverpool in the sunshine, for that matter in any weather, is a wondrous place and when the music gets its look in the summer haze it becomes even more special. The sense of history that emanates across the city is captured in how music can appear seemingly anywhere, from somebody picking up a guitar and heading down to the docks and giving the visitors an extra reason for enjoying their day out or even when it features heavily at a craft fair in a building that not long ago was more suited the grind, dirt and steel, the imagery of the dark satanic mills never too far away.

Gary Edward Jones, Gig Review. Camp and Furnace, Liverpool.

Liverpool Sound and Vision Rating * * * *

Camp and Furnace in Liverpool is an open secret, those that know about this charming cultural hive of activity cannot get enough of it and its industrial past, the relic of an industrial revolution that has gone beyond the thought of dirt, disease and dark satanic mills and has become a place of beauty. It is also a great place in which to catch live acoustic music and the slight nod to the electric.

Hugh Cornwell, Gig Review. The Citadel, St. Helens.

Liverpool Sound and Vision Rating * * * *

Hugh Cornwell is a name that so many have grown up with. No matter the age of the listener, it seems his own solo career and his lengthy time with The Stranglers has touched people’s music conscious and keeps on doing so. No small wonder that the man seems to get more and more enjoyment from coming out on stage, even if he doesn’t say so, his body language speaks volumes as he trades notes and the odd smile with the audience.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Laura-Kate Barrow Of LadyParts Theatre.

Cafe 81 on Renshaw Street at opening time is an oasis of calm and the perfect place it seems to meet writer and theatre maker Laura-Kate Barrow. The venue had recently played a part in Laura’s quiet determination to bring more theatre to Liverpool and especially to showcase more parts for women, a situation that still sees acting roles still predominantly written for men but something that Laura is keen to address. Over the sounds of fresh tea being made and the clamour for attention from the great staff inside Cafe 81 I get to ask this young woman about the 24 hour project in which Assemble was the end result and her up-coming play Bump.

Heaven’s Basement, Gig Review. o2 Academy, Liverpool.

Liverpool Sound and Vision Rating * * * * *

The walls at the o2 Academy have seen some incredible acts in the long years that it has stood on Hotham Street, it has held those memories within its brickwork and steel framing for so long that perhaps it is unsurprising that those reminiscences, the ghosts of fantastic sessions decided to come out of the stonework, to bleed themselves out and drench the audience in sweat at the outstanding and ear obliterating concert given by Heaven’s Basement.

Buffalo Summer, Gig Review. o2 Academy, Liverpool.

Liverpool Sound and Vision Rating * * * *

Wales has always managed to hold onto its musical secrets until the right time comes along to unleash them upon the world in a blaze of Welsh pride, especially its rock groups. The Alarm, Manic Street Preachers, The Reasoning and The Stereophonics all have become household names over the decades not just in their home country but across the River Severn and through the mountains and hills of the North and invaded the collective music thought of the neighbours in England.

Skarlett Riot, Gig Review. o2 Academy, Liverpool.

Liverpool Sound and Vision Rating * * * *

Some people kick off their weekend by taking off their work shoes slumping infront of the television for the night and only moving again when the television reception goes wonky. Others will be more adventurous and make their way into town and watch television on a big screen as Wimbledon reaches its climax. For some though the chance to take in some music, to find an oasis in a desert, is too compelling an opportunity to mess with and as Skarlett Riot entered the fray at the O2 Academy to a crowd that was already in love with them after catching the foursome finish their warm-up, there may as well have been a big sign stamped on the wall saying, your weekend starts here, rock your heart out and enjoy!

A Thousand Murdered Girls, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Maria Hutchison, Rachael Boothroyd, Katy Brown, Kitty Spathia, Valerio Lusito, Arancha Herreruelo-Alonso, Emma Segar, Keelin Sweeney, Alun Parry, Alan Bower, Adam Byrne, Tony Davies, Louise Garcia, Gillian Peterson-Fox.

Every so often the sound of three gunshots echoes around the Unity Theatre. The effect it has on the audience is one that is just as chilling on the soul as the realisation that what the writer Darren Guy and Director Mikyla Jane Durkan have put together is so rooted in Greek history that as an audience member it’s possible to feel shame for the lack of knowledge you have as the true story of the many women arrested and tortured in Greece after World War Two for the crime of fighting Fascism and Nazism.

Yazoo, You And Me Both. 30th Anniversary Retrospective.

Liverpool Sound and Vision Rating * * * *

If you are going to go out, leave them demanding more. A maxim that suits Yazoo’s second album You and Me Both right down to the ground. After the huge success of the band’s debut album Upstairs At Eric’s which reached the near unprecedented heights of number two in the U.K. album chart and breaking the U.S Billboard Hot 100, the creativity that Alison Moyet and Vince Clarke weaved together followed through in to the recording of You And Me Both and yet on the eve of the album’s release they announced their separation. Whilst they would eventually get back together for a series of gigs in 2008, the flow had been broken but at least fans have the debut and this excellent follow up to remind them of what exactly the pair bought to the table.