Aliens Vs Predator, Volume 1 Omnibus. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

There will be those who remember sitting and waiting with varying degrees of patience for their favourite comic book title, as they seemed to be called once upon a time, to come out and then devoured greedily with relish as their favourite hero or collection of champions led the way through 40 or so pages of agonising self-worth and the inevitable fight, perhaps to the death.

Genesis, Genesis. 30th Anniversary Retrospective.

Liverpool Sound and Vision Rating 7/10

When it comes to Genesis, the rich tapestry of the band which started out from Charterhouse Public School and ended up as one of the biggest Progressive Rock groups ever, doesn’t neatly divide fans one way or the other in terms of musical values in certain eras, it manages to do it during the course of an album as well.

The Master and Margarita. Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Joseph England, Simon Hedger, Jack Quarton, Olivia Meguer, Max Rubin, Modou Bah, Hannah Gover, Teresa O’Brien.

There are some works that are too good to keep hidden from those that would demean and diminish them. Some works may need to be spirited away in case certain people take offence and see the satire as a personal attack. However those in the very highest of offices do sometimes need reminding that they are they to serve the people, not the other way round. No matter how long it takes to get a novel published or someone to take it on as, what can only be described as riveting, in a theatre setting, at some point the message will get through, such is the fate of Mikhail Bulgakov’s work, The Master and Margarita.

Malik & Pettite. E.P. Review.

Liverpool Sound and Vision Rating 7/10

The Midlands city of Coventry isn’t really remembered for many things outside of its Cathedral, the legendary Lady Godiva the fantastic groups The Specials and The Selecter, being the home town of the poet Philip Larkin, the utter devastation it suffered in the Blitz and one brief shining moment for its football club in 1987 where the team did the unexpected and pulled off one of the most famous victories in F.A. Cup Final history.

Monkey Bars, Theatre Review. Playhouse Theatre Studio, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Philip Bosworth, Angela Clerkin, Jaquetta May, Christine Roe, Gwyneth Strong, Gordon Warnecke.

Taken from conversations held with 72 children aged 6 – 11 and from a diverse range of social and cultural backgrounds, Monkey Bars is an intriguing look on life that offers new light through old windows as to how the modern world works.

Chris Goode’s script is beautifully written and the adult cast in a wide range of roles, must feel as though they are themselves kids left to run riot through Hamley’s and the biggest Haribo factory in the world.

Sons Of The Desert, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Roy Brandon, Michael Starke, Lori Haley Fox, Penelope Woodman, Matt Connor, Jonathan Markwood.

The distinctive music, the sight of two comedy greats on stage giving the audience a laugh and great entertainment in two different settings and somehow transported in time from the golden age of Hollywood comedy to the 21st Century comedy central of the Royal Court in Liverpool. Such is how nights of class are made and in the iconic Laurel and Hardy film Sons of The Desert, recently given such status as warranting to be preserved forever in the American National Congress, they don’t come much bigger, then again, it can always be given a new lick of paint and introducing to a newer audience.

A Very British Murder: Part Two. Television Review. B.B.C.

Liverpool Sound and Vision Ration * * * *

As Dr. Lucy Worsley makes her way through the Victorian age of the most nefarious crime of all, the taking of another’s life, the second part of her new series, A Very British Murder, lifts the lid on the rise of the detective, whether in fiction or on the streets and houses of Britain and the detective’s arch nemesis, that of the arm chair detective.

Haim, Days Are Gone. Album Review.

Liverpool Sound and Vision Rating 7/10

Days Are Gone is the debut album by Los Angeles Rock band Haim and with the soothing whisper of an ethereal essence, the three sisters introduce themselves onto a public that should be ready to take them to their hearts.

Vinyl Floor, Peninsula. Album Review.

Liverpool Sound and Vision Rating * * * *

If there is one genre of music that Britain seems to continually well at creating, then surely Progressive Rock is the one. Unlike Metal, straight rock and pop has had the good fortune of having continental and Scandinavian Europe come along and show the way forward to British bands, Prog though still remains very much in the hands of a certain type of musician and for that the joy of hearing Denmark’s Vinyl Floor’s Peninsula is greatly appreciated.

Voices, Theatre Review. 81 Renshaw Street, Liverpool.

Liverpool Sound and Vision Rating 9/10

In today’s world, art can be seen as being under threat. There are many who knock the idea of the young band making their way slowly into the world of performance, insisting that they should be concentrating on being a valuable member of society by finding a “real” job. The same goes for aspiring playwrights, poets and performers, too easily knocked for having an idea or wanting to be creative.