Mark Morriss, Gig Review. 02 Academy Birmingham.

Liverpool Sound and Vision Rating * * * *

It is the absurdity and cruelty of modern life that with even the best intentions you can miss a great artist’s work and not hear about it till months after the event. It somehow underlines the age, places a big huge marker against the 21st Century when looking back at the annals of history that a talented musician can go vastly unnoticed and yet somehow, somewhere someone is laughing with a maniacal grin and wringing their hands as if having purchased a tonne of glee and were now beaming at the thought that television had finally killed the true artist.

Skillet, Vital Signs. Album Review.

Liverpool Sound and Vision Rating 9/10

Just when the outlook may appear to be festering, perhaps wallowing in some self imposed drudgery, along comes a group capable of shaking the apathy and laziness that had crept into all corners of an American once legendary genre, out and delivering a sermon on the Rock mount decrying the dangers of letting it be lost to a generation.

Black Mirror, White Christmas. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Jon Hamm, Rafe Spall, Oona Chaplin, Natalie Tena, Janet Montgomery, Rasmus Hardiker, Dan Li, Ken Drury, Zahra Ahmed, Verity Marshall, Ian Keir Attard, Grainne Keoah, Robin Weaver, Simon Noch, Diveen Lenny, Esther Smith, Beatrice Arkwright, Liz May Brice, Nicholas Agnew, Gavin een, Sukh Ojla, Leanne Li.

 

For all the bright lights ever offered Humanity of a future world, it somehow is never as intriguing a prospect to write about a society that has a dystopian angle to it.

Jack And The Beanstalk, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Dan Osbourne, Thelma Madine, Suzanne Collins, Alison Crawford, Michael Chapman, Bradley Thompson, Jack Hilton, Herbert Howe, Amy Fielding, Kyle Corrin, Olivia Horton, Stephen Nicholls, Georgia Jones, Georgia Austin, Michael Jones, Grace Felton, Chloe McKeown, Connor McCourt, Olivia Baccino, Jack Lisner.

Jack’s back in town and the giant quakes with fear in his castle in the clouds and the henchwoman knows her days are numbered…well not quite, this is after all a Pantomime and the hero isn’t exactly the courageous, quick witted type.

Pete Wylie, Gig Review. Zanzibar, Liverpool. (2014)

Liverpool Sound and Vision Rating * * * *

Great songs are the only currency that counts. It really is that simple.

So, with a successful Pledge campaign in his back pocket and a brand new guitarist and consigliore standing stage left, Pete Wylie returned to The Zanzibar to wrap up his busiest year in a decade, before turning attention to the imminent recording of a new album.

Little Big Planet 3 (PS4), Game Review.

Liverpool Sound and Vision Rating 9/10

Little Big Planet 3 is a creative platform adventure game available from retail stores and for download from the PlayStation Store for the PS4.

The critical acclaim and popularity of the Little Big Planet series is unquestionable as the franchise has sold millions of units and downloadable content since it began with its original release on PS3 in 2008 before a PSP version followed in 2009 and with a sequel to the PS3 game released in January 2011 in the form of Little Big Planet 2. The series returned to portable gaming with Little Big Planet PS Vita in September 2012 ahead of the release of Little Big Planet 3 on PS4.

The Peace Collective, Altogether Now. Single Review.

There used to be a buzz of excitement around this time of year. Away from the thought of inedible sprouts that seemed to only be placed upon the plate with frightening regularity, the Queen’s speech having to be watched because an elderly relative once saw Her Majesty dangle a gloved hand out somewhere in Weston–Super-Mare in 1965, and the usual fights that would lead to doors slamming throughout the land because someone didn’t want to enter the Christmas spirit, one thing could unite the family and be the cause of more arguments and that was who would be Christmas No. 1.

Jonas Knutsson And Johan Norberg, Norrland. Album Review.

Liverpool Sound and Vision Rating * * * *

There is nothing better than being lost. Whether it is in thought, the moment, in Time or perhaps in the physical world of an abundant forest, being lost can be quite liberating. Once the panic subsides, once the feeling of dread of the unknown passes by, the taste of the forest can come alive and the chance to revel in an adventure can become apparent. After all, the only ones who ever truly lost are those that don’t want to be found.

Battlefield 4 Final Stand DLC Review, X-Box, Playstation and P.C.

Liverpool Sound and Vision Rating 9/10

As Battlefield 4 comes to its natural conclusion, the prospect of a new dawn in the series starts to creak its door open.

To show that the publishing company, DICE, care about the Battlefield players and the franchise, this DLC (Down Loadable Content) takes place before Battlefield 2142 as a prequel. Fans of the genre may find themselves wondering how a new DLC will link with a game that was made nearly nine years ago, however as the makers did not go into too much detail on how the war in 2142 started, there is a tremendous scope for a back-story to be enjoyed, and after all DICE do like their surprises.

Brit Floyd, Gig Review. Echo Arena, Liverpool. (2014).

Liverpool Sound and Vision Rating * * * *

It is a problem that can flummox the most ardent or even the most casual of music lovers in Liverpool, that nowhere in the U.K., with perhaps the possible exception of London with its network of collected villages all rolled up into a Westminster empiric bag, can offer so much music in one night to its populace that audiences can be split through loyalty, nostalgia and shared love.