Liverpool Sound and Vision Rating * * * *
Long may life be an endearing and ongoing succession of finding music in which constantly catches the listener out, providing an unseen rope trick on which to balance upon and eventually fall hopelessly and utterly for whilst providing no worthless safety net for shattered illusions. Music must succeed or fail on its terms and for that it remains a true and exciting form of art.
First published by Liverpool Live, October 2014.
Liverpool Sound and Vision Rating * * * *
Every generation occasionally despairs at the one that is following it, the ones for whom the hopes of creating a fairer world depend upon as the preceding group realises that it has somehow failed to change the world enough to make pettiness and want a negative emotion consigned to the dustbin of history. The despair comes in because somehow they believe that if they cannot make a difference then what chance does this next lot have? There are too many distractions, too much entertainment on offer in which to make making a stand against so called higher powers almost impossible.
Liverpool Sound and Vision Rating 9/10
Cast: Caroline Langrishe, John Banks, Chase Masterson, Terry Malloy, Adrian Lukis, Camilla Power, Louise Jameson, Sinead Keenan, San Shella, Lucy Fleming, Ian McCulloch, Carolyn Seymour, Phil Mulryne, John Dorney, Lisa Bowerman.
For those that remember with fondness or indeed with a tightening grip of fear Terry Nation’s 1970s apocalyptic serial Survivors, the frightening aspect of a civilisation falling apart very quickly is one that is perhaps the most powerful and enduring images of its time and is probably matched only by the television film Threads a decade later. To see it happen on screen as part of a drama is one thing but to have it re-recorded by audio drama specialists Big Finish, already the guardians of the legacy of Doctor Who in audio form as well as establishing a great following with their episodes of the likes of The Avengers, Sapphire and Steel and Blake’s 7, is quite a different proposition.
Liverpool Sound and Vision Rating 9/10
To take a gentle walk through an artist’s life is one of the greatest pleasures that anybody can really hope for. The collected works of Constable, Turner or Van Gogh in an art museum for all to see, an entire volume of Shakespeare’s sonnets in which to let the heart sing, a marathon run of Richard Burton or Pam Grier films at your local art house cinema or a night spent in listening to the recordings of Harlem sensation Gladys Bentley, all art is a series of seeing the performer from first breath, through magical momentum to a hopeful ovation at the end. To walk in their footsteps should be seen as an honour.
Liverpool Sound and Vision Rating 9/10
The world never seems to have enough of Michael Palin. From the early sprouting of comedy genius that resided in the Yorkshire soul, to the creative overload that burgeoned in Monty Python to becoming one of television’s leading travel presenters, throughout it all he remained one of Britain’s favourite and captivating sons.
Liverpool Sound and Vision Rating 9/10
Cast: Peter Capaldi, Jenna Coleman, Samuel Anderson, Frank Skinner, David Bamber, John Sessions, Daisy Beaumont, Janet Henfrey, Christopher Villiers, Foxes, Jamie Hill.
Death stalks the Orient Express, an unseen killer picking of the passengers one by one and with the bodies starting to stack up, it can only be time for the stiff upper lip and slightly lunatic outlook of a madman in a blue box and the mysterious beautiful companion to address the situation and tie up the loose ends.
Liverpool Sound and Vision Rating * * * *
Serendipity has a much underrated effect on the human psyche. There are just those friends of yours that only ever want to see the main band, the one they have shelled out their hard earned money for, and for the rest of the evening they are quite happy to sit in the bar, holding a sort of court and quietly and perhaps intentionally chatting about the beer on offer behind the bar, then there are those that find by chance a group or a couple of bands that peak their interest and makes the overall evening one in which to remember. Call it what you will, chance, the fickle finger of fate or fortunate providence or just an understanding that support artists can be just as enjoyable as the main act.
Liverpool Sound and Vision Rating * * * *
Broad Street in Birmingham has long been the resting place of those wishing to dance the night away, to fulfil every possible legal desire they wish to bestow upon themselves and perhaps a little more if the chance arises. Just off Broad Street lays The Flapper, a venue of repute and in which perhaps arguably remains a stout defender against what could be seen as the rising tide of apathy all-round the country of smaller independent pubs, bars and clubs losing a reputation in showcasing new talent in favour of the crass commercialism offered in other places, the overwhelming abundance of cover bands that seem to strike at will like a python sizing up its options in the face of a mongoose, and like the Bilston Robin takes pleasure in being able to do so.
Ian Prowse of Amsterdam. The Flapper, Birmingham. Photograph by Ian D. Hall.
Liverpool Sound and Vision Rating * * * * *
Sometimes you have to go back to where it began to understand why you are where you are now. Sometimes the journey can be a little painful; it can be exciting and almost certainly overwhelming. For Ian Prowse and the energetic ensemble of musicians that make up the band Amsterdam, coming back to Birmingham after a five year absence proved not only to make the wonderfully vocal crowd’s hearts inside The Flapper grow as fond as a father’s love for his daughter but also showed exactly why lovers of music in Birmingham and Liverpool share a common thread.
Liverpool Sound and Vision Rating * * * *
The thought of being alone in the dark, whether in the physical world or the memories that lay heavy as you tuck your blanket over your head, can be a world in which some never come back from fully intact. The dark is somewhere in which the guide books never tell you how to behave or what to do. To alleviate the problem, the only thing to do is place the earphones over the head and fall completely for arguably one of the best British Doom Metal merchants around and their eighth studio album, the stunning Time To Die.