Mo.

The sweat pours wistfully from your brow

and like many before you,

Thompson backflip, Coe eminence,

Ovett working class maverick, Wells

my hero at the age of nine, dipping head

on the line, Lyndon Davies grace in the air,

sand undisturbed, Sean Kerly, an honour

to have met before he won Gold,

David Wilkie years after he became an icon,

Steve Redgrave, Linford Christie, Matthew Pinsett,

ninety six disappointment, crushed memories,

weightless and unimpressed, my own failure

at the heart of it…

Kelly Holmes resurgent, beautiful, bold and a queen

Ladies, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

It has all the makings of a great introduction, the curtain raiser presented by a ringmaster of great repute and with a talent for the language of their craft to entice and beguile the wary watcher in from the cold, to dazzle and astonish as ribbons fall from the ceiling and the audience’s eyes are diverted for a while from the main event. It is not the jiggery pokery of a circus that attracts in this instance, it is the dynamic of a band from Leicester who have made Liverpool very much their home.

Anna Houghton, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating 7.5/10

To be on any invited bill shows respect, it shows a longing to hear more of what you offer and is a sentiment that should never be dismissed easily. To be on the bill of an E.P. launch, to be among the select crowd of performers installing reverie and flights of musical fantasy in the midweek desert is to know that music is not a delusion, it is not an unfulfilled desire, it is hope wrapped in sheet music, placed within the instrument of choice and given care.

Tea.

I can’t seem to function these days

without the hot rush

of tea, without

the taste of inspiration

that fills the gut and sends

ideas spinning out of control

into a void in which

I pluck, grab and scramble

for a single notion.

Long dead

are the days when a beer,

a glassful of whisky

sipped at dawn, revolver shot

to the brain and imagination

crowded

would be the order of the day;

I miss that, I miss the insanity,

the belief that I could conquer all…

Cal Ruddy, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating * * * * *

The moment will strike unexpectedly and without warning, the musician on stage will look down upon the crowd that has gathered before them, perhaps so large that they can no longer see their eyes glimmering with hope, perhaps so intimate that the windows to the soul are all they can focus on. In the end it doesn’t matter, all that is significant is the true moment in which the musician gives the best of nights and you sit in the corner, breathless and broken, buoyant and a believer; it is the moment in which Cal Ruddy supplied at Studio 2 in which the venue arguably witnessed one of the finest ever performances inside its hallowed frame.

Nine Blind Ravens, Gig Review. Studio 2, Liverpool.

Nine Blind Ravens at Studio 2, Liverpool. Photograph by Maddie Stenberg.

Nine Blind Ravens at Studio 2, Liverpool. Photograph by Maddie Stenberg.

Liverpool Sound and Vision Rating 9/10

The sound of a new set of heroes gathering in the dark is always a welcome echo of what is to come, the finding of a new band in which to hang your love upon, something in which nothing else can ever touch with perhaps the exception of that first electric kiss as a teenager.

Andrew Shaw, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating 7.5/10

The still of the night is such that the attraction of a solo acoustic guitarist will always sound beautiful, mournful and heart stopping no matter the situation they may find themselves in. Yet somehow the attraction is enhanced with the feeling of close August heat parading itself in the shower of loose dripping sweat and the build up of energy being worked up in readiness for the electric section of the evening.

Wedding Invite.

Your wedding invitation came today,

virginal white paper, stencilled

black type and a date

to put in the grey diary

that seemed oddly familiar, a date

which we would forever share,

a date which I guess you might never find

in a society that not so long ago

was so stupid that it could not

celebrate love between two people,

for fear of what love might mean.

 

I knew of your love at University

and overjoyed I am as I read

your invitation, to share

A Short, One Sided Conversation With The Dark.

….so here we sit in the gathering dark, the reveal is coming, the hero is played by you, shall we read on?

No one else can see you you know, you don’t exist to them, you are an empty space, the void in the background that they dismiss as easily as a walk to walk or a drive to the shops, however in the dimmed light, the blinds pulled almost across to the point where only the barest chink of light can make it through and the black-out curtains hide the deepest shadows in suspended grief, I see you, I can hear you breathe, you think you are silent, that as you sit there in the dark judging me, contemplating the best way in which to bring me over to your side, I hear your thoughts, whirring round like a Catherine Wheel, fizzing away, the whizzing along, racing round and round in circles…I hear them, each dark reflection, each deliberate opinion you wish to put upon me, I hear them and I reject them…just.

Despicable Moon.

The moon, crater

crammed, swims into view

through the gap

in my beige curtains

and looks down upon me

with once innocent surprise,

yet I know that the man

in the moon is judging me,

that silently throughout

my forty five years

he has done nothing but give me

silent treatment, never encourage

or console when I am afraid;

it is cold and aloof

and creates shadows of

that are unfulfilled and hollow.

 

Ian D. Hall 2016