Roger Waters, Is This The Life We Really Want? Album Review.

Liverpool Sound and Vision Rating 9/10

Only we know the answer that lays deep in our hearts, the reply to a thousand years of history and few thousand more, of politicians and so called gurus, sages all, putting their stamp down on the world in which they would like to see created, the lie in their own image; it may be wrong but it is the one that they see as the one most fitting when asked, Is This The Life We Really Want?

Doctor Who: The Lie Of The Land. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Peter Capaldi, Pearl Mackie, Matt Lucas, Michelle Gomez, Emma Handy, Beatrice Curnew, Stewart Wright, Solomon Israel, Jamie Hill, Rosie Jane.

How easy is it to swallow a lie, to take what you read as the gospel truth and all because it fits in with your narrow view of the world is the truth you seek without having to investigate further. False News has become the word of our times, perhaps the rise in social media has become part of the problem as certain people, certain organisations, have invested their time and energy to promoting The Lie of the Land.

We Were The Latchkey Kids.

They called us nihilistic, we the latchkey

kids without supervision

as the post war post war children

dictated the every move

in the spirit of Victoria

and didn’t even leave us Jimmy Dean

to rebel alongside, we the latchkey

kids who were taught through the voice

of John Hurt, that sex could kill,

yet we held on to our latchkey

status in hope we could get someone home

to hold us for a while, we the latchkey

kids to whom Aids and the Crack

of dawn were but words to fear

Phil Collins, Gig Review. Echo Arena, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Perhaps it was the sense of occasion, the bugle and drum pattern of history that could be felt amongst the Echo Arena crowd that signified a return, the memories of all who attended the first Phil Collins gig in many years, the first time that even without the other members of Genesis by his side that the drummer, the front man of many a music hit of his generation had stepped out in front of a crowd and sang a note of implication and beautiful awareness; perhaps it was the occasion, more likely it was the city and its people, for this was a welcome never to be forgotten, never to be anything but fantastic.

Wonder Woman, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Gal Gadot, Robin Wright, Chris Pine, David Thewlis, Connie Nelson, Elana Anaya, Lucy Davis, Ewan Bremner, Doutzen Kroes, Danny Huston, Mayling Ng, Eleanor Matsuura, Samantha Jo, Eugene Brave Rock, Saïd Taghmaoui, Emily Carey, Florence Kasumba.

Forget the Testosterone, the heroes of old who have dominated the screen since Michael Keaton first donned the Batman suit, with unbelievable results obviously, for there is a true dominant force on offer, a heroine for the age and one that strikes back at the tired old clichés of femininity and valour, of fearlessness and boldness. For in Wonder Woman, there really is a hero that everybody, boy and girl, man and woman alike, can truly admire and one which takes a huge swipe at the misogyny that has been rampant in cinematic heroes for far too long.

Evolutionary Burn.

As I sit,

down upon my leather chair

with a vacant look upon my face

after trying to live life to very max,

my wife will turn on the television

to watch a nature programme

or a compelling

feature on animals in the wild.

In my addled late night mind

and scowl driven perspective,

I swear I see a gorilla, an ape

or a chimpanzee hold up a sign

dripping in red ink

which reads,

Thanks for wasting evolution,

you bum.

 

Unconventional.

I wish I had made more

of my unconventional life,

embraced more than I could

ever hope to have done,

kissed more than just the few

and the few extra more,

I wish I had not been at times

so damned English and polite

and told a few more people,

stuck up their own arse,

blinded by their own self importance

and governed by their right to believe

that their way is the only signposted route

to happiness,

to fuck off,

but I am so damned English

Romeo And Julius, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Richard Bremmer, Patrick Brennan, George Caple, Pauline Daniels, Laura Dos Santos, Emily Hughes, Tom Kanji, Asha Kingsley, Melanie La Barrie, Dean Nolan, Zelina Robeiro, Keddy Sutton, Liam Tobin, Isobel Balchin, Alice Corrigan, Poppy Hughes, Geirgie Lomax-Ford, Hannah McGowan, Chloe Nall-Smith, Catriona Chandler, Erin Clarke, Jordan Connerty, Stuie Dagnall, Will Flush, Jazmine Hayes, Amber Higgins, Jake Holmes, Chloe Hughes, Luke Logan, Jiacheng Lu, Niamh McCarthy, Lucy McCormack, Lacy McGurk, Nadia Mohamed Noor, Rachel Newnham, Jamie Pye, Keeley Ray, Nathan Russell, Samuel Serrano Roberts, Kalia Shaples, Darci Shaw, Esme Skinner, John Stephenson, Ellie Turner.

Sgt. Pepper’s Lads.

Would they still sound the same,

Sgt. Pepper’s lads,

no longer rehearsing near

the Band Stand on a Sunday morning,

the tuba and the clarinet

long since sold

to pay the debt incurred

whilst out of work from the Docks

and the stand against the tyrant witch,

but instead several members changed

and Sgt. Pepper long since dead.

They would carry his name

forth round Merseyside

and beyond, their own moustaches

as resplendent as their once noble leader

and two or three of the once young men

Oliver Light, The Clockwork Within. Album Review.

Liverpool Sound and Vision Rating * * * *

Time is an illusion, yet it is one that humanity can no longer live without, for the passing of the day means nothing to our minds unless it is filled with notches, hourly, quarterly, each minute carefully allotted set tasks, moments in the sun, the sense that in the end light will follow dark and in between we have to fill the space around us with something, electronic or pulse driven, mechanical or solar, nothing truly represents Time than The Clockwork Within.