Helloween: March Of Time: The Best Of 40 Years. Album Review.

Liverpool Sound and Vision Rating 9/10

Time was…and time remains in the hands of those willing to be than a bystander, a voyeur, an observer of events, and whilst it is noble to be a credible witness to Time’s passing, to actively get involved in its storm, to pursue an agenda in which your name or your art adds the eddy and the wake, to the whirlwind above and the whirlpool below…that is the gift, and the curse of Time, we are addicted to its allure and if we are not participating fully, then it will leave as nothing more than an onlooker drowning in the very air supplied by the drum that marks its passing.

Joe Bonamassa: Gig Review. M & S Bank Arena, Liverpool.

Liverpool Sound and Vision Rating * * * * *

The air is filled with the sound of expectation, the faithful 3000 inside the M & S Bank Arena that adds an extra sense of gravitas to the historic view of the skyline of Liverpool’s waterfront can feel the intensity of solemnity radiating from the back of the stage as the momentum and the drama of music that emanates from the guitar of Joe Bonamassa is ready to deal all the aces in a night of high value and atmospheric pulses that went on to rock the space inside the venue with passion and the sound of freedom.

Samantha Fish: Paper Doll. Album Review.

Liverpool Sound and Vision Rating 9/10

Samantha Fish’s track record has been nigh on exemplary, every album, every collaboration, has been immersed in detail and insight; it is proof that alongside others who have given the Blues, not only a rebirth, but a reinvention in the 21st Century, that given the right person and their determination the genre can exist and flourish in a world now dominated by soundbites and ten second videos designed for the mass population.

Maddison Breen: Odesa. Single Review.

Liverpool Sound and Vision Rating 9/10

The continual praise we lay at the feet of some artists is always a pleasure, it is a reminder that constant practise and unbound talent go hand in hand, that it is an even split between dedication and release of emotional endurance, and in Maddison Breen’s latest single Odesa, the beating heart of fearlessness and objectivity in truth is unrepentantly gorgeous.

Hallie Rubenhold: Story Of A Murder: The Wives, The Mistress and Dr. Crippen. Book Review.

Liverpool Sound and Vision Rating 9/10

Ms. Rubenhold’s dedication and calm pursuit of restoring justice to a victim’s name, of insisting with righteous vigour that to which had been stolen by the actions of a murderer, is in itself one of admiration that the reader cannot deny; add to that the strength of character it takes to almost singlehanded tackle what can be seen as a male myopic viewpoint in the characterisation of history’s most foul and heinous crimes is one that deserves every ounce of recognition that the follower of history can muster.

Picture You Dead. Theatre Review. The Lowry, Salford.

Liverpool Sound and Vision Rating 7/10

Cast: Ben Cutler, Fiona Wade, Peter Ash, George Rainsford, Gemma Stroyan, Adam Morris, Jodie Steele, Nicholas Maude, Mark Oxtoby, Valentina Arena, Ross Telfer.

A person will kill for a whole host of reasons, they will do it for love, for revenge, for money, and anger, the motives are often observed to be simple, straightforward, and often they are clouded by detail and unfathomable causes; but none perhaps are as perplexing as those which are committed in the name of ownership in an object, especially in art, for who would kill to have possession of an item that they would never be able to show another human being.

Doctor Who: Lux. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Ncuti Gatwa, Varada Sethu, Alan Cumming, Linus Roache, Anita Dobson, Ian Shaw, Cassius Hackforth, Ryan Speakman, Millie O’ Connell, Lewis Cornay, Lucy Thackeray, Jane Hancock, William Meredith, Samir Arrian, Bronte Barb, Steph Lacey.

For what seems like a lifetime, the opening two episodes of a series of Doctor Who have been strong, well imagined, and framed with the type of intrigue and long vision scheming that made the long running science fiction serial a much-loved institution in its time.

Vicki Peterson & John Cowsill: Long After The Fire. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Long After The Fire turns to embers, we can still resurrect the feeling and the emotions felt as the shadows thrown against walls and our souls make us feel the comfort of warm memories, of connecting us to a past where myths and magic were concocted and spoken of in reverential tones, and where those that whispered of images and spirits could be seen as the perceptive wise people of our times.

Ally Venable: Money & Power. Album Review.

Liverpool Sound and Vision Rating * * * * *

There is no doubt that Blues as an artform needed to reinvent itself in the 21st Century as it found itself on the point of collapse, of suffering self-destruction to its lack of ability to coax and lure new fans to its ailing body. There is assurance that Blues was dying, and even a resurrection of the genre would only give it a limited time scale of survival as decent and legends remained, but nobody was willing to take their place in the heated arena.

An Inspector Calls On Moscow. Radio Drama Review.

Liverpool Sound and Vision Rating 9/10
Cast: Rory Kinnear, Karen Ascoe, Nigel Anthony, Paul Hilton, Richard Attlee, Trevor Littledale, Samantha Hughes, Inna Metlina, Olegs Ohotins.

There can be little doubt that J.B. Priestley’s An Inspector Calls is one of the most enduring, important, and defining plays of the 20th Century. Conceived and written at a time when the fire that consumed the world and destroyed what little pretence that we projected to having a society being for the benefit of all, and was shakily losing ground to the horrors unearthed on foreign fields; and yet one that might not have seen the light of day in post war Britain because of Winston Churchill’s umbrage and offence to the writer’s socialist beliefs.