Crimewolf. Album Review.

Liverpool Sound and Vision Rating 7.5/10

Cry havoc and let slip the songs of war…for too long the over polished and easily forgotten have had their way, held up in the glare of the television lights, fawned over by many, lauded as saviours of popular music by some, this sense of over-rated gravitas is a million miles from the sound of a truth, of one that is pure and comes with several warnings attached to the side.

Lori Watson, Yarrow Acoustic Sessions. Album Review.

Liverpool Sound and Vision Rating * * * *

We all have that one particular place that sits in our minds and refuses to budge, turns down the invitation to move on and reclines back in the imaginary sofa and waits for you to give in and join it there, if not in body, then at least in spirit. It is the place where your dreams go when the time is right, where your hopes are always seen in full colour and each detail ever seen is carefully stored and reminisced about till the end of days; it is the memory of such fine things, of the music in the water and the crevices in the landscape that become part of the story as Lori Watson takes the listener for a ramble and rummage in the Yarrow Acoustic Sessions.

I Am The Man With The St. Tropez Tan, The Tattooed Aunts And Mice On Speed. Album Review.

Liverpool Sound and Vision Rating * * * *

Somewhere in the bowels of the Earth resides hope that has been lost, a hope that brings together the avant-garde and the willingness to take risks, to tackle the slice by slice dissection we face of our time and the way we use it; it is the hope of the scream, of the passion that conquers the disinterest, and one that Rick Senley captures in his guise as I Am The Man With The St. Tropez Tan with his typical abundant flourish.

The Company Of Players, Shakespeare Songs. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The exploration of the past is a welcome and worthwhile pursuit, when seen through the eyes of the group collective the results of this journey is one to take heart from, the dynamic of tossing ideas around, bouncing the traditional against the power of the contemporary and progressive is fresh, prevailing and yet is sincere in its outlook to pay homage and in the scope of the English language there is arguably no greater writer to pay that respect to than William Shakespeare.

Nonsense.

I have thrown out so many bags

for refuse of late, that countless

ideas of nonsense have become

obsolete, not worthy of being

in the same house anymore;

I must find a way to make room

for the hopeful flights of fancy

that are being conceived,

embryonic, shifting shapes

of butterflies, pinned down,

to grow into

the nonsense they desire to be.

 

Ian D. Hall 2018

The Jungle Book, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Rachel Dawson, Diogo Gomes, Lloyd Gormon, T. J. Holmes, Ruri James, Avita Jay, Keziah Joseph, Chipo Kureya, Dyfrig Morris, Deborah Oyelade, Tripti Tripuraneni.

The life of a writer and their creation is often seen as being so intertwined that when the reader takes a more interested look, a more critical eye over what they are being implored to read, often the join seems to flush, that whatever the writer of the novel has written must be what they believe in their own hearts.

When Another Dragon Roars, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast Austin Hewitt, Lucy Fiori.

To hold the attention of anyone, let alone that of a young eager mind, the story has to be entertaining, it has to have the thrill of the imagination weaved through it, delicate threads pulling together to make one large pattern, a stitch here and there creating the picture in which the story unfolds, unfurls with a flourish and which when seen with the benefit of distance is still just as valued as the moments when you are so close to the action that you cannot but smile and be drawn in by those creating the drama and the story.

Valentine’s Table.

 

Valentine’s Day is cruel,

unforgiving as expectations are raised

and the hope of a declaration of love

so special is hoisted high

in the hopes that your relationship

is seen to be perfect;

she told me to be ready by seven,

the table was booked for eight

and for a change

she was treating me to a night out

in low lights, soft music

and a night which was not

to be considered make

or break.

I hated the idea of such fuss,

Terror In the Dentist’s Chair.

You’re in the Waiting Room…

He’ll be coming soon

How are you today?

Won’t you step this way!

Now sit down in the Chair

Only the nurse is here

Why don’t you open wide

I’ll have a look inside…

It’s Just Terror ,Terror

in the Dentists Chair…

Now I’ll give you Gas or Novacain

that’ll soothe the pain

One good pull will do

Delirious I never knew

Pink Mouthwash rinse it out…

Gushing blood spit it out…

Make another appointment please

I’ll see you again next week!

Dialling For Radio Luxemburg.

 

It was like scanning a dial,

an old fashioned radio receiver

searching in the darkness

for Radio Luxemburg, static,

partial signal, lost, found, ear

splitting, brain numbing sound

as you close one eye in response

and try to shrug away as the dentist,

fiendishly and with enamel desire

starts removing the loose and the cracked,

the split and gleefully

finds the station’s pulse mark

and enjoys the hits coming forth,

in at this week’s number ten, a new sensation

drill baby drill.