Gypsy Pistoleros: Dark Faerie Tales. Album Review.

Liverpool Sound and Vision Rating 9/10

Rule books be damned. Take the blueprint of the ages and do the most honest thing we can in a period of time that is not just in flux, but actively breaking at the seams of credible moderation and instead is insisting we see the rules as unbendable orders that we play the game to age old dictates at the detriment of our own growth…we throw that rule book on the fire and look to a time of more honest understanding, those with mysteries and fierce Dark Faerie Tales holding our hearts.

H. Jack Williams. E.P. Review.

Liverpool Sound and Vision Rating * * * * *

When hope becomes grounded, when it feels more than the stirring of potential and optimism, that is when we proudly place our name to the endeavour we have been pursuing, when we state our intentions as more than honourable, but a promise in action…that is the point at times of the self-titled release; a short step from the placing of the subjective singular approach, a more enlightening and channelling of the exhibition of artistic renaissance to come.

The Pale White: Inanimate Objects of the 21st Century. Album Review.

Liverpool Sound and Vision Rating * * * *

Why do we place so much faith in the apparently soulless, why do we show such devotion to the constancy of the hum of the electric heartbeat, pray to the lifeless length of time unresponsive friendship that a television or radio can provide…it is almost as if we understand our connections to the Inanimate Objects of the 21st Century are not only deep rooted, but a stage of slow evolution that is being guided by a pulse out of reach to the naked eye but felt intensely.

Emily Portman: Dominion Of Spells. Album Review.

Liverpool Sound and Vision Rating * * * *

The authority of the human heart and mind must forever hold sway and opinion in all things against the growing strain of artificial intelligence, the Dominion Of Spells, the word, the influence of art that comes from enchantment and incantation alike, are to be seen as sacrosanct, fiercely embedded in truth and one that comes from the belief of the stroke of fortune that we are able to breath life into the armour of collected tales and those that weave a narrative together.

Dana Fuchs: Live In Denmark. Album Review.

Liverpool Sound and Vision Rating 9/10

Long held up as one of the modern powerhouse Blues singers of her generation, Dana Fuchs’ authentic, intense voice, her inflamed charm and enticing presence on stage, and in the studio, has marked her card as perhaps being a rival to long missed Sheffield megastar Joe Cocker, feminine but filled with the sovereignty, the engine of a Rolls Royce, as she punches home every drop of blood from the words and guitar with fortitude and fierce cool.

Squeeze: Trixies. Album Review.

Liverpool Sound and Vision Rating * * * * *

Life seen through the eyes of young men, of teenagers with the whole world waiting at their feet should be a joyous musical occasion. Instead, it often turns their vision to a physical concept that would underline just how the times and the political situation has shaped them, forced them to see in the end life not as carefree and filled with possibility, but instead as a series of tales weaved together tempered by experience and delusion.

Karl McCann: Trial By Versions. Album Review.

Liverpool Sound and Vision Rating 8.5/10

The enormity of the project that Karl McCann has undertaken is evident as he follows up his previous releases, including Put It All Behind You and It Was Only A Dream with an impressive insight into the way we perhaps understand music as listeners and how an artist can pull you into seeing, witnessing a kind of metamorphosis of intention and belief of the personal epic, of pushing the artistic boundary beyond the comfortable but producing something rather incredible.

Visions Of Albion: Avenues. Single Review.

Liverpool Sound and Vision Rating 9/10

Into each life the sense of the profound and delicate must not only fall, but be seen for exactly what they are, moments of seismic and unadulterated beauty. It is the rainbow seen through the downpour, the longed-for figure emerging through the gloom at the funeral to hold your hand and whisper that the road you are on will lead you to Avenues of plenty, that benefit and elegance of the soul being complete and ready for the song to be sung.

Star Trek: Starfleet Academy. Television Series Review.

Liverpool Sound and Vision Rating 7/10

Cast: Holly Hunter, Sandro Rosta, Robert Picardo, Paul Giamatti, Tatiana Maslany, Karim Diane, Kerrice Brooks, George Hawkins, Bella Shepard, Gina Yashere, Zoë Steiner, Raoul Bhaneja, Tig Nataro, Oded Fehr, Stephen Colbert, Brit Marling.

In its 60th year, one that is filled with huge past highs, and some fairly despondent lows, moments that preached beyond the capacity of the viewer to admire, let alone respect, the many worlds of Star Trek finds itself following from the lamentable final series of Discovery with a way to restart the whole idea of Starfleet being formed once again whilst building a structure to imagine just how the premise of the programme, its history and its future can combat fatigue.

Robben Ford: Two Shades Of Blue. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Freedom is not a gift, it is a right, and one neglected by many as they swear alliance and allegiance to a system that requires subservience, that insists on compliance across the board…no room for the individual to make the best of their lives, no recourse to the law of liberty or of understanding that there may be not just one, but Two Shades Of Blue in which to feel that all paths are open to explore, to perform, to feel gratification within.