Megadeth, Rust In Peace 20th Anniversary Live Recording. Album Review.

Originally published by L.S. Media. October 1st 2010.

In 1990, a seismic shift in the world of Heavy Metal was about to happen. For the later part of the eighties the genre of big hair and exuberant stage shows had ruled over the basic down and dirty inhabitants of Heavy and Thrash.

The likes of Metallica and Slayer had gone some way to bringing the days of early Black Sabbath and Iron Maiden back but with an American twist. Among those early pioneers of Thrash Metal were Megadeth. Fronted by the Californian colossus that is Dave Mustaine, the band went through several line-up changes during the first few albums and even though each album got subsequently more interesting and better produced, there was still the thought in some critics eyes that the band were nothing more than Metallica wannabes.

Richard O Flynn, Gig Review. Static Bar, Liverpool.

Richard O’ Flynn at the Static. Photograph by Ian D. Hall.

Originally published by L.S. Media. October 1st 2010.

Seeing Richard O’ Flynn perform his debut album live at the Static Bar in Liverpool should go down as one of those I was there moments for the eager crowd that braved the onset of autumn and its blustery, dirty weather.

Manic Street Preachers, Postcards From A Young Man. Album Review.

Originally published by L.S. Media. October 1st 2010.

The Manic Street Preachers have always been one of those bands that want to go from populist music makers to ground breaking visionaries that produce an album just because they can.

Postcards from a Young Man, the tenth studio album by the Welsh rockers, seems as if the band has managed to combine these two separate ways of thinking into one album. With instantly recognisable songs that have the Manic feel stamped all over them, to songs that don’t quite fit with the rest of the endeavour, one thing for sure is that this album will never be accused of being staid or neglectful to its core fan base.

Level 42, Liverpool Philharmonic Hall. Gig Review.

Level 42 in concert. Photograph by Ian D. Hall

Originally published by L.S. Media. October 8th 2010.

For thirty years now Level 42 have been thrilling their fans and delivering a style of music rarely heard in this country and even rarer played with the charm and sophistication that any self respecting music fan would kill to hear.

Back in the 1980’s Level 42 were amongst the top rated bands in the country, with their easy style and pleasing lyrics, they were hailed as media darlings. Mark King certainly broke the mould with his particular way of playing the bass and with Mike Lindup on keyboards and adding his own personal voice on a lot of the group’s tracks; they seemed set to be one of the country’s big musical exports.

Manic Street Preachers, Gig Review. King George’s Hall, Blackburn.

Photograph by Ian D. Hall.

Originally published by L.S. Media. October 10th 2010.

The Manic Street Preachers are a band that everybody should experience live at least once in their lifetime, understated, dramatic, proud and as real as you can get. There can no doubt that James Dean Bradfield, Nicky Wire and Sean Moore are to be considered as three of the best live musicians of the last decade.

Supertramp, Breakfast In America (Re-issue). Album Review.

Originally published by L.S. Media. October 10th 2010.

There has been a glut of regurgitated and repackaged albums around just recently, bands that have seemingly nothing more to add to their back catalogue getting on board a well worn bandwagon and offering their fans the opportunity to buy yet more of the same albums. In a lot of cases it is easy to see through the ploy of marketing men and the call of an easy pound but every so often there is a gem that comes through and reminds you of how good that band was in the first place.

Interview With Chris Meads, Director Of ‘Tis Pity She’s A Whore.

Originally published by L.S. Media. October 14th 2010.

One of the most demanding roles in recent times at the Everyman theatre has to be Director of the critically acclaimed ‘Tis Pity she’s a Whore. I was able to catch up with Chris Meads briefly and have a chat with him about the play and his thoughts for the future.

How are you today?

Sheerwater, Gig Review. Static Gallery. Liverpool.

Originally published by L.S. Media. September 23rd 2011.

There is a new music name for people to get their teeth into; they are from Merseyside, they play like a dream, they have the authority to hold an audience’s attention and they’re rather good.

Sheerwater are a four piece outfit that shine and ooze personality and as they played through a set as part of the Band in a Box promotions night at the Static Gallery, the interested looks from those in attendance said it all. If they keep playing in this form and with the vibe they give, it won’t be long before they step up another level and get added to the names of other great 21st century bands that hail from the new home of culture.

Logical Tramp Pacific Road Arts Centre. Pacific Road Arts Centre, Birkenhead.

Originally published by L.S. Media. September 16th 2011.

The music of Supertramp can easily send shivers down the spine of their fans, from classics such as Goodbye Stranger to the dramatic and sensual Lord is it Mine? The band have long been touted as one of the finest examples of British music from the last 50 years.

It is strange and surprising that even though the band rarely tour and Roger Hodgson has never been so popular with his touring that there are so few musicians who seem willing to take on the music and forever remind audiences how good the band’s sound is live.

Gary Numan, Gig Review. O2 Academy Liverpool.

Gary Numan at the o2 Academy, Liverpool. Photograph by Ian D. Hall

Originally published by the L.S. Media. September 21st 2011.

L.S. Media Rating *****

Gary Numan has some of the most faithful followers in the music industry. From his beginning at the end of the 1970’s as the new pop hero with his new and experimental sounds and film noir look through to the present day where he is seen by some as the Godfather of Industrial Metal, they have stuck by him, added more along the way and through it all, Gary has been given everything back in stunning performances and music that can make grown men act like children in his presence.