Category Archives: Theatre

Laying Tracks, Theatre Review. The Gregson Institute, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Elaine Stewart, Ben Sherlock, Ann Edwards.

Writer: Jack Stanley.

Grin Theatre and new writing, it goes hand in hand with a newly temperate person finding they adore the taste of Ginger Beer, an England football team being lauded and dismissed in equal measure and the hope that at some point an unpopular Government will fall upon their collective swords.

Carousel, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Julie Evans, Phil Birss, Franki Burke, Camille Machin, Jamie Barfield, Jak Malone, Ruth Dalton, Charlotte Dawson, Sarah Hale, Rosemary Barfield, Trev Fleming, Ady Thompson, James Hill, Andy Godden, Carrie Cushman, Edward Feery, Andrew Abrahamson, Clare Fozard, Andy Walker, Tom Lox, Lorna Foley, Eugene Chong Hon Zhen, Sara Barnes, Jayne Strahan, Ellie Gray, Steph Minshall, Zoe Thirsk, Danielle Fernando.

There are times, not often, but on the wonderfully rare occasion, where you think you know how a play or a musical can play out because it is of the immense stature that surrounds its very core that it can only be played out in a particular, perhaps reliable fashion.

Two Tides, Theatre Review. Writing On The Wall. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Lisa Parry, Carl Cockram, Joel Shipman, Daniel Hayes, Paul Duckworth, Laura Campbell, Lois Young, Tom Wilson, Nicola Bentley, Alice Bunker-Whitley, Andy Frizzell, Phil Saunders,

There are pivotal moments in history that may go unnoticed by the wider world in general but to whom are just as earth-shattering, just as profoundly important to the greater good of the community and ground breaking in the lives it touches upon that they also deserve a time of reflection, of wide-spread celebration and revisiting.

Catch 22, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating: * * *

Cast: Daniel Ainsworth, Philip Arditti, Geoff Arnold, Victoria Bewick, Simon Darwen, Michael Hodgson, Liz Kettle, Christopher Price, David Webber.

Joseph Heller adapted his novel Catch 22 for the stage in 1971 and today the script is more or less unchanged. As it is difficult to get the rights to adapt the script, Northern Stage’s director Rachel Chavkin has done what other companies have shied away from, and has put her own mark on this classic war tale.

Hope Place, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Michelle Buttery, Neil Caple, Ciaran Kellgren, Tricia Kelly, Emma Lisl, Joe McGann, Eileen O’ Brien, Alan Stocks.

The power of memory is one that can either hold you back so hard that it feels as if the weight of the future is too difficult to deal with, or can be such an aid in which it can only set you free. What if the place in which those memories are of also retains those memories, the very bricks and mortar that keep you safe from the outside world are able to hold onto an image of a time perhaps best forgotten?

Sex And The Suburbs, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Claire Sweeney, Lindzi Germain, Carl Patrick.

Radio has come a long way since its early days. It has seen many advancements, dedicated music channels, digital, analogue being banished to the wasteland of history but still lingering on coughing and spluttering in a superhuman effort to keep a vessel of the past open. Pop stars come and go and in some cases come back again and of course the advent of talk radio, the small bubble in which people can lose their rag at a voice a hundred miles away and confess all to an aural-voyeuristic nation. It seems nothing is off limits and when it comes to Sex and the Suburbs, everybody has a story to tell and an opinion to express.

Under Milk Wood, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Ifan Huw Dafydd, Hedydd Dylan, Richard Elfyn, Sara Harris-Davies, Sophie Melville, Steven Meo, Caryl Morgan, Simon Nehan, Kai Owen, Christian Patterson, Owen Teale.

Listen…the applause at the end of the performance says it all. Dylan Thomas’ seminal classic Under Milk Wood has the power to catch the attention of anybody willing to open their ears and truly pay attention for a couple of hours.

This May Hurt A Bit, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Frances Ashman, Stephanie Cole, William Hope, Natalie Klamar, Hywel Morgan, Brian Protheroe, Jane Wymark, Tristram Wymark.

The patient has been seen by many consultants over the years, some with the very best of intentions, some whose intentions are perhaps dubious at best and down- right scandalous at worst and yet somehow the patient is still here and still keeping society going. The N.H.S. still carries on delivering from cradle to the grave.

Beside The Seaside, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 71/2 /10

Cast: Jennifer Bea, John Burns, Anna Hudson, Leon Tagoe.

There is almost nothing better in life than a day at the seaside. The chance to eat an ice cream as the sun causes it to dribble and linger upon your fingers, to take in the maritime air and generally have the type of day that at one time was the staple of British life up and down the country. The seaside was where it was at and families flocked there in their thousands. Places like Blackpool, Scarborough, Southend and Brighton were the destinations of choice in which to blow off steam and have some much needed downtime.

An August Bank Holiday Lark, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Barrie Rutter, Emily Butterfield, Darren Kuppan, Jack Quarton, Ben Burman, Elizabeth Eves, Sophie Hatfield, Lauryn Redding, Brett Lee Roberts, Mark Thomas, Russell Richardson.

An August Bank Holiday Lark, the chance for some men to become heroes, for some to find some meaning or importance in life away from the remote villages they may have been raised in all their lives or even the chance to be looked at differently by those they need validation or even respect from. An August Bank Holiday Lark, the hazy days of summer before Gavro Princip took a gun and assassinated one man and his wife and started the ball rolling on the first mechanised whole sale slaughter of soldiers and civilians that tore through Europe and beyond.