Category Archives: Music

Arms & Hearts, Tried And Tested. E.P. Review.

Liverpool Sound and Vision Rating 8 1/2/10

You can try and avoid life by throwing yourself head first under the nearest boulder and staying there till the shadows lengthen, humanity inevitably destroys itself and blue skinned flesh eating Morlocks roam the English countryside sipping out of date gin and serenading each other with Justin Bieber compilation albums, such is the path well travelled when you ignore life.

Sons Of The Delta, Tasty Nuggets. Album Review.

Liverpool Sound and Vision Rating 9/10

It is hard to really knock The Blues, especially when you discover the lip smacking delights of Sons of the Delta and their latest album Tasty Nuggets.

Mark Cole, Rick Edwards, Martin Fitzgibbon and Lyndon Webb have tapped into something incredible, something in which should be nurtured. A sweeping sensitivity of great highs and joyous tantalising lows, the guitar not just an instrument in which to play with but alongside some rather terrific vocals and brilliantly placed lyrics, becomes as heavenly as an angel that has discovered the delights of a quality beer. The anguish of loving both the sun and the rain in equal measure and straining its ear against the headphones of the person its fallen head over heels in love with.

Alestorm, Sunset On The Golden Age. Album Review.

Liverpool Sound and Vision Rating * * * *

Even the most seemingly sophisticated on music lovers have a weakness. They might try to fool you with talk of the hip and fashionable, the chic and stylish and swanky facts of the current trends but they still have a tremendous weakness for something, something that makes them smile despite themselves and if only they would show that smile more often the world might just be a nicer place in which to reside.

Washington Reed, Take Me Home. E.P. Review.

Liverpool Sound and Vision Rating * * * *

The deep belly of the blues always manages to find its way beneath the armour plating many put up to deflect its influence. The placing of that somewhat heroic but ultimately flawed shield is wasted though as quality always finds a pore, a chink in the armour, in which to erode away the feeling of the uncertain and suspicious.

The Mono LPs, Die A Little Death (Deluxe). E.P. Review.

Liverpool Sound and Vision Rating 9/10

For anybody who has indulged their music whims, the caprice of cerebral cornucopia that flows from the heart of The Mono LPs live set, the cry of where is a C.D. in which to revel alongside at home has been a vexing one. Thankfully, as with all things, time rewards the patient, it offers the chance to get deep down and logically dirty with a band who are one of the major reasons in which to play great quality music in the second decade of the 21st Century.

Theory Of A Dead Man, Savages. Album Review.

Liverpool Sound and Vision Rating 9/10

Just one song from what could be considered a masterpiece of lyrical writing and a musical high, and even then the song that brings it down a notch is rather good, it just doesn’t fit into the album as a whole. For Theory of A Dead Man arguably won’t mind at all, not after bringing out perhaps the best recording in their history, the mind shattering and explosive Savages.

Octainium, Suffer The Clock. Album Review.

Liverpool Sound and Vision Rating * * * *

There is a new rage in town, one that sits beneath South Africa’s iconic Table Mountain and lets its musical thumping, beast like savagery and calm collected intelligence seep out across the sea. For Octainium there is better rage than what a set of guitars, the unmasking of a set of drum skins and the growling harmonic bass and vocals provides on their album Suffer The Clock.

Metal Castle, The Battle For Metal Island. Album Review.

Liverpool Sound and Vision Rating 7/10

Not even music can be serious all the time, why would it want to be? Everything needs a lighter side and music is ripe to have the light shone that little deeper than most. Cinema and theatre may rule the roost when it comes to placing a smile on people’s faces but music also has the unerring ability in which to have great music with a quirky edge and absurdly good narrative attached to it; it might not be what you are expecting but it works.

Broken Three Ways, Return To The Shack. Album Review.

Liverpool Sound and Vision Rating * * * *

Broken Three Ways they might be, however there is nothing fragmented or faulty with the Wirral band’s debut album Return To The Shack.

This punchy force of nature with a sly knowing grin attached album is a breath of fresh air in a world that at times seems to have forgotten what Ska and Punk was about. Whilst Ska especially might not be the first thing you think of when the term the Wirral comes up in conversation, Broken Three Ways address the discussion in waiting head on, the banter that steams into view of comparisons with the likes of The Selecter uppermost on people’s thoughts. There is no comparison worthy of placing before them though, except that they both sound incredibly awesome, it is the only comparison that should be mentioned.

Yes, Heaven & Earth. Album Review.

Liverpool Sound and Vision Rating *

Evolution is a wondrous event to behold, revolution can, in part, be just as thrilling; especially when it means the old guard whose ideas have come to a natural end are swept away. To place both progressions into the same album though can seem as though for some, that the world has been turned upside down and that Progressive has just a little bit of its enormous and well-meaning heart.

Yes, arguably the long standing Prog Rock band still going from the initial burst of creative freedom in which Prog bought to the world, somehow have possibly released the worst record of their sustained career.