Category Archives: Live

Steeleye Span, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

History is a place where the modern-day eye falls sharply, and arguably with some personal antagonism, into the realm of judgement and criticism. It is a place that people forget the modern age in which we breathe our daily dust in, will also one day be criticised, pored over with unsentimental eyes and the feeling of damned ill-favour. To stand in the way of that judgement, to carry on producing great songs of lyrical poetry, of music that is powerful in its intent, and demanding in its delivery, that is verging on the heroic, it is to remain resolute in the face of those who dare suggest with snide lips, that nothing of the days that have passed is relevant anymore.

Steeleye Span, Gig Review. Philharmonic Hall, Liverpool. full post

(510 words, estimated 2:02 mins reading time)

Jacqui McShee, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * *

When there are no more worlds in which to conquer, the explorer lays down their map and their compass, and slowly, but surely, disappears into the background, eventually merging with the times and places they have discovered. For many of us that holds true, the vast majority of those around you stop discovering many years before their time, they take out the compass one final time, put the backpack of half ideas formed, and then take root and watch the camp fire flicker with memories that slowly turn to dust and the tear of what was once passed.

Jacqui McShee, Gig Review. Philharmonic Hall, Liverpool. full post

(474 words, estimated 1:54 mins reading time)

Caro Emerald, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Caro Emerald at the Liverpool Philharmonic Hall, October 2018. Photograph by Ian D. Hall.

The Queen of European Jazz waves her hand in time to the motion of the scintillating sound that clutches at the air of inspiration and unrequited love, it is a flourish that gives the audience the memory of Time, of understanding that the genre in which Caro Emerald has become the iconic figure and sound, requires at all times, to flow, to be constantly in flux, that the beat that has carried her towards the figure of 100 live performances in the U.K. alone, is a constant wild animal that needs handling with almost regal, and maternal care.

Caro Emerald, Gig Review. Philharmonic Hall, Liverpool. full post

(452 words, 1 image, estimated 1:48 mins reading time)

Loren Nine, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

A Dutch invasion and surrounded by the scent of intrigue and the possible hint of tulips that hangs in the air, a purveyance, a regal like flourish to the autumn serenade in which Caro Emerald, the undisputed Queen of European Jazz, returns to Liverpool, and alongside her in the carriage of musical expression, something, a passion for expression, a dominating thought of what we might miss as a society if we continue to turn our collective backs on Europe, the artistry of the young, of the timeless, and of the Netherland’s own Loren Nine.

Loren Nine, Gig Review. Philharmonic Hall, Liverpool. full post

(426 words, estimated 1:42 mins reading time)

The Musical Box, Gig Review (2018). Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

People quite often think of silence as being damning, of largely falling into the zone of negativity and condemning, the muzzled contempt biting at the tongue and willing to spread the seed of discontent and slander when your back is finally turned. Too often silence is greeted with the look of lack of enthusiasm, and yet silence for a short while is the epitome of awe, the reflected understanding of what can pass for sheer majesty, the shock of beauty, the reverence of joy, silence is esteem.

The Musical Box, Gig Review (2018). Philharmonic Hall, Liverpool. full post

(579 words, estimated 2:19 mins reading time)

Dan Owen, Gig Review. Leaf, Liverpool.

Liverpool Sound and Vision Rating * * * *

A headliner’s duty is to make his presence felt, to set the seal on authority, and for Dan Owen the presence is so powerful that when a howling, brooding harmonica punches the audience with immediacy into Willy Dixon’s Little Red Rooster. It is evident to all those upstairs in Leaf that this sand-toned guitar and pounding stomp box have seen their fair share of theatres, blues bars and gig venues across Europe. One thing is for certain: Dan Owen is a truly relentless performer with a roots-shattering vocal that would make Gregg Allman blush.

Dan Owen, Gig Review. Leaf, Liverpool. full post

(384 words, estimated 1:32 mins reading time)

O.M.D. And The Royal Liverpool Philharmonic Orchestra, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

To keep any art form locked inside its comfortable shell is to consign its soul to eventual oblivion. The masters of the painted value, its subject matter slowly fading under the pressure of light and Time, has to be eventually restored less it becomes invisible and a memory to others who would out on the flavour of the day, the poet seeks a fresher audience, a new way of delivery, the modern theatre audience wishes for nothing more than the view of the modern day in the classic; so too should music be constantly allowed to evolve, to hear a song of the listener’s youth be usurped in resolute re-evaluation keeps the songs fresh and beautiful.

O.M.D. And The Royal Liverpool Philharmonic Orchestra, Gig Review. Philharmonic Hall, Liverpool. full post

(497 words, estimated 1:59 mins reading time)

Harry Miller, Gig Review. Leaf, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

No performer should be afraid to lose themselves in the beauty of the epic; what is good for the unknown poet who scribed the tale of Beowulf, for the symphony of expression that encompasses Progressive Rock, is more than an illusion for us all, we can all claim to partake one way or another in the pursuit of the grand scale of song, of the art, few though readily rummage deep in the hearts to make it happen; no matter the subject, no matter the detail or the genre, the epic is a virtue which is lofty and sincere.

Harry Miller, Gig Review. Leaf, Liverpool. full post

(352 words, estimated 1:24 mins reading time)

Eli Smart, Gig Review. Leaf, Liverpool.

Liverpool Sound and Vision Rating * * * *

The ambience, the fizz of bohemian cool never changes inside the upstairs chamber at Leaf, and for that audiences should forever feel grateful, for there is something special about the venue, a sense of tangible distinction which radiates from out of the woodwork, from behind the carefully styled curtains and ideally decorated style that magnifies itself in the musician or act on stage. In that moment a truth opens up before the audience who sit or stand and congratulate with rightful passion and encouragement, that this is how all artists should be treated, with honour, and not with the taste of Saturday night innuendo thrown about like loose confetti at a fourth attempt of marriage.

Eli Smart, Gig Review. Leaf, Liverpool. full post

(417 words, estimated 1:40 mins reading time)

The Goldhawks, Quadrophenia Live!. Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

There are few albums that emphasise and capture a moment in British history as well as The Who’s Quadrophenia, a work not just of outstanding cultural reference but a recording that simply blows others in its class away, outstanding lyrics, music that causes the brain to absorb the depths of imagery, and one that just feels every moment of angst for a generation betrayed by growing up in the shadow of the aftermath of World War Two. Of freedom of expression, but not knowing how to harness it enough to overthrow the shackles of post war hypocrisy completely; in short they don’t make them like The Who anymore, and they don’t make albums as raw, as telling, as beautiful as Quadrophenia.

The Goldhawks, Quadrophenia Live!. Gig Review. Epstein Theatre, Liverpool. full post

(426 words, estimated 1:42 mins reading time)