Category Archives: Live

Dave O’ Grady, Gig Review. Music Room, Philharmonic Hall, Liverpool.

Dave O' Grady at the Muisc Room in Liverpool. November 2015. Photograph by Ian D. Hall.

Dave O’ Grady at the Music Room in Liverpool. November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating 8.5/10

The ambience, the environment of a tangible quiet serenity is only ever enhanced when a musician of deep meaning words adds his worth to the vibe on offer. Like a master painter of seascapes finding the one flaw in his work that would have gone unnoticed by all and sundry who marvelled infront of it, the addition of a single piece of spectral light peering ominously from behind a passing cloud, not only adds texture and meaning, it adds a vision perhaps unseen.

Caro Emerald, Gig Review. Philharmonic Hall, Liverpool. (2015).

Caro Emerald at the Liverpool Philharmonic Hall, November 2015. Photograph by Ian D. Hall.

Caro Emerald at the Liverpool Philharmonic Hall, November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating * * * * *

The scene was set, the lights taken down to the feeling of sensual overload and moody cool and the band, that all important addition to any night of Jazz played immediately with a stirring passion that broke down any misplaced resistance of those that had poured themselves into the comfort of the Philharmonic Hall after the on-going downpour of the day and yet there was no sign of the shocking Ms. Emerald. The sound was there but no glorious sight, until the spotlight was seen and in one of the boxes stood the resplendent figure of Ms. Emerald taking the art of performance out into the crowd, standing emotionally enthralled and naked in amongst the people who had come to see her and the opening song of The Other Woman took on a whole different approach.

Andreya Triana, Gig Review. Philharmonic Hall, Liverpool.

Andreya Triana at the Philharmonic Hall in Liverpool. November 2015. Photograph by Ian D. Hall.

Andreya Triana at the Philharmonic Hall in Liverpool. November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating * * * *

There are perhaps fewer things in life, especially within the artistic range, more daunting than opening up for a woman who it is agreed almost universally to be a star of unrivalled quality. Nobody would ever blame a support act for feeling the slight unhinging trepidation which passes as they walk across the stage with a couple of thousand eyes baring down before them, nobody would truly bat an eye lid if the sound of their heart was audibly so loud that it drowned out the polite applause that greeted the performer. Yet as Andreya Triana made her way past the boards that have held a million feet, there was arguably no sense of the nerves showing at all, only wonderfully composed respect for the audience’s time.

The Waterboys, Gig Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Mike Scott offers so much of himself on stage that the decency of the man shines through with the glow of warm African sunset and the truth of a great Scottish artist.

Returning to Liverpool as part of their latest tour and to what should be considered a natural home for The Waterboys, the band played a set that was both outrageously enjoyable but also deeply conscious of the audiences wishes to be entertained and informed, to not just be the type of gig in which the flickering neon lights glaze the eyes but instead offer a type of natural absolution to the day, the warmth of that deep African sunset illuminating the thoughts with effortless wisdom.

Steve Harley, Gig Review. Philharmonic Hall, Liverpool.

Steve Harley at the Liverpool Philharmonic Hall, November 2015. Photograph by Ian D. Hall.

Steve Harley at the Liverpool Philharmonic Hall, November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating 9/10

There are moments in life where the delicate, sometimes unseen hairs on the back of the hand and those that reside in the nape of the neck, rise with clear conscious at the sound of humanity doing what it does best, singing with unashamed passion from the same song book and with beauty in their hearts.

Go West And Nik Kershaw, Gig Review. Philharmonic Hall, Liverpool.

Go West and Nik Kershaw at the Liverpool Philharmonic Hall. November 2015. Photograph by Ian D. Hall.

Go West and Nik Kershaw at the Liverpool Philharmonic Hall. November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating 9/10

Whoever thought of putting together two of the big names of their generation, not only on the same bill, but as some sort of 80s super-group, for a tour deserves to be given their own office, an unlimited budget and the phone numbers of all the bands of the last great decade for singles and the 45s.

Carol Decker (T’Pau), Gig Review. Philharmonic Hall, Liverpool.

Carol Decker at the Liverpool Philharmonic Hall. November 2015. Photograph by Ian D. Hall.

Carol Decker at the Liverpool Philharmonic Hall. November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating * * * *

There is a temptation to feel sorry for Carol Decker, the lynch pin of the band T’Pau, it is persuasion of ever increasing spirit to find a way to get radio stations to look beyond what she and the band did three decades ago and take a listen to how the sound is to be perceived now. The temptation is there but also is the realisation that Ms. Decker has strength of will on her side and a resolute determination that requires no sympathy, just the ability to listen to someone with the humour firmly still in place and the stage presence to enrich many lives.

Charlie Landsborough, Gig Review. Philharmonic Hall, Liverpool.

Charlie Landsborogh, Philharmonic Hall, Liverpool. November 2015. Photograph by Ian D. Hall.

Charlie Landsborough, Philharmonic Hall, Liverpool. November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating   * * * *

There is no doubting the appeal of Charlie Landsborough, a man of delicate persuasion, of faith in all things and to whom the guitar holds no fear; he is a man with a twinkle in his eye and a joke ready for his adoring audience in between each well thought out and evenly tempered song. Even when all is said and done he finds time to make the crowd, perhaps with one eye on the festive period ahead, perhaps with half a mind on finally getting dry after the deluge of the November day that hit the streets of Liverpool, feel welcome at his show perhaps arguably with more keenness of spirit that any other musician doing the rounds.

Katy Alex, Gig Review. Studio 2, Liverpool.

Liverpool Sound and Vision Rating * * * *

For those making their way to Studio 2 on Parr Street, dodging the fireworks, skilfully avoiding the booming tones of the November air and the threatening drizzle with the hopeful keen anticipation of Vanessa Murray’s E.P. launch, the thought of support would naturally cross their mind. For many the names Dominic Dunn and Shannen Bamford are as easily recognised and lauded as a good fish supper from The Lobster Pot or a night out down at The Cavern, for they have served their time in front of the audiences, yet for Katy Alex, sensuous, creative and poised, the name might not mean anything to many yet, but on the strength of this performance will no doubt be one to be considered with glowing terms.

Vanessa Murray, Gig Review. Studio 2, Liverpool.

Vanessa Murray, Studio2, Liverpool. November 2015. Photograph by Ian D. Hall.

Vanessa Murray, Studio2, Liverpool. November 2015. Photograph by Ian D. Hall.

Liverpool Sound and Vision Rating 9/10

Time is such a precious commodity that to waste it, to allow the night to fall away into the arms of Morpheus without having seen something remarkable, something thrilling, something cool and loved without exception, could almost feel like a crime has taken place. To allow the night to just wander into obscurity, to fade away without falling in love, artistically or humanly seems a sad state of affairs to be in and in the words of the eternal prophet, something must be done; for it’s About Time.