Category Archives: Live

Three Minute Hero, Gig Review. 24 Kitchen Street, Liverpool. Threshold 2017.

Liverpool Sound and Vision Rating 8.5/10

Stuart Todd in the realms of Three Minute Hero will always make you stop and think, it is impossible not to feel the infectious delivery supplied by both the man and the band as the music plays, as the words of anger, of softness and damnation arise in the Threshold air, that moment of clarity will always come along and guide you to a point where life is truly to be seen as better for having been part of a Three Minute Hero audience.

Derek King, Gig Review. 24 Kitchen Street, Liverpool. Threshold 2017.

Liverpool Sound and Vision Rating 8.5/10

Sometimes you have to just take stock, regroup and reflect on life, it can happen at any time, to anyone but in the words of Derek King, To Be A Boy is not to forget what it means to be an adult, it just means that some emotions have to be looked at from the mind of the uncluttered, of the innocent and the open minded; taking stock is not defeatism, it is the greatest strength we possess and Derek King captures that feeling superbly, not only in the studio but also he performs it with aplomb live.

Niamh Jones, Gig Review. 24 Kitchen Street, Liverpool. 2017 Threshold.

Liverpool Sound and Vision Rating * * * *

Brighton may seem a world away from the banks of the Mersey, from the area that first nurtured the beautiful talent residing in Niamh Jones, yet the similarities between the two places are easily seen, both have suffered at the hands of those who believe that the past must be replaced with something unrecognisable, both have an all encompassing nature and both have taken in those who have added greatly to the charm and distinction to the area; Brighton could be seen in many ways as the Liverpool of the South, surrounded by the genteel and supposedly refined, its greatness stems from its ability to make anyone feel welcome.

10CC, Gig Review. Philharmonic Hall, Liverpool. (2017).

Liverpool Sound and Vision Rating * * * * *

There should be no argument that Graham Gouldman is one of the most important and interesting songwriters in British music history; the facts speak for themselves when you look at the impressive array of songs he wrote for other bands as a very young man, talent so enlightening, so frighteningly superb, it is truly inspiring to know that the man on stage before you is responsible for some of the biggest selling records in pop history.

Fans, Gig Review. District, Liverpool. Threshold Festival 2017.

Liverpool Sound and Vision Rating * * * *

Spring brings with it the chance to step out of the darkness and into the much valued light, the beauty of the season as flowers emerge, as new ideas take shape with optimism and hope, Spring really is the time when we can look to the heavens and find a sense of order that is always disguised by the cold and the miserable tastes of winter and its cloak of bitter, sinister gloom.

At Last The Etta James Story, Gig/ Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Etta James’s larger than life story is such that it could be the proud moment in a television schedule or a Box office hit at the cinema; one of the finest, most complete voice of Blues to have ever graced the stage, she ranks alongside the likes of Billie Holliday, Big Mama Thornton and Janis Joplin as the all-embracing women of the genre, somebody who truly lived the life, who gave their life to sing the Blues.

Toyah, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

There is so much to like, to love about Toyah Wilcox that she really does get inside the soul of those who have been touched by her aura of rebellion, her sense of searching for a truth and her physical spirit. For many she embodies an age where the first signs of female dominance in her craft come forth, not with the handshake of patriarchal consent but with determination and drive of the post war feminine guile, wit and strength that carried the country past its outdated Victorian lies and into one of colour, of Punk, of resplendent anarchy and into a thankfully socially more entertaining age.

China Crisis, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

The 80s were to be seen a boom time for British pop, if there was one great sweeping movement that could see away the frenzied but short lived beauty of Punk it was surely the sometimes sensitive, the occasionally brash, the always fruitful and never ashamed decade of the 1980s and the music that truly dominated it and cursed in many ways the decade the followed.

Elfin Bow, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Elfin Bow cuts a figure of radiant cool as she stands upon the stage at the Epstein Theatre, bathed not only in the glow of spotlights that change with the mood of the song, not only caught in the appreciation of an audience who have travelled the distance with her, but one who with a sense of serenity captures the mood of an album launch to its very finest interpretation, a show, a feast for the crowd, ones who are sated and comfortable, enriched by the experience of what has come before them, an offering by an artist.

Seafoam Green, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

March always brings its own personal bluster and rage along with it, it is a month that dominates in many ways its environments and whilst January and February can be particularly cruel and deceitful, March verges on madness, on a tight spring, a vicious beast coiled up ready to pounce and knock you over with unexpected results. To combat the madness thrown up by a month which doesn’t believe in just standing still, in which rain and shine are intermingled like a bad marriage, some restoration of beauty and calm are needed.