Category Archives: Live

Robert Cray, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

Robert Cray is undoubtedly a legend when it comes to the Blues, for many fans of the genre he is the one artist that carried the Blues aloft between the end of the 1970s and the turn of the century with any sense of form, style, beauty and care, the true link between the Golden Age and the momentum that has followed since the final years of void in which Blues arguably, like Jazz and Progressive Rock died a little death every day.

Sam Lyon, Gig Review. Paradise Street Stage, Liverpool.

Liverpool Sound and Vision Rating * * * *

Sam Lyon in Liverpool. April 2017. Photograph by Ian D. Hall.

There is always time to stop and look into the eyes of another soul, to understand if possible even just a fraction of their whole being, for in that the songbird makes the day seem beautiful and the humanity shown is enough to make the recipient sing with even more pleasure than ever.

Paul John Walker, Gig Review. Paradise Street Stage, Liverpool.

Liverpool Sound and Vision Rating * * * *

Paul John Walker in Liverpool, April 2017. Photograph by Ian D. Hall.

 

The constant revolution that transpires across Liverpool’s music scene is almost a daily walk through just what makes the area such a magnificent beast to appreciate; the impact of the past, the blast created by the sound of The Beatles still reverberating round the city over 50 years on, its echo enthusing the new generation of musicians, either born in the city or those that make their way from obscurer pastures, that keep making sure that Liverpool retains its place as the holder of song writing love.

Eleanor Nelly, Gig Review. Paradise Street Stage, Liverpool.

Liverpool Sound and Vision Rating 9/10

Eleanor Nelly, Liverpool. April 2017. Photograph by Ian D. Hall.

If Paradise is half as nice as Liverpool on sunny but freezing cold day then to be honest it can only be enhanced by the sound of one of the city’s daughters being heard in the centre of the main shopping area and being so entrancing that she could be heard at either end of the main street and possibly the echo reverberating all the way to Nashville where she was going to spend the next week on the next step of her music career.

Cal Ruddy, Gig Review. Paradise Street Stage, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cal Ruddy in Liverpool. April 2017. Photograph by Ian D. Hall.

If there is a gentleman to admire in this world, a young man of stature and beaming smile at all life has to throw at him, then a photo fit arrangement of the face would surely have the very likeness of Cal Ruddy attached to it. The same facsimile would also urge anyone close by enough to hear him take on the acoustics of an indoor or outdoor arena to revel in the artist’s work, to realise that to be at the very start of a flourish is only to regret not being there before the guitar was ever picked up and see the first signs of intrigue that blossomed in its early infancy.

Caro Emerald, Gig Review. Philharmonic Hall, Liverpool. (2017).

Liverpool Sound and Vision Rating * * * * *

The last time Caro Emerald came to Liverpool in 2015 she was magnificent, two years on from that fateful night, she, and the finely attuned band, were simply stunning.  A night of 21st Century Jazz with so much swing attached, so much creativity grabbing every ounce of emotion on the stage that for those fortunate enough to be in the Liverpool Philharmonic Hall on what was to turn, weather wise, into the worst type of spring deluge possible at the end of the show, at least were comforted by the absolute brilliance on show during the night.

Chris De Burgh, Gig Review. Philharmonic Hall, Liverpool. (2017).

Liverpool Sound and Vision Rating * * * * *

The gentleness of the man holds him in high esteem with his audience, the nature of his craft, the talent for song writing and capturing the moment frame by frame takes him to a place where the crowd simply adore him; it is impossible when you watch Chris De Burgh perform live on stage to see anything but a sea of faces light up with expectation, no matter the day they have had, as soon as he takes to the stage and then grow with love and self esteem as the concert goes on.

The Who, Gig Review. Echo Arena, Liverpool. (2017).

 

Liverpool Sound and Vision Rating 9/10

Never knowingly disappoint your fans, give them everything you can from the very start of your career and when the final whistle starts to be blown, when perhaps the fat lady has began to clear her voice and make those irregular noises associated with the opera singer’s mad dash for stardom become apparent, give them more than they ever bargained for, give them the world.

Ian Janco, Gig Review. 24 Kitchen Street, Liverpool. Threshold 2017.

Liverpool Sound and Vision Rating 8.5/10

Threshold is dear to people hearts for many reasons, not only for the creative freedom it installs in area of Liverpool that has taken the idea of bohemian and originality to different level but also for the way it embraces the artistic and the resourceful, it is an avenue of thinking that really endorses the way in which Ian Janco comes across in his performance.

Nicola Hardman, Gig Review. 24 Kitchen Street, Liverpool. Threshold 2017

Liverpool Sound and Vision Rating * * * * *

It is not always about the extravaganza, the mighty venue, the plush carpet and the comfortable seats; it is rarely about that but some seem to believe that the experience of attending a gig is defined by the circumspect, the additions, the price tag or the illusion. It is a shame that the world has gone down the route of seeing things for their glitter and not for their honesty, for the very sense of real that comes over in an performance that capture the imagination and send your brain swimming into overdrive; all that glitters is not even palladium nickel, it is tarnished with that very illusion that makes it in the end cheap and bruising.