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Whole, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Annabel Annan-Jonathan, Jacob Beswick, Joseph Adelakun, Grace Willis.

Is anybody truly whole? That is the question bought to the Unity Theatre by the combined efforts of 20 Stories High, Director Julia Samuels and a host of others in what can only be described as distressingly real, wonderfully charged and written and acted with so much passion and brilliance that not only is Whole one of the finest things you are likely to see this year but it will also leave you grasping at thoughts of those you may have wronged at school.

Camel, Camel. 40th Anniversary Retrospective.

When people think of Progressive Rock in the early 1970s, minds invariably wander to the likes of Pink Floyd, Genesis, Emerson, Lake and Palmer, Yes and even possibly Supertramp and Frank Zappa could be mentioned in there with hushed tones. All these bands and many more would get the nods of approval and songs readily ticked off the list to why they would be included in any compilation from that era, however unless they were dedicated fans, listeners of Progressive Rock might skip completely over the debut self titled album by Camel released in 1973.

Silent Sleep, Gig Review. Leaf, Liverpool.

Liverpool Sound and Vision Raring * * * *

The New Year brings a fresh new gathering of top notch musicians to the forefront of live performing in Liverpool and in Leaf on Bold Street, the year got off to a marvellous start with the cracking sound of Silent Sleep.

Fronted by Chris McIntosh and with a cast of veritable thousands on stage, Silent Sleep made a dull January evening, not always the best time of year with the ensuing damp and bitter cold hitting the city, a night of fun and quiet musical contemplation which was enjoyable and nonetheless beautiful.

Ian McNabb, Head Like A Rock. 2013 Re-Mastered Edition.

Liverpool Sound and Vision Rating * * * * *

It is unusual for a re-master of an album to add anything more to a listeners overall enjoyment than when they first purchased the original recording. It is extraordinary to feel more than moved by the new recording, so moved that the lyrics seem and get underneath the skin to the point where you question what you didn’t hear all those years ago. Ian McNabb’s re-mastering of his 1994 classic Head Like a Rock has such an effect and it is advisable to have someone there to hold onto when listening to this incredibly personal and touching recording.

Helloween, Straight Out Of Hell. Album Review.

Liverpool Sound and Vision Rating * * * *

From first crashing note to last thunderous moment, Helloween’s latest album, Straight Out Of Hell, is a reminder of the band’s early glory days of Germanic story telling that rivalled the Brothers Grimm in its ability to take a simple idea and give it such intensity and such power that the only clear rivals the metal group were either in the U.K. or in America.

The Pied Piper Of Liverpool, Theatre Review. The Casa, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Alan Bower, Alun Parry, Geraldine Moloney-Judge, Mike Leane, Kate Mulvihill, Richard MacDonald, Mikyla Durkan, Sarah Tryer, Adam Byrne, Laura Foulkes.

The Casa might not be the first place that audiences think of plays as being performed in the Hope Street area of the city. However away from the Unity Theatre down the road and the looming cultural giant that is the new look Everyman Theatre, The Casa offers the chance for local productions to shine with actors who may be making their first tempting steps into the profession.  This was no less the case in the entertaining and thought provoking Julian Bond and Burjesta Theatre’s play, The Pied Piper Of Liverpool.

Lewis, The Ramblin’ Boy. Television Review. I.T.V.

Liverpool Sound and Vision Rating * * * *

Cast: Kevin Whately, Clare Holman, Laurence Fox, Peter Davison, Rebecca Front, Babou Ceesay, Tom Brooke, Simon Wilson, Mark Powley, Lia Williams, Lucy Speed, Camilla Power, Harriet Ballard, Taron Egerton, Nicholas McGauhey.

The second of the new series of Lewis sees the more human side, a nod to the domestic that forever eluded the Inspector’s old boss Morse in an episode where the deduction of just exactly who was killed caused more of a problem than finding the murderer. With Hathaway enjoying his first holiday away from the treacherous and murder filled streets of Oxford, the position was effectively vacant for a new side-kick to help Lewis solve the case.

Victoria’s Children, Television Review. B.B.C. Television.

Liverpool Sound and Vision Rating * * * *

The Victorian age is something that gets a lot of attention when studying History as a subject. As a Monarch, Victoria ruled over a quarter of the globe at the beginning of the British Empire and commanded respect from Prime Ministers, the public and indeed her husband Prince Albert at all times.

However, there was a part of her life that didn’t seem to be in control, her relationship with her children, especially after the death of her Consort, which was fractious at best and as her children got older the more it seems they couldn’t wait to rebel against her and carve out lives for themselves. Such was the intriguing premise behind the B.B.C.’s three part series Victoria’s Children.

The Music Hall.

He stands smiling infront of the eager audience

That had actually paid to see him perform

His mimicry, his jokes and the classic risqué songs.

He could have sold out for weeks as his talent at the time was unsurpassed

Holding them spellbound as each well-worked line was cast.

 

His battered bowler hat, tipped towards the ladies on purpose

And slightly covering the blood shot eye (but not the saucy grin)

That had appeared after a drunken night

In which he had forgotten the punch line

Ripper Street, The Weight Of One Man’s Heart. Television Review. B.B.C. Television.

Liverpool Sound and Vision Rating * * * *

Cast: Matthew Macfadyen, Jerome Flynn, Adam Rothenberg, MyAnna Buring, Iain Glen, Sam Hazeldine, Michael James Ford, Laura Hitchings, Charlene McKenna, David Wilmot, Jonathan Barnwell, Liam Carney.

 

When loyalties are tested between past glories and those that present and future hold where does a person go. This is the premise of the latest in the excellently made Ripper Street series, The Weight Of One Man’s Heart.