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The Flash: Move Forward. Graphic Novel Review.

Liverpool Sound and Vision Rating * * * *

D.C. Comics’ Justice League has so many parts to it, so many interesting characters within its framework that at times the reader could be forgiven for overlooking perhaps one of the more interesting members within its ranks, that of Police Scientist Barry Allen, A.K.A The Flash.

With American television finally producing a television series of one of D.C.’s finest creations, on the back of the success that The Arrow has had, The Flash seems finally ready to take his place in the wider world of acknowledgement as the great hero he has always been.

Broken Three Ways, Return To The Shack. Album Review.

Liverpool Sound and Vision Rating * * * *

Broken Three Ways they might be, however there is nothing fragmented or faulty with the Wirral band’s debut album Return To The Shack.

This punchy force of nature with a sly knowing grin attached album is a breath of fresh air in a world that at times seems to have forgotten what Ska and Punk was about. Whilst Ska especially might not be the first thing you think of when the term the Wirral comes up in conversation, Broken Three Ways address the discussion in waiting head on, the banter that steams into view of comparisons with the likes of The Selecter uppermost on people’s thoughts. There is no comparison worthy of placing before them though, except that they both sound incredibly awesome, it is the only comparison that should be mentioned.

Yes, Heaven & Earth. Album Review.

Liverpool Sound and Vision Rating *

Evolution is a wondrous event to behold, revolution can, in part, be just as thrilling; especially when it means the old guard whose ideas have come to a natural end are swept away. To place both progressions into the same album though can seem as though for some, that the world has been turned upside down and that Progressive has just a little bit of its enormous and well-meaning heart.

Yes, arguably the long standing Prog Rock band still going from the initial burst of creative freedom in which Prog bought to the world, somehow have possibly released the worst record of their sustained career.

Wonder Woman Volume Two: Guts. Graphic Novel Review.

Liverpool Sound and Vision Rating 7/10

Hell is a place that is reserved for the most evil, the most corrupt or those that have caused such monumental anguish to a fellow human being and it takes a great person to avoid its lure and perhaps aside from Faustus, only a daughter of Zeus might stand any chance of dealing with the realm.

For Wonder Woman, single handed the finest female creation in the D.C. Universe the reason she has to go to Hell is to return Zola, a mortal woman who is the latest in line to be carrying the father of the Gods’ child, back to realm of humanity and away from the lives of those who manipulate the lives of mortals for their own benefit or amusement.

Nick Bagnall Joins The Everyman And Playhouse As Associate Director And Headlong’s Lindsey Alvis Appointed As Producer.

Liverpool Everyman & Playhouse have appointed director Nick Bagnall as their first permanent Associate Director. Bagnall joins the company following the success of The Last Days of Troy at Royal Exchange, Manchester and Shakespeare’s Globe. The theatre’s artistic team will also be bolstered by the appointment of Lindsey Alvis, who was previously with Headlong, as Producer.

Bagnall is currently directing Britannia Waves the Rules at Royal Exchange, Manchester. He also directed Henry VI Parts I, II and III for Shakespeare’s Globe which included four open-air performances in battlefields from the plays. His other directing credits include Betrayal (Sheffield Crucible), Billy Liar (West Yorkshire Playhouse) and Entertaining Mr Sloane (Trafalgar Studios).

James Shaw’s Young And Suicidal Debuts At The Lantern Theatre.

 “Nothing ever goes to plan, not even your own death…”

After finding his father hanged in the garage, Smith becomes infatuated with the idea of following his father’s footsteps and killing himself.

Two years later he places an advert on the Internet searching for a suicide partner… Natalie answers.

As an unlikely friendship unfolds, Smith and Natalie plan how to end their lives. But nothing ever goes to plan…. not even your own death.

Young and Suicidal is a provoking new production exploring youth and suicide. It debuts at Liverpool’s Lantern Theatre from Tuesday 26th August -Friday 29th 2014 at 7:30pm (Matinee performance on Friday 29th at 1.00pm).

Monty Python Live (Mostly), Theatre And Cinema Review. Picturehouse@F.A.C.T, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Michael Palin, John Cleese, Eric Idle, Terry Gilliam, Terry Jones.

There will be many who will never get what it was all about but for the multitude, Monty Python followed a natural path that had been laid down by The Frost Report, That Was The Week That Was and The Goons, the ability to send up Britain, the revolution of the way we looked at ourselves as a nation in the post war era and in how we finally were able to put two crafty fingers up to a hierarchy in which didn’t care.

John Hiatt, The Terms Of My Surrender. Album Review.

Liverpool Sound and Vision Rating 7/10

The Terms of My Surrender, the new album by John Hiatt, is far from a submission, a yielding to an audience that has seen Blues once more become a force in the mainstream, with big thanks in part to the likes of Joe Bonamassa and British female star Joanne Shaw Taylor but it also doesn’t quite hit the big numbers that you almost find yourself willing to hear.

Gary Edward Jones, The Cabinet Maker. Album Review.

Liverpool Sound and Vision Rating 9/10

You can listen to some people play live and know that the studio will not be as kind too them as what they sound like as they do in the raw, then there a select few that just fill the room with their life, their presence that every single piece of the being comes out and the seemingly random moments just become something so believable, so authentic and discerning that the microphone just wants them to play all night. Such is the emotion that a listener will get when they listen to Gary Edward Jones’ album The Cabinet Maker.

The 286, A Victory for the Battalion 286. E.P. Review.

Liverpool Sound and Vision Rating * * * *

There are times when the closest analogy, the biggest compliment you can give a group is to compare it to something from the past.

For the 286 and their E.P A Victory for the Battalion 286, to associate it with a solid piece of music from one of the finest bands from the 1960s should be seen as an honour and whilst the music fits neatly in the Power Pop arena, the E.P. goes beyond that and goes straight into the natural limelight afforded the heavily under rated band The Small Faces and the physical expanse that sits in the album Ogden’s Nut Gone Flake.